Yamaha CVP-201 spécification

Reference Booklet
Referenzhandbuch
Guide de référence
Manual de referencia
Table of Contents (English)
Inhalt (Deutsch)
Voice List .............................................................................. 3
Stimmenverzeichnis ............................................................. 3
Demo Songs ......................................................................... 7
Demo-Songs ......................................................................... 7
Drum/key Assignment List .................................................... 8
Verzeichnis der Schlagzeugklänge ...................................... 8
Style List ............................................................................. 10
Style-Verzeichnis ................................................................ 10
Parameter Chart ................................................................. 11
Parameterübersicht ............................................................ 11
Fingering Chart ................................................................... 12
Akkordliste .......................................................................... 12
MIDI Data Format ............................................................... 13
MIDI-Datenformat ............................................................... 13
MIDI Implementation Chart ................................................. 30
MIDI-Implementierungstabelle ............................................ 30
Assembly ............................................................................ 32
Zusammenbau .................................................................... 32
Specifications ..................................................................... 38
Technische Daten ............................................................... 38
Table des matières (Français)
Índice (Español)
Liste des voix ........................................................................ 3
Lista de voces ...................................................................... 3
Morceaux de démo ............................................................... 7
Canciones de demostración ................................................. 7
Liste d’assignation instrument de batterie/touche
du clavier ........................................................................ 8
Lista de asignaciones de teclas/batería ............................... 8
Liste des styles ................................................................... 10
Gráfica de parámetros ........................................................ 11
Tableau des paramètres ..................................................... 11
Gráfica de digitado ............................................................. 12
Tablature ............................................................................ 12
Formato de datos MIDI ....................................................... 13
Format des données MIDI .................................................. 13
Gráfico de puesta en práctica de MIDI ............................... 30
Feuille d’implantation MIDI ................................................. 30
Montaje ............................................................................... 32
Montage .............................................................................. 32
Especificationes .................................................................. 38
Spécifications ..................................................................... 38
2
CVP-201
Lista de estilos .................................................................... 10
Voice List / Stimmenverzeichnis /
Liste des voix / Lista de voces
○○○○○○○○○○○○○
Voice #
Voice #
Category
Piano
E.Piano
Guitar
Synth
Voice Name
Grand Piano
Bright Piano
Mellow Piano
Rock Piano
Midi Grand
Harpsichord1
Harpsichord2
Grand Harpsi
Honky Tonk
NewAge Piano
Stage EP 1
Galaxy EP
New Tines
Funk EP
DX EP Modern
CP80
Tremolo EP
Hyper Tines
Venus EP
Clavi.
Dream EP
Stage EP 2
Wah Clavi.
DX treme
Funky Clavi.
Galaxian EP
DX-EP & Str.
Spanish Gtr.
12Str.Guitar
Solid Guitar
Bright Clean
Clean Guitar
Jazz Guitar1
Mute Guitar
Banjo
HawaiianGtr.
Dist. Guitar
Smooth Nylon
Elec12string
Folk Guitar1
Jazz Guitar2
OctaveGuitar
Gut Guitar
Folk Guitar2
Pedal Steel
Golden Age
Insomnia
Wave 2010
NewAge Pad
Fire Wire
Wire Lead
Blaster
MSB #
LSB #
Program
Change #
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
112
112
114
113
115
112
113
115
112
118
112
118
113
113
115
116
118
117
116
112
114
117
113
113
114
113
118
113
115
115
113
112
113
112
112
114
112
114
126
116
112
115
112
112
114
115
113
114
113
113
114
112
0
1
0
1
2
6
6
6
3
2
4
5
5
4
5
2
4
5
5
7
5
4
7
92
7
100
88
24
25
27
27
27
26
28
105
26
30
24
27
25
26
26
24
25
27
88
94
95
88
81
81
87
Category
Synth
Organ
Strings / Choir
Voice Name
Square Lead
Analogon
Saw. Lead
Cyber Pad
Choir Pad
Atmosphere
Brass Pad
Warm Pad
Equinox
Stardust
Millenium
Strings Pad
Wave 2001
Harp Pad
DX Pad
Pipe Organ
ChapelOrgan1
ChapelOrgan2
Accordion
Tutti Accord
Rotor Organ
Jazz Organ 1
Rock Organ
Elec. Organ
Jazz Organ 2
Class. Organ
ChapelOrgan3
Tango Accrd.
Jazz Organ 3
Perc. Organ
Theatre Org.
60’s Organ
OrchStrings1
ClassicalStr
Popular Str
Vivaldi Str
Chamber Str
Violin
Cello
Choir
Air Choir
Pizzicato
OrchStrings2
Strings Slow
Str.Quartet
Fiddle
Choir Oohs
Choir Slow
Harp
OrchestraHit
MSB #
LSB #
Program
Change #
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
112
115
112
113
112
112
112
112
112
112
114
112
112
112
112
112
115
116
112
115
112
114
116
113
117
113
114
112
115
115
114
113
115
114
116
116
113
112
114
112
112
112
117
113
113
112
112
113
112
112
80
81
81
99
91
99
90
89
94
96
88
51
95
88
92
19
19
19
21
21
18
17
18
16
16
19
19
23
16
17
16
17
48
48
48
49
48
40
42
52
54
45
48
49
40
110
53
52
46
55
CVP-201
3
Voice List / Stimmenverzeichnis /Liste des voix / Lista de voces ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
Voice #
Voice #
Category
Brass
Sax / Flute
Bass
4
CVP-201
Voice Name
SweetTrumpet
Trombone
MuteTrumpet1
Soft Trumpet
Brass Band
BrassSection
Mellow Brass
Big Brass
Analog Brass
Synth Brass
Solo Trumpet
Trb.Section
MuteTrumpet2
Flugel Horn
Tuba
French Horn
BallroomBrs
Breath Tenor
Flute
Clarinet
Breath Alto
Baritone Sax
Soprano Sax
Pan Flute 1
Harmonica
Sax Section
WindEnsemble
Tenor Sax
Alto Sax
Oboe
Piccolo
Bassoon
Whistle
English Horn
Recorder
Pan Flute 2
Acous.Bass
Elec. Bass
Finger Bass
E. Bass Slap
Pick Bass
FretlessBass
Slap Bass
Synth Bass 1
Analog Bass
Bass&Cymbal
Bert’s Bass
Synth Bass 2
Hi Q Bass
Synth Bass 3
MSB #
LSB #
Program
Change #
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
115
114
113
114
118
112
123
114
112
112
112
113
112
113
113
112
114
115
112
112
115
113
112
113
112
114
113
116
112
112
113
113
112
112
113
112
112
113
114
112
112
112
112
112
113
114
113
112
114
113
56
57
59
56
57
61
61
61
63
62
56
57
59
56
58
60
59
66
73
71
65
67
64
75
22
65
73
66
65
68
72
70
78
69
74
75
32
33
33
33
34
35
36
38
39
32
34
39
38
38
Category
Percussion
Ensemble
Voice Name
Vibes
Marimba
Music Box
Steel Drums
Celesta
Jazz Vibes
Xylophone
Glockenspiel
TubularBells
Timpani
Xylomarimba
Dulcimer
Kalimba
Standard Kit
Standard2Kit
Room Kit
Rock Kit
Electro Kit
Analog Kit
Dance Kit
Jazz Kit
Brush Kit
Classic Kit
SFX1 Kit
SFX2 Kit
1 Oct. Piano
2 Oct. Piano
Piano & Str
Piano Heaven
Piano&Choir
Orchestral 1
Orchestral 2
Orchestral 3
Orchestral 4
Orchestral 5
Baroque
Flute&Mallet
Guitar&Flute
Guitar&Str
TwelveString
Hallelujah
Evensong 1
Evensong 2
X’mas Organ
Sunrise Pad
Brass&Sax 1
Brass&Sax 2
Moonsax 1
Moonsax 2
Trump.&Clari
Brass&Lyra
Flute&Lyra
ElectricJazz
GalaxyChoir
Heaven Stack
MSB #
LSB #
Program
Change #
0
0
0
0
0
0
0
0
0
0
0
0
0
127
127
127
127
127
127
127
127
127
127
126
126
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
112
112
113
112
113
113
112
113
112
112
113
112
112
0
0
0
0
0
0
0
0
0
0
0
0
113
114
118
114
118
117
118
118
116
117
118
118
118
115
114
113
118
118
118
116
118
118
117
118
118
118
118
116
117
115
11
12
10
114
8
11
13
9
14
47
12
15
108
0
1
8
16
24
25
27
32
40
48
0
1
3
3
1
100
0
49
49
68
68
68
6
73
24
99
99
53
53
52
19
100
65
66
71
71
56
63
72
26
100
100
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ Voice
List / Stimmenverzeichnis /Liste des voix / Lista de voces
XG
Voice #
Voice Name
GrandPno
GrndPnoK
MelloGrP
PianoStr
Dream
BritePno
BritPnoK
El.Grand
ElGrPnoK
Det.CP80
LayerCP1
LayerCP2
HnkyTonk
HnkyTnkK
E.Piano1
El.Pno1K
MelloEP1
Chor.EP1
HardEl.P
VX El.P1
60sEl.P1
E.Piano2
El.Pno2K
Chor.EP2
DX Hard
DXLegend
DX Phase
DX+Analg
DXKotoEP
VX El.P2
Harpsi.
Harpsi.K
Harpsi.2
Harpsi.3
Clavi
Clavi K
ClaviWah
PulseClv
PierceCl
Celesta
Glocken
MusicBox
Orgel
Vibes
Vibes K
HardVibe
Marimba
MarimbaK
SineMrmb
Balimba
Log Drum
Xylophon
TubulBel
ChrchBel
Carillon
Dulcimer
Dulcimr2
Cimbalom
Santur
DrawOrgn
Voice #
MSB #
LSB #
Program
Change #
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
1
18
40
41
0
1
0
1
32
40
41
0
1
0
1
18
32
40
45
64
0
1
32
33
34
40
41
42
45
0
1
25
35
0
1
27
64
65
0
0
0
64
0
1
45
0
1
64
97
98
0
0
96
97
0
35
96
97
0
0
0
0
0
0
1
1
2
2
2
2
2
3
3
4
4
4
4
4
4
4
5
5
5
5
5
5
5
5
5
6
6
6
6
7
7
7
7
7
8
9
10
10
11
11
11
12
12
12
12
12
13
14
14
14
15
15
15
15
16
Voice Name
DetDrwOr
60sDrOr1
60sDrOr2
70sDrOr1
DrawOrg2
60sDrOr3
EvenBar
16+2’2/3
Organ Ba
70sDrOr2
CheezOrg
DrawOrg3
PercOrgn
70sPcOr1
DetPrcOr
Lite Org
PercOrg2
RockOrgn
RotaryOr
SloRotar
FstRotar
ChrchOrg
ChurOrg3
ChurOrg2
NotreDam
OrgFlute
TrmOrgFl
ReedOrgn
Puff Org
Acordion
AccordIt
Harmnica
Harmo. 2
TangoAcd
TngoAcd2
NylonGtr
NylonGt2
NylonGt3
VelGtHrm
Ukulele
SteelGtr
SteelGt2
12StrGtr
Nyln&Stl
Stl&Body
Mandolin
Jazz Gtr
MelloGtr
Jazz Amp
CleanGtr
ChorusGt
Mute Gtr
FunkGtr1
MuteStlG
FunkGtr2
Jazz Man
Ovrdrive
Gt.Pinch
Dist.Gtr
FeedbkGt
Voice #
MSB #
LSB #
Program
Change #
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
32
33
34
35
36
37
38
40
64
65
66
67
0
24
32
33
37
0
64
65
66
0
32
35
40
64
65
0
40
0
32
0
32
0
64
0
16
25
43
96
0
16
35
40
41
96
0
18
32
0
32
0
40
41
43
45
0
43
0
40
16
16
16
16
16
16
16
16
16
16
16
16
17
17
17
17
17
18
18
18
18
19
19
19
19
19
19
20
20
21
21
22
22
23
23
24
24
24
24
24
25
25
25
25
25
25
26
26
26
27
27
28
28
28
28
28
29
29
30
30
Voice Name
FeedbGt2
GtrHarmo
GtFeedbk
GtrHrmo2
Aco.Bass
JazzRthm
VXUprght
FngrBass
FingrDrk
FlangeBa
Ba&DstEG
FngrSlap
FngBass2
Mod.Bass
PickBass
MutePkBa
Fretless
Fretles2
Fretles3
Fretles4
SynFretl
SmthFrt1
SlapBas1
ResoSlap
PunchThm
SlapBas2
VeloSlap
SynBass1
SynBa1Dk
FastResB
AcidBass
Clv Bass
TechnoBa
Orbiter
Sqr.Bass
RubberBa
Hammer
SynBass2
MelloSBa
Seq Bass
ClkSynBa
SynBa2Dk
SmthSynB
ModulrBa
DX Bass
X WireBa
Violin
Slow Vln
Viola
Cello
Contrabs
Trem.Str
SlwTrStr
Susp. Str
Pizz.Str
Harp
YangChin
Timpani
Strings1
S.Strngs
MSB #
LSB #
Program
Change #
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
41
0
65
66
0
40
45
0
18
27
40
43
45
65
0
28
0
32
33
34
96
97
0
27
32
0
43
0
18
20
24
35
40
64
65
66
96
0
6
12
18
19
32
40
41
64
0
8
0
0
0
0
8
40
0
0
40
0
0
3
30
31
31
31
32
32
32
33
33
33
33
33
33
33
34
34
35
35
35
35
35
35
36
36
36
37
37
38
38
38
38
38
38
38
38
38
38
39
39
39
39
39
39
39
39
39
40
40
41
42
43
44
44
44
45
46
46
47
48
48
CVP-201
5
○○○○○○○○○○○○○
Voice List / Stimmenverzeichnis /Liste des voix / Lista de voces
XG
Voice #
Voice Name
Slow Str
Arco Str
60sStrng
Orchestr
Orchstr2
TremOrch
Velo.Str
Strings2
S.SlwStr
LegatoSt
Warm Str
Kingdom
70s Str
Strings3
Syn Str1
Reso Str
Syn Str4
Syn Str5
Syn Str2
ChoirAah
S.Choir
Ch.Aahs2
MelChoir
ChoirStr
VoiceOoh
SynVoice
SyVoice2
Choral
AnaVoice
Orch.Hit
OrchHit2
Impact
Trumpet
Trumpet2
BriteTrp
Warm Trp
Trombone
Trmbone2
Tuba
Tuba 2
Mute Trp
Fr.Horn
FrHrSolo
FrHorn 2
HornOrch
BrssSect
Tp&TbSec
BrssSec2
HiBrass
MelloBrs
SynBrss1
Quack Br
RezSynBr
PolyBrss
SynBrss3
JumpBrss
AnVelBr1
AnVelBr2
SynBrss2
Soft Brs
SynBrss4
6
CVP-201
Voice #
MSB #
LSB #
Program
Change #
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
8
24
35
40
41
42
45
0
3
8
40
41
64
65
0
27
64
65
0
0
3
16
32
40
0
0
40
41
64
0
35
64
0
16
17
32
0
18
0
16
0
0
6
32
37
0
35
40
41
42
0
12
20
24
27
32
45
64
0
18
40
48
48
48
48
48
48
48
49
49
49
49
49
49
49
50
50
50
50
51
52
52
52
52
52
53
54
54
54
54
55
55
55
56
56
56
56
57
57
58
58
59
60
60
60
60
61
61
61
61
61
62
62
62
62
62
62
62
62
63
63
63
Voice Name
ChoirBrs
VelBrss2
AnaBrss2
SprnoSax
Alto Sax
Sax Sect
HyprAlto
TenorSax
BrthTnSx
SoftTenr
TnrSax 2
Bari.Sax
Oboe
Eng.Horn
Bassoon
Clarinet
Piccolo
Flute
Recorder
PanFlute
Bottle
Shakhchi
Whistle
Ocarina
SquareLd
SquarLd2
LMSquare
Hollow
Shroud
Mellow
SoloSine
SineLead
Saw Lead
Saw Ld 2
ThickSaw
Dyna Saw
Digi Saw
Big Lead
HeavySyn
WaspySyn
PulseSaw
Dr. Lead
VeloLead
Seq Ana.
CaliopLd
PureLead
Chiff Ld
Rubby
CharanLd
DistLead
WireLead
Voice Ld
SynthAah
Vox Lead
Fifth Ld
Big Five
Bass&Ld
Big&Low
Fat&Prky
Soft Wrl
NewAgePd
Voice #
MSB #
LSB #
Program
Change #
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
41
45
64
0
0
40
43
0
40
41
64
0
0
0
0
0
0
0
0
0
0
0
0
0
0
6
8
18
19
64
65
66
0
6
8
18
19
20
24
25
40
41
45
96
0
65
0
64
0
64
65
0
24
64
0
35
0
16
64
65
0
63
63
63
64
65
65
65
66
66
66
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
80
80
80
80
80
80
80
81
81
81
81
81
81
81
81
81
81
81
81
82
82
83
83
84
84
84
85
85
85
86
86
87
87
87
87
88
Voice Name
Fantasy
Warm Pad
ThickPad
Soft Pad
Sine Pad
Horn Pad
RotarStr
PolySyPd
PolyPd80
ClickPad
Ana. Pad
SquarPad
ChoirPad
Heaven
Itopia
CC Pad
BowedPad
Glacier
GlassPad
MetalPad
Tine Pad
Pan Pad
Halo Pad
SweepPad
Shwimmer
Converge
PolarPad
Celstial
Rain
ClaviPad
HrmoRain
AfrcnWnd
Carib
SoundTrk
Prologue
Ancestrl
Crystal
SynDrCmp
Popcorn
TinyBell
RndGlock
GlockChi
ClearBel
ChorBell
SynMalet
SftCryst
LoudGlok
ChrstBel
VibeBell
DigiBell
AirBells
BellHarp
Gamelmba
Atmosphr
WarmAtms
HollwRls
Nylon EP
NylnHarp
Harp Vox
AtmosPad
Planet
MSB #
LSB #
Program
Change #
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
64
0
16
17
18
64
65
0
64
65
66
67
0
64
66
67
0
64
65
0
64
65
0
0
20
27
64
66
0
45
64
65
66
0
27
64
0
12
14
18
35
40
41
42
64
65
66
67
68
69
70
71
72
0
18
19
40
64
65
66
67
88
89
89
89
89
89
89
90
90
90
90
90
91
91
91
91
92
92
92
93
93
93
94
95
95
95
95
95
96
96
96
96
96
97
97
97
98
98
98
98
98
98
98
98
98
98
98
98
98
98
98
98
98
99
99
99
99
99
99
99
99
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
XG
Voice #
Voice Name
Bright
FantaBel
Smokey
Goblins
GobSynth
Creeper
Ring Pad
Ritual
ToHeaven
Night
Glisten
BelChoir
Echoes
Echoes 2
Echo Pan
EchoBell
Big Pan
SynPiano
Creation
StarDust
Reso&Pan
Sci-Fi
Starz
Sitar
DetSitar
Sitar 2
Tambra
Tamboura
Banjo
MuteBnjo
Rabab
Gopichnt
Oud
Shamisen
Koto
Taisho-k
Kanoon
Kalimba
Bagpipe
Voice #
Voice #
MSB #
LSB #
Program
Change #
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
64
96
0
64
65
66
67
68
70
71
96
0
8
14
64
65
66
67
68
69
0
64
0
32
35
96
97
0
28
96
97
98
0
0
96
97
0
0
100
100
100
101
101
101
101
101
101
101
101
101
102
102
102
102
102
102
102
102
102
103
103
104
104
104
104
104
105
105
105
105
105
106
107
107
107
108
109
Voice Name
Fiddle
Shanai
Shanai 2
Pungi
Hichriki
TnklBell
Bonang
Altair
Gamelan
S.Gamlan
Rama Cym
AsianBel
Agogo
SteelDrm
GlasPerc
ThaiBell
WoodBlok
Castanet
TaikoDrm
Gr.Cassa
MelodTom
Mel Tom2
Real Tom
Rock Tom
Syn Drum
Ana Tom
ElecPerc
RevCymbl
FretNoiz
BrthNoiz
Seashore
Tweet
Telphone
Helicptr
Applause
Gunshot
CuttngNz
CttngNz2
Str Slap
MSB #
LSB #
Program
Change #
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
64
64
64
0
0
64
96
97
0
96
97
98
99
100
101
0
0
97
98
0
96
0
96
0
64
65
66
0
64
65
0
0
0
0
0
0
0
0
0
0
0
0
110
111
111
111
111
112
112
112
112
112
112
112
113
114
114
114
115
115
116
116
117
117
117
117
118
118
118
119
120
121
122
123
124
125
126
127
0
1
3
Voice Name
Fl.KClik
Shower
Thunder
Wind
Stream
Bubble
Feed
Dog
Horse
Tweet 2
Ghost
Maou
Tel.Dial
DoorSqek
DoorSlam
ScratchC
ScratchS
WindChim
Telphon2
CarEIgnt
CarTSqel
Car Pass
CarCrash
Siren
Train
JetPlane
Starship
Burst
Coaster
Submarin
Laugh
Scream
Punch
Heart
Footstep
MchinGun
LaserGun
Xplosion
Firework
MSB #
LSB #
Program
Change #
64
64
64
64
64
64
64
64
64
64
64
64
64
64
64
64
64
64
64
64
64
64
64
64
64
64
64
64
64
64
64
64
64
64
64
64
64
64
64
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
16
32
33
34
35
36
37
48
49
50
54
55
64
65
66
67
68
69
70
80
81
82
83
84
85
86
87
88
89
90
96
97
98
99
100
112
113
114
115
Demo Songs / Demo-Songs /
Morceaux de démo / Canciones de demostración
SONG DEMO
Song 1
Song 3
Song 4
VOICE DEMO
Title
Klavier Konzert a moll op.16
(Piano Concert a minor op.16)
Beautiful Dreamer
Annie Laurie
Composer
E.Grieg
S.C.Foster
Traditional
PIANO
SYNTHESIZER
ORGAN
PERCUSSION
XG
Title
Composer
Walzer op.70-1
Bruyeres
Choralvorspiele “Ich ruf’ zu dir, Herr Jesus Christ”
Air de Ballet
TREPAK from “Nutcracker Suite” op.71a
F.Chopin
C.A.Debussy
J.S.Bach
M.Moszkowski
P.I.Tschaikovsky
• Some of the demonstration pieces listed above are specially-arranged excerpts from the original compositions listed above.
All other songs are original (©2001 Yamaha Corporation).
• Bei manchen der oben aufgelisteten Demostücke handelt es sich um Auszüge aus den Originalkompositionen mit speziellem Arrangement. Alle anderen Stücke sind eigene Kompositionen (© 2001 Yamaha Corporation).
• Certains des morceaux de démonstration énumérés ci-dessus sont de courts extraits des compositions originales.
Tous les autres morceaux sont des créations originales (© 2001 Yamaha Corporation).
• Alguna de las piezas de demostración arriba listadas son exceptos especialmente preparados de las composiciones
originales de arriba. Todas las otras canciones son originales (© 2001 Yamaha Corporation.)
CVP-201
7
Drum/key Assignment List / Verzeichnis der
Liste d’assignation instrument de batterie/
Lista de asignaciones de teclas/batería
Bank Select MSB
Bank Select LSB
Program # (1-128)
Keyboard
MIDI
Note
Note #
C# 1
13
C#
D
1
14
D
D# 1
15
D#
E
1
16
E
F
1
17
F
F#
1
18
F#
G
1
19
G
G# 1
20
G#
A
1
21
A
A# 1
22
A#
B
1
23
B
C
2
24
C
C# 2
25
C#
D
2
26
D
D# 2
27
D#
E
2
28
E
F
2
29
F
F#
2
30
F#
G
2
31
G
G# 2
32
G#
A
2
33
A
A# 2
34
A#
B
2
35
B
C
3
36
C
C# 3
37
C#
D
3
38
D
D# 3
39
D#
E
3
40
E
F
3
41
F
F#
3
42
F#
G
3
43
G
G# 3
44
G#
A
3
45
A
A# 3
46
A#
B
3
47
B
C
4
48
C
C# 4
49
C#
D
4
50
D
D# 4
51
D#
E
4
52
E
F
4
53
F
F#
4
54
F#
G
4
55
G
G# 4
56
G#
A
4
57
A
A# 4
58
A#
B
4
59
B
C
5
60
C
C# 5
61
C#
D
5
62
D
D# 5
63
D#
E
5
64
E
F
5
65
F
F#
5
66
F#
G
5
67
G
G# 5
68
G#
A
5
69
A
A# 5
70
A#
B
5
71
B
C
6
72
C
C# 6
73
C#
D
6
74
D
D# 6
75
D#
E
6
76
E
F
6
77
F
F#
6
78
F#
G
6
79
G
G# 6
80
G#
A
6
81
A
A# 6
82
A#
B
6
83
B
C
7
84
C
–
85
C#
–
86
D
–
87
D#
–
88
E
–
89
F
–
90
F#
–
91
G
Note
-1
-1
-1
-1
-1
-1
-1
-1
-1
-1
-1
0
0
0
0
0
0
0
0
0
0
0
0
1
1
1
1
1
1
1
1
1
1
1
1
2
2
2
2
2
2
2
2
2
2
2
2
3
3
3
3
3
3
3
3
3
3
3
3
4
4
4
4
4
4
4
4
4
4
4
4
5
5
5
5
5
5
5
5
Key
off
Alternate
assign
3
3
4
4
O
O
O
1
1
1
O
O
O
2
2
127
0
1
Standard Kit
Surdo Mute
Surdo Open
Hi Q
Whip Slap
Scratch H
Scratch L
Finger Snap
Click Noise
Mtrnm Click
Mtrnm Bell
Seq Click L
Seq Click H
Brush Tap
Brush Swirl
Brush Slap
BrushTapSwrl
Snare Roll
Castanet
Snare Soft
Sticks
Kick Soft
OpenRimShot
Kick Tight
Kick
Side Stick
Snare
Hand Clap
Snare Tight
Floor Tom L
Hi-HatClosed
Floor Tom H
Hi-Hat Pedal
Low Tom
Hi-Hat Open
Mid Tom L
Mid Tom H
CrashCymbal1
High Tom
RideCymbal 1
Chinese Cym
Ride Cym Cup
Tambourine
SplashCymbal
Cowbell
CrashCymbal2
Vibraslap
RideCymbal 2
Bongo H
Bongo L
Conga H Mute
Conga H Open
Conga L
Timbale H
Timbale L
Agogo H
Agogo L
Cabasa
Maracas
SambaWhistlH
SambaWhistlL
Guiro Short
Guiro Long
Claves
Wood Block H
Wood Block L
Cuica Mute
Cuica Open
TriangleMute
TriangleOpen
Shaker
Jingle Bells
Bell Tree
127
0
2
Standard 2 Kit
Surdo Mute
Surdo Open
Hi Q
Whip Slap
Scratch H
Scratch L
Finger Snap
Click Noise
Mtrnm Click
Mtrnm Bell
Seq Click L
Seq Click H
Brush Tap
Brush Swirl
Brush Slap
BrushTapSwrl
Snare Roll 2
Castanet
Snare Soft 2
Sticks
Kick Soft
RimShotHShrt
KickTghtShrt
Kick Short
Side Stick
Snare Short
Hand Clap
SnareTight H
Floor Tom L
Hi-HatClosed
Floor Tom H
Hi-Hat Pedal
Low Tom
Hi-Hat Open
Mid Tom L
Mid Tom H
CrashCymbal1
High Tom
RideCymbal 1
Chinese Cym
Ride Cym Cup
Tambourine
SplashCymbal
Cowbell
CrashCymbal2
Vibraslap
RideCymbal 2
Bongo H
Bongo L
Conga H Mute
Conga H Open
Conga L
Timbale H
Timbale L
Agogo H
Agogo L
Cabasa
Maracas
SambaWhistlH
SambaWhistlL
Guiro Short
Guiro Long
Claves
Wood Block H
Wood Block L
Cuica Mute
Cuica Open
TriangleMute
TriangleOpen
Shaker
Jingle Bells
Bell Tree
• Key Off: Keys marked “ O” stop sounding the instant they are released.
• Alternate Assign: Playing any instrument within a numbered group will immediately stop the sound of any other instrument in the same group of the same
number.
8
CVP-201
127
0
9
Room Kit
127
0
17
Rock Kit
127
0
25
Electro Kit
127
0
26
Analog Kit
Surdo Mute
Surdo Open
Hi Q
Whip Slap
Scratch H
Scratch L
Finger Snap
Click Noise
Mtrnm Click
Mtrnm Bell
Seq Click L
Seq Click H
Brush Tap
Brush Swirl
Brush Slap
BrushTapSwrl
Snare Roll
Castanet
Snare Soft
Sticks
Kick Soft
OpenRimShot
Kick Tight
Kick
Side Stick
Snare Snappy
Hand Clap
SnrTightSnpy
Tom Room 1
Hi-HatClosed
Tom Room 2
Hi-Hat Pedal
Tom Room 3
Hi-Hat Open
Tom Room 4
Tom Room 5
CrashCymbal1
Tom Room 6
RideCymbal 1
Chinese Cym
Ride Cym Cup
Tambourine
SplashCymbal
Cowbell
CrashCymbal2
Vibraslap
RideCymbal 2
Bongo H
Bongo L
Conga H Mute
Conga H Open
Conga L
Timbale H
Timbale L
Agogo H
Agogo L
Cabasa
Maracas
SambaWhistlH
SambaWhistlL
Guiro Short
Guiro Long
Claves
Wood Block H
Wood Block L
Cuica Mute
Cuica Open
TriangleMute
TriangleOpen
Shaker
Jingle Bells
Bell Tree
Surdo Mute
Surdo Open
Hi Q
Whip Slap
Scratch H
Scratch L
Finger Snap
Click Noise
Mtrnm Click
Mtrnm Bell
Seq Click L
Seq Click H
Brush Tap
Brush Swirl
Brush Slap
BrushTapSwrl
Snare Roll
Castanet
Snare Noisy
Sticks
Kick Tight 2
OpenRimShot
Kick 2
Kick Gate
Side Stick
Snare Rock
Hand Clap
SnareRockRim
Tom Rock 1
Hi-HatClosed
Tom Rock 2
Hi-Hat Pedal
Tom Rock 3
Hi-Hat Open
Tom Rock 4
Tom Rock 5
CrashCymbal1
Tom Rock 6
RideCymbal 1
Chinese Cym
Ride Cym Cup
Tambourine
SplashCymbal
Cowbell
CrashCymbal2
Vibraslap
RideCymbal 2
Bongo H
Bongo L
Conga H Mute
Conga H Open
Conga L
Timbale H
Timbale L
Agogo H
Agogo L
Cabasa
Maracas
SambaWhistlH
SambaWhistlL
Guiro Short
Guiro Long
Claves
Wood Block H
Wood Block L
Cuica Mute
Cuica Open
TriangleMute
TriangleOpen
Shaker
Jingle Bells
Bell Tree
Surdo Mute
Surdo Open
Hi Q
Whip Slap
Scratch H
Scratch L
Finger Snap
Click Noise
Mtrnm Click
Mtrnm Bell
Seq Click L
Seq Click H
Brush Tap
Brush Swirl
Brush Slap
ReversCymbal
Snare Roll
Hi Q 2
SnrSnpyElctr
Sticks
Kick 3
OpenRimShot
Kick Gate
KckGateHeavy
Side Stick
SnareNoisy 2
Hand Clap
SnareNoisy 3
TomElectro 1
Hi-HatClosed
TomElectro 2
Hi-Hat Pedal
TomElectro 3
Hi-Hat Open
TomElectro 4
TomElectro 5
CrashCymbal1
TomElectro 6
RideCymbal 1
Chinese Cym
Ride Cym Cup
Tambourine
SplashCymbal
Cowbell
CrashCymbal2
Vibraslap
RideCymbal 2
Bongo H
Bongo L
Conga H Mute
Conga H Open
Conga L
Timbale H
Timbale L
Agogo H
Agogo L
Cabasa
Maracas
SambaWhistlH
SambaWhistlL
Guiro Short
Guiro Long
Claves
Wood Block H
Wood Block L
Scratch H 2
Scratch L 2
TriangleMute
TriangleOpen
Shaker
Jingle Bells
Bell Tree
Surdo Mute
Surdo Open
Hi Q
Whip Slap
Scratch H
Scratch L
Finger Snap
Click Noise
Mtrnm Click
Mtrnm Bell
Seq Click L
Seq Click H
Brush Tap
Brush Swirl
Brush Slap
ReversCymbal
Snare Roll
Hi Q 2
SnareNoisy 4
Sticks
Kick Tight 2
OpenRimShot
KickAnlgShrt
Kick Analog
SideStickAn
SnareAnalog
Hand Clap
SnareAnalog2
Tom Analog 1
HatCloseAnlg
Tom Analog 2
HatCloseAn 2
Tom Analog 3
HatOpen Anlg
Tom Analog 4
Tom Analog 5
Crash Analog
Tom Analog 6
RideCymbal 1
Chinese Cym
Ride Cym Cup
Tambourine
SplashCymbal
Cowbell Anlg
CrashCymbal2
Vibraslap
RideCymbal 2
Bongo H
Bongo L
Conga Anlg H
Conga Anlg M
Conga Anlg L
Timbale H
Timbale L
Agogo H
Agogo L
Cabasa
Maracas 2
SambaWhistlH
SambaWhistlL
Guiro Short
Guiro Long
Claves 2
Wood Block H
Wood Block L
Scratch H 2
Scratch L 3
TriangleMute
TriangleOpen
Shaker
Jingle Bells
Bell Tree
• Key Off: Durch “ O” gekennzeichnete Klänge verstummen beim Loslassen
der Taste.
• Alternate Assign: Mit derselben Nummer gekennzeichnete Klänge werden
von demselben Instrument erzeugt und können daher nicht gleichzeitig
produziert werden. Spielt einer dieser Klänge gerade, wird er beim
Anschlagen einer anderen Taste mit derselben “Alternate Assign”-Nummer
stummgeschaltet.
Schlagzeugklänge /
touche du clavier / ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
Bank Select MSB
Bank Select LSB
Program # (1-128)
Keyboard
MIDI
Note
Note # Note
C# 1
13
C#
D
1
14
D
D# 1
15
D#
E
1
16
E
F
1
17
F
F#
1
18
F#
G
1
19
G
G# 1
20
G#
A
1
21
A
A# 1
22
A#
B
1
23
B
C
2
24
C
C# 2
25
C#
D
2
26
D
D# 2
27
D#
E
2
28
E
F
2
29
F
F#
2
30
F#
G
2
31
G
G# 2
32
G#
A
2
33
A
A# 2
34
A#
B
2
35
B
C
3
36
C
C# 3
37
C#
D
3
38
D
D# 3
39
D#
E
3
40
E
F
3
41
F
F#
3
42
F#
G
3
43
G
G# 3
44
G#
A
3
45
A
A# 3
46
A#
B
3
47
B
C
4
48
C
C# 4
49
C#
D
4
50
D
D# 4
51
D#
E
4
52
E
F
4
53
F
F#
4
54
F#
G
4
55
G
G# 4
56
G#
A
4
57
A
A# 4
58
A#
B
4
59
B
C
5
60
C
C# 5
61
C#
D
5
62
D
D# 5
63
D#
E
5
64
E
F
5
65
F
F#
5
66
F#
G
5
67
G
G# 5
68
G#
A
5
69
A
A# 5
70
A#
B
5
71
B
C
6
72
C
C# 6
73
C#
D
6
74
D
D# 6
75
D#
E
6
76
E
F
6
77
F
F#
6
78
F#
G
6
79
G
G# 6
80
G#
A
6
81
A
A# 6
82
A#
B
6
83
B
C
7
84
C
–
85
C#
–
86
D
–
87
D#
–
88
E
–
89
F
–
90
F#
–
91
G
Key
off
-1
-1
-1
-1
-1
-1
-1
-1
-1
-1
-1
0
0
0
0
0
0
0
0
0
0
0
0
1
1
1
1
1
1
1
1
1
1
1
1
2
2
2
2
2
2
2
2
2
2
2
2
3
3
3
3
3
3
3
3
3
3
3
3
4
4
4
4
4
4
4
4
4
4
4
4
5
5
5
5
5
5
5
5
Alternate
assign
3
3
4
4
O
O
O
1
1
1
O
O
O
2
2
127
0
28
Dance Kit
127
0
33
Jazz Kit
127
0
41
Brush Kit
Surdo Mute
Surdo Open
Hi Q
Whip Slap
Scratch H
Scratch L
Finger Snap
Click Noise
Mtrnm Click
Mtrnm Bell
Seq Click L
Seq Click H
Brush Tap
Brush Swirl
Brush Slap
ReversCymbal
Snare Roll
Hi Q 2
SnareTechno3
Sticks
KickTechno Q
Rim Gate
KickTechno L
KickTechno 2
SideStickAn
Snare Clap
Hand Clap
Snare Dry 2
Tom Analog 1
HiHatClose 3
Tom Analog 2
HatCloseAn 2
Tom Analog 3
HiHat Open 3
Tom Analog 4
Tom Analog 5
Crash Analog
Tom Analog 6
RideCymbal 1
Chinese Cym
Ride Cym Cup
Tambourine
SplashCymbal
Cowbell Anlg
CrashCymbal2
Vibraslap
RideCymbal 2
Bongo H
Bongo L
Conga Anlg H
Conga Anlg M
Conga Anlg L
Timbale H
Timbale L
Agogo H
Agogo L
Cabasa
Maracas 2
SambaWhistlH
SambaWhistlL
Guiro Short
Guiro Long
Claves 2
Wood Block H
Wood Block L
Scratch H 2
Scratch L 3
TriangleMute
TriangleOpen
Shaker
Jingle Bells
Bell Tree
Surdo Mute
Surdo Open
Hi Q
Whip Slap
Scratch H
Scratch L
Finger Snap
Click Noise
Mtrnm Click
Mtrnm Bell
Seq Click L
Seq Click H
Brush Tap
Brush Swirl
Brush Slap
BrushTapSwrl
Snare Roll
Castanet
Snare Soft
Sticks
Kick Soft
OpenRimShot
Kick Tight
Kick Jazz
Side Stick
Snare
Hand Clap
Snare Tight
Tom Jazz 1
Hi-HatClosed
Tom Jazz 2
Hi-Hat Pedal
Tom Jazz 3
Hi-Hat Open
Tom Jazz 4
Tom Jazz 5
CrashCymbal1
Tom Jazz 6
RideCymbal 1
Chinese Cym
Ride Cym Cup
Tambourine
SplashCymbal
Cowbell
CrashCymbal2
Vibraslap
RideCymbal 2
Bongo H
Bongo L
Conga H Mute
Conga H Open
Conga L
Timbale H
Timbale L
Agogo H
Agogo L
Cabasa
Maracas
SambaWhistlH
SambaWhistlL
Guiro Short
Guiro Long
Claves
Wood Block H
Wood Block L
Cuica Mute
Cuica Open
TriangleMute
TriangleOpen
Shaker
Jingle Bells
Bell Tree
Surdo Mute
Surdo Open
Hi Q
Whip Slap
Scratch H
Scratch L
Finger Snap
Click Noise
Mtrnm Click
Mtrnm Bell
Seq Click L
Seq Click H
Brush Tap
Brush Swirl
Brush Slap
BrushTapSwrl
Snare Roll
Castanet
Brush Slap 2
Sticks
Kick Soft
OpenRimShot
Kick Tight
Kick Small
Side Stick
Brush Slap 3
Hand Clap
Brush Tap 2
Tom Brush 1
Hi-HatClosed
Tom Brush 2
Hi-Hat Pedal
Tom Brush 3
Hi-Hat Open
Tom Brush 4
Tom Brush 5
CrashCymbal1
Tom Brush 6
RideCymbal 1
Chinese Cym
Ride Cym Cup
Tambourine
SplashCymbal
Cowbell
CrashCymbal2
Vibraslap
RideCymbal 2
Bongo H
Bongo L
Conga H Mute
Conga H Open
Conga L
Timbale H
Timbale L
Agogo H
Agogo L
Cabasa
Maracas
SambaWhistlH
SambaWhistlL
Guiro Short
Guiro Long
Claves
Wood Block H
Wood Block L
Cuica Mute
Cuica Open
TriangleMute
TriangleOpen
Shaker
Jingle Bells
Bell Tree
• Key off : Le son produit par les touches marquées “ O” cesse à l’instant où la
touche est relâchée.
• Alternate Assign : Le fait de jouer un instrument appartenant à un groupe
ayant un numéro arrête immédiatement le son de tout autre instrument
appartenant à un groupe ayant le même numéro.
127
0
49
Symphony Kit
Surdo Mute
Surdo Open
Hi Q
Whip Slap
Scratch H
Scratch L
Finger Snap
Click Noise
Mtrnm Click
Mtrnm Bell
Seq Click L
Seq Click H
Brush Tap
Brush Swirl
Brush Slap
BrushTapSwrl
Snare Roll
Castanet
Brush Slap 2
Sticks
Kick Soft 2
OpenRimShot
Gran Cassa
GranCassa Mu
Side Stick
Band Snare
Hand Clap
Band Snare 2
Tom Jazz 1
Hi-HatClosed
Tom Jazz 2
Hi-Hat Pedal
Tom Jazz 3
Hi-Hat Open
Tom Jazz 4
Tom Jazz 5
Hand Cymbal
Tom Jazz 6
HandCymShort
Chinese Cym
Ride Cym Cup
Tambourine
SplashCymbal
Cowbell
HandCymbal 2
Vibraslap
HandCym2Shrt
Bongo H
Bongo L
Conga H Mute
Conga H Open
Conga L
Timbale H
Timbale L
Agogo H
Agogo L
Cabasa
Maracas
SambaWhistlH
SambaWhistlL
Guiro Short
Guiro Long
Claves
Wood Block H
Wood Block L
Cuica Mute
Cuica Open
TriangleMute
TriangleOpen
Shaker
Jingle Bells
Bell Tree
126
0
1
SFX Kit 1
CuttingNoiz
CuttingNoiz2
String Slap
126
0
2
SFX Kit 2
Phone Call
Door Squeak
Door Slam
Scratch Cut
Scratch H 3
Wind Chime
Telephone 2
Fl.Key Click
Ignition
Squeal
Exhaust
Crash
Siren
Train
Jet Plane
Starship
Burst
Coaster
Submarine
Shower
Thunder
Wind
Stream
Bubble
Feed
Laugh
Scream
Punch
Heartbeat
Footsteps
Dog
Horse
Bird Tweet 2
Machine Gun
Laser Gun
Explosion
Firework
Ghost
Maou
• Key Off: Las teclas marcadas con “ O” dejan de sonar en el momento en
que se sueltan.
• Alternate Assign: Al tocar algún instrumento con un grupo numerado
detendrá inmediatamente el sonido de cualquier otro instrumento del mismo
grupo con el mismo número.
CVP-201
9
Style List / Style-Verzeichnis /
Liste des styles / Lista de estilos
Category
8 BEAT
16 BEAT
BALLAD
10
CVP-201
Style Name
8 Beat 1
8 Beat 2
8Bt Adria
8Bt Pop 1
8Bt Pop 2
British Pop
8 Beat Soft
8Beat Ballad
Light Pop
16 Beat 1
16 Beat 2
16 Beat 3
16 Beat 4
16 Beat 5
Soft Fusion
Hip Hop Pop
16Bt Funk
Funky Pop
Funky Dance
80’s Fusion
Jazz Rock
16 Beat 6
16-Ballad 1
16-Ballad 2
Piano Ballad
Rock Ballad
U.S. Ballad
Slow Rock 1
Slow Rock 2
Slow Ballad
Modern 6/8
Pop Ballad 1
Pop Ballad 2
Cool Night
GuitarBallad
Organ Ballad
Pop Ballad 3
Epic Ballad
Pop Waltz
Category
DANCE
ROCK/R&B
SWING/JAZZ
Style Name
Clubdance
Techno
Entrance
Eurobeat
70’s Disco
90’s Disco
Disco Soul
Cool Dance
Miami Pop
Disco Tropic
Disco Hands
Rock
Hard Rock
R & Roll
Rock Shuffle
Gospel Shffl
R&B1
Twist
Motown
4/4 Blues
8 Beat Heat
Soul Shuffle
Pop Shuffle
R&B2
6/8 Blues
6/8 Rock
Swing
Big Band 1
BigBand Bld
Jazz Ballad
Jazz Trio
Boogie
Dixieland 1
Bebop
Big Band 2
Dixieland 2
Jazz Waltz 1
Jazz Waltz 2
Category
LATIN
COUNTRY
BALLROOM
Style Name
Samba Rio
Bossa Nova
Swing Reggae
GuitarRhumba
Guitar Bossa
Salsa
Mambo
Pop Bossa
Spanish Paso
Pop Reggae
Country Rock
Country 8Bt
Country Pop
CntryShuffle
Cntry Swing
Bluegrass
Cntry Ballad
Two Step
Hoedown
CountryWaltz
Folk
Vienna Waltz
Slow Waltz
Slow Fox
Quickstep 1
Tango
Cha Cha
Samba
Rhumba
Pasodoble
Jive
Orch.Waltz
Beguine
Foxtrot
Quickstep 2
○○○○○○○○○○○○○
Category
TRAD./
WALTZ
PIANIST
Style Name
U.S. March
German March
6/8 March 1
Showtune
Polka Pop
Ober Polka
Oberkrain.W.
Tarantella
Musette
Guitar Waltz
6/8 March 2
Enka 1
Enka 2
Stride 1
Stride 2
Swing 1
Swing 2
Jazz Ballad
Blues 1
Blues 2
BoogieWoogie
Jazz Waltz
Arpeggio 1
8Bt Ballad 1
8Bt Ballad 2
8 Beat
Rock’n’ Roll
Slow Rock
2Beat Swing
Ragtime 1
Ragtime 2
March 1
6/8 March
4 Stroke
March 2
Musical
Traditional1
Traditional2
Traditional3
Arpeggio 2
Arpeggio 3
Waltz
Slow Waltz
Bossa Nova
Samba
Rhumba
Cha Cha
Beguine
Parameter Chart / Parameterübersicht /
Tableau des paramètres / Gráfica de parámetros
Group
VOICE
DUAL
SPLIT
REVERB
EFFECT
CHORUS
REGISTRATION
MIXER
ACCOMPANIMENT
METRONOME
SONG
HELP
FUNCTION
Contents
RIGHT1 VOICE
RIGHT1 OCTAVE SHIFT
RIGHT1 PAN
RIGHT1 VOLUME
Selected voice in each VOICE SELECT page
HARMONY ON/OFF
HARMONY TYPE
HARMONY VOLUME
HARMONY SPEED
DUAL ON/OFF
RIGHT2 VOICE
RIGHT2 OCTAVE SHIFT
DUAL DETUNE DEPTH
RIGHT2 PAN
RIGHT2 VOLUME
SPLIT ON/OFF
LEFT VOICE
LEFT OCTA VE SHIFT
SPLIT POINT
LEFT PAN
LEFT VOLUME
PEDAL RANGE
REVERB ON/OFF
REVERB TYPE
REVERB TOTAL DEPTH
REVERB PART DEPTH (RHYTHM, ACMP)
REVERB PART DEPTH (LEFT, RIGHT1, RIGHT2)
EFFECT ON/OFF
EFFECT TYPE (RIGHT1, RIGHT2, LEFT)
EFFECT DEPTH
EFFECT VARIATION
CHORUS TYPE
CHORUS DEPTH (RIGHT1, RIGHT2, LEFT)
REGISTRATION FREEZE ON/OFF
FREEZE CATEGORY ON/OFF (VOICE SETTING),
REVERB/EFFECT, TUNE, PEDAL, ACMP.SETTING
ALL REGIST RATION Memory Data (20)
MIXER PART VOLUME (RHYTHM, BASS, CHORD,
PAD, PHRASE)
KEYBOARD VOLUME
STYLE
Selected style in each STYLE SELECT page
MAIN A/B/C/D
ACMP. ON/OFF
ACCOMPANIMENT MODE
TEMPO 1
INTRO/FILL IN/ENDING
METRONOME TYPE
METRONOME VOLUME
GUIDE MODE
SOUND REPEAT
PIANO ROLL DISPLAY
GUIDE LAMP ON/OFF
LYRICS ON/OFF
SONG VOLUME
LANGUAGE
TUNE
TRANSPOSE (ALL)
TRANSPOSE (SONG)
VOICE SETTING
KEY TOUCH
FIXED VELOCITY
LEFT PEDAL FUNCTION
LEFT PART MIDI SEND Ch.
RIGHT 1 PART MIDI SEND Ch.
RIGHT 2 PART MIDI SEND Ch.
LOCAL CONTROL ON/OFF
SYNC. CLOCK
PROGRAM CHANGE SEND/RECEIVE ON/OFF
CONTROL CHANGE SEND/RECEIVE ON/OFF
SYSTEM EXCLUSIVE SEND/RECEIVE ON/OFF
START/STOP SEND/RECEIVE ON/OFF
MIDI FILTER ON/OFF (all channels)
MIDI TRANSPOSE RECEIVE ON/OFF
ACMP & RHY SEND ON/OFF
HARMONY SEND ON/OFF
SEQUENCER SEND ON/OFF
REMOTE KEYBOARD
MICRO TUNING ON/OFF
MICRO TUNE. SETTING
SCALE TUNING SELECT
PRESET SCALE SELECT
PRESET SCALE KEY
USER SCALE SETTING
BACKUP ON/OFF
Default
Grand Piano
0
Center
127
Top voice
OFF
Depends on voice selection.
Depends on voice selection.
Depends on voice selection.
OFF
Strings Slow
0
5
Center
127
OFF
Acous.Bass 1
+1
F#2
Center
127
RIGHT
Depends on voice selection.
Depends on style (voice)
selection.
64
64
Depends on voice selection.
Depends on voice selection.
Depends on voice selection.
Depends on voice selection.
Depends on voice selection.
Depends on style selection.
Depends on voice selection.
OFF
ACMP. SETTING: ON
Others: OFF
Factory preset data
110
One Touch
Setting
O
O
O
O
—
O
O
O
O
O
O
O
O
O
O
—
—
—
—
—
—
—
O
—
Music
Database
O
O
O
O
—
O
O
O
O
O
O
O
O
O
O
O
O
O
—
O
O
—
O
O
Set Up
Memory
O
O
O
O
—
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
Registration Freeze
Group
VOICE SETTING
VOICE SETTING
VOICE SETTING
VOICE SETTING
—
VOICE SETTING
VOICE SETTING
VOICE SETTING
VOICE SETTING
VOICE SETTING
VOICE SETTING
VOICE SETTING
VOICE SETTING
VOICE SETTING
VOICE SETTING
VOICE SETTING
VOICE SETTING
VOICE SETTING
VOICE SETTING
VOICE SETTING
VOICE SETTING
PEDAL
REV/CHO/EFF
REV/CHO/EFF
All Set Up
Backup Group
Recall Group
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
VOICE SETTING
VOICE SETTING
VOICE SETTING
VOICE SETTING
VOICE SETTING
VOICE SETTING
VOICE SETTING
VOICE SETTING
VOICE SETTING
VOICE SETTING
VOICE SETTING
VOICE SETTING
VOICE SETTING
VOICE SETTING
VOICE SETTING
VOICE SETTING
VOICE SETTING
VOICE SETTING
VOICE SETTING
VOICE SETTING
VOICE SETTING
PEDAL
REV/CHO/EFF
REV/CHO/EFF
VOICE SETTING
VOICE SETTING
VOICE SETTING
VOICE SETTING
VOICE SETTING
VOICE SETTING
VOICE SETTING
VOICE SETTING
VOICE SETTING
VOICE SETTING
VOICE SETTING
VOICE SETTING
VOICE SETTING
VOICE SETTING
VOICE SETTING
VOICE SETTING
VOICE SETTING
VOICE SETTING
VOICE SETTING
VOICE SETTING
VOICE SETTING
PEDAL
REV/CHO/EFF
REV/CHO/EFF
—
—
O
O
O
O
O
—
O
—
—
O
O
O
O
O
O
O
O
O
—
—
O
O
O
O
O
O
O
O
O
—
—
REV/CHO/EFF
REV/CHO/EFF
REV/CHO/EFF
REV/CHO/EFF
REV/CHO/EFF
REV/CHO/EFF
REV/CHO/EFF
REV/CHO/EFF
REV/CHO/EFF
—
—
O
O
O
O
O
O
O
O
O
—
—
REV/CHO/EFF
REV/CHO/EFF
REV/CHO/EFF
REV/CHO/EFF
REV/CHO/EFF
REV/CHO/EFF
REV/CHO/EFF
REV/CHO/EFF
REV/CHO/EFF
REGISTRATION
REGISTRATION
REV/CHO/EFF
REV/CHO/EFF
REV/CHO/EFF
REV/CHO/EFF
REV/CHO/EFF
REV/CHO/EFF
REV/CHO/EFF
REV/CHO/EFF
REV/CHO/EFF
REGISTRATION
REGISTRATION
—
—
—
O
—
—
—
ACMP. SETTING
O
O
REGISTRATION
ACMP SETTING
REGISTRATION
ACMP SETTING
—
—
—
—
ON
—
—
—
—
—
—
—
—
—
—
—
O
O
—
O
ON
—
O
—
—
—
—
—
—
—
—
—
O
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
VOICE SETTING
ACMP. SETTING
—
ACMP. SETTING
ACMP. SETTING
ACMP. SETTING
ACMP. SETTING
ACMP. SETTING
—
—
—
—
—
—
—
—
O
O
O
O
O
O
O
O
O
O
—
O
O
O
O
—
VOICE
ACMP
ACMP
ACMP
ACMP
ACMP
ACMP
VOICE
ACMP
ACMP
ACMP
ACMP
ACMP
ACMP
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
O
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
O
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
VOICE SETTING
—
—
VOICE SETTING
VOICE SETTING
PEDAL
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
TUNE
TUNE
TUNE
TUNE
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
Always backed up.
TUNE
VOICE SETTING
VOICE SETTING
VOICE SETTING
VOICE SETTING
VOICE SETTING
PEDAL
MIDI SETTING
MIDI SETTING
MIDI SETTING
MIDI SETTING
MIDI SETTING
MIDI SETTING
MIDI SETTING
MIDI SETTING
MIDI SETTING
MIDI SETTING
MIDI SETTING
MIDI SETTING
MIDI SETTING
MIDI SETTING
MIDI SETTING
TUNE
TUNE
TUNE
TUNE
TUNE
TUNE
Always backed up.
127
8 Beat 1
Top style
MAIN C
OFF
MULTI FINGER
Depends on style selection.
OFF
NORMAL
64
NORMAL
AUTO
AUTO
ON
ON
[ACMP/SONG VOLUME]
slider value
ENGLISH
440.0Hz (A3)
0
0
AUTO
NORMAL
76
SOFT
3
1
2
ON
INT.
TX&RX (ON)
TX&RX (ON)
TX&RX (ON)
OFF
ON
ON
OFF
OFF
OFF
OFF
OFF
0
PRESET
EQUAL
C
0
Set separately for each
group.2
SETTING
SETTING
SETTING
SETTING
SETTING
SETTING
SETTING
—
ACMP SETTING
ACMP SETTING
—
SONG SETTING
SONG SETTING
SONG SETTING
SONG SETTING
SONG SETTING
ACMP
ACMP
SONG
SONG
SONG
SONG
SETTING
SETTING
SETTING
SETTING
SETTING
SETTING
SETTING
—
SETTING
SETTING
—
SETTING
SETTING
SETTING
SETTING
—
—
TUNE
VOICE SETTING
VOICE SETTING
VOICE SETTING
VOICE SETTING
VOICE SETTING
PEDAL
MIDI SETTING
MIDI SETTING
MIDI SETTING
MIDI SETTING
MIDI SETTING
MIDI SETTING
MIDI SETTING
MIDI SETTING
MIDI SETTING
MIDI SETTING
MIDI SETTING
MIDI SETTING
MIDI SETTING
MIDI SETTING
MIDI SETTING
TUNE
TUNE
TUNE
TUNE
TUNE
TUNE
1 When a Music Database setup or registration is recalled during Auto Accompaniment
playback, the style thereby selected will begin playing immediately if it is the same as
the style that is currently playing, or from the top of the next measure if it is a different
style.
2 REGISTRATION: ON; Others: OFF
1 Si une configuration de Music Database ou une registration est rappelée au cours de
l’accompagnement automatique, le style ainsi sélectionné sera joué immédiatement s’il
est identique au style en cours de lecture, ou au début de la mesure suivante s’il s’agit
d’un style différent.
2 REGISTRATION : ON ; Autres : OFF
1 Bei Wiederaufruf eines Musikdatenbank-Setup oder einer Registrierung während des
Auto Accompaniment-Backup (Backup von Autom. Begleitung) wird der dabei gewählte
Style sofort abgespielt, sofern dieser derselbe ist wie der aktuell abgespielte Style, oder
ab der obersten Stelle des nächsten Taktes, falls es sich um einen anderen Style
handelt.
2 REGISTRATION: ON; Andere: OFF
1 Cuando un registro o los ajustes Music Database están llamados durante una
reproducción Auto Accompaniment, el estilo seleccionado reproducirá inmediatamente
si es el mismo que el estilo que se está reproduciendo o desde el principio del compás
siguiente si es un estilo diferente.
2 REGISTRATION: ON; Otros: OFF
CVP-201
11
Fingering Chart / Akkordliste /
Tablature / Gráfica de digitado
○○○○○○○○○○○○○○○○
* All fingerings shown are simple root-position types.
* Die hier gezeigten Akkorde sind jeweils die Grundakkorde.
* Tous les doigtés indiqués sont du type à position fondamentale simple.
* Todos los digitados se muestran como tipos de posición de raíz sencilla.
Example for “C” chords
Beispiele für “C”-Akkorde
Exemples d’accords en “C”
Ejemplo de acordes “C”
CM 7 (b5)
CM 7 (#11)
C(b5)
Caug
Cm
Cm 6
Cm 7
Cmadd 9
Cm 7 (9)
Cm 7 (11)
CmM 7 (b5)
CmM 7 (9)
Cm (b5)
Cdim 7
C7
C 7 (#11)
C 7 (13)
C 7(b5)
C
C6
Cadd 9
CM 7 (9)
C 7(#5)
CM 7 (#5)
Cm 7 (b5)
CmM 7
)
)
)
12
)
)
(
(
)
CVP-201
)
(
)
(
)
(
C 7(#9)
)
C 7 (b13)
(
C 7(b9)
C 7 (9)
(
(
)
C7 sus 4
(
(
)
)
(
)
(
)
(
(
)
)
(
(
)
C 6 (9)
(
(
(
)
CM 7
Csus 4
MIDI Data Format / MIDI-Datenformat /
Format des données MIDI / Formato de datos MIDI ○ ○ ○ ○ ○ ○
Many MIDI messages listed in the MIDI Data Format are expressed in decimal
numbers, binary numbers and hexadecimal numbers. Hexadecimal numbers
may include the letter “H” as a suffix. Also, “n” can freely be defined as any
whole number.
To enter data/values, refer to the table below.
Decimal
0
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
Hexadecimal
00
01
02
03
04
05
06
07
08
09
0A
0B
0C
0D
0E
0F
10
11
12
13
14
15
16
17
18
19
1A
1B
1C
1D
1E
1F
20
21
22
23
24
25
26
27
28
29
2A
2B
2C
2D
2E
2F
30
31
32
33
34
35
36
37
38
39
3A
3B
3C
3D
3E
3F
Binary
0000 0000
0000 0001
0000 0010
0000 0011
0000 0100
0000 0101
0000 0110
0000 0111
0000 1000
0000 1001
0000 1010
0000 1011
0000 1100
0000 1101
0000 1110
0000 1111
0001 0000
0001 0001
0001 0010
0001 0011
0001 0100
0001 0101
0001 0110
0001 0111
0001 1000
0001 1001
0001 1010
0001 1011
0001 1100
0001 1101
0001 1110
0001 1111
0010 0000
0010 0001
0010 0010
0010 0011
0010 0100
0010 0101
0010 0110
0010 0111
0010 1000
0010 1001
0010 1010
0010 1011
0010 1100
0010 1101
0010 1110
0010 1111
0011 0000
0011 0001
0011 0010
0011 0011
0011 0100
0011 0101
0011 0110
0011 0111
0011 1000
0011 1001
0011 1010
0011 1011
0011 1100
0011 1101
0011 1110
0011 1111
Decimal
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
Hexadecimal
40
41
42
43
44
45
46
47
48
49
4A
4B
4C
4D
4E
4F
50
51
52
53
54
55
56
57
58
59
5A
5B
5C
5D
5E
5F
60
61
62
63
64
65
66
67
68
69
6A
6B
6C
6D
6E
6F
70
71
72
73
74
75
76
77
78
79
7A
7B
7C
7D
7E
7F
Binary
0100 0000
0100 0001
0100 0010
0100 0011
0100 0100
0100 0101
0100 0110
0100 0111
0100 1000
0100 1001
0100 1010
0100 1011
0100 1100
0100 1101
0100 1110
0100 1111
0101 0000
0101 0001
0101 0010
0101 0011
0101 0100
0101 0101
0101 0110
0101 0111
0101 1000
0101 1001
0101 1010
0101 1011
0101 1100
0101 1101
0101 1110
0101 1111
0110 0000
0110 0001
0110 0010
0110 0011
0110 0100
0110 0101
0110 0110
0110 0111
0110 1000
0110 1001
0110 1010
0110 1011
0110 1100
0110 1101
0110 1110
0110 1111
0111 0000
0111 0001
0111 0010
0111 0011
0111 0100
0111 0101
0111 0110
0111 0111
0111 1000
0111 1001
0111 1010
0111 1011
0111 1100
0111 1101
0111 1110
0111 1111
• Except the table above, for example 144-159(decimal)/9nH/1001 0000-1001
1111(binary) displays the Note On Message for each channel (1-16). 176-191/
BnH/1011 0000-1011 1111 displays the Control Change Message for each
channel (1-16). 192-207/CnH/1100 0000-1100 1111 displays the Program
Change Message for each channel (1-16). 240/F0H/1111 0000 denotes the
start of a System Exclusive Message. 247/F7H/1111 0111 denotes the end of
a System Exclusive Message.
• aaH (hexidecimal)/0aaaaaaa (binary) denotes the data address. The address
contains High, Mid, and Low.
• bbH/0bbbbbbb denotes the byte count.
• ccH/0ccccccc denotes the check sum.
• ddH/0ddddddd denotes the data/value.
(1) TRANSMIT FLOW
MIDI←
OUT
KEY OFF
KEY ON/OFF
8nH
9nH
CONTROL CHANGE
BANK SELECT MSB
BANK SELECT LSB
DATA ENTRY MSB
DATA ENTRY LSB
MAIN VOLUME
PANPOT
EXPRESSION
SUSTAIN
SOSTENUTE
SOFT PEDAL
PORTAMENTO CONTROL
REVERB SEND LEVEL
CHORUS SEND LEVEL
VARIATION SEND LEVEL
RPN LSB
RPN MSB
PITCH BEND SENS.
BnH
BnH,00H
BnH,20H
BnH,06H
BnH,26H
BnH,07H
BnH,0AH
BnH,0BH
BnH,40H
BnH,42H
BnH,43H
BnH,54H
BnH,5BH
BnH,5DH
BnH,5EH
BnH,64H
BnH,65H
BnH,65H,00H,64H,00H,06H,mmH
PROGRAM CHANGE
CnH
SYSTEM EXCLUSIVE MESSAGE
<YAMAHA MIDI FORMAT>
<UNIVERSAL>
UNIVERSAL NON-REALTIME
<XG STANDARD>
XG PARAMETER CHANGE
F0H 7EH.....F7H
F0H 43H 1nH 4CH aaH aaH aaH ddH
.....ddH F7H
F0H 43H 0nH 4CH bbH bbH aaH aaH
aaH ddH.....ddH ccH F7H
<CLAVINOVA MIDI COMPLIANCE>
<SPECIAL OPERATORS>
XG BULK DUMP
SYSTEM REALTIME MESSAGE
MIDI CLOCK
START
STOP
ACTIVE SENSING
F8H
FAH
FCH
FEH
(2) RECEIVE FLOW
MIDI
IN
→ KEY OFF
KEY ON/OFF
CONTROL CHANGE
BANK SELECT MSB
BANK SELECT LSB
MODULATION
PORTAMENTO TIME
DATA ENTRY MSB
DATA ENTRY LSB
MAIN VOLUME
PANPOT
EXPRESSION
SUSTAIN
PORTAMENTO
SOSTENUTO
SOFT PEDAL
HARMONIC CONTENT
RELEASE TIME
ATTACK TIME
BRIGHTNESS
PORTAMENTO CONTROL
REVERB SEND LEVEL
CHORUS SEND LEVEL
VARIATION SEND LEVEL
DATA INCREMENT
DATA DECREMENT
NRPN LSB
NRPN MSB
VIBRATO RATE
VIBRATO DEPTH
VIBRATO DELAY
FILTER CUTOFF FREQ.
FILTER RESONANCE
EG ATTACK TIME
EG DECAY TIME
EG RELEASE
DRUM INST
CUTOFF FREQ.
FILTER RESONANCE
EG ATTACK RATE
EG DECAY RATE
PITCH COARSE
8nH
9nH
BnH,00H
BnH,20H
BnH,01H
BnH,05H
BnH,06H
BnH,26H
BnH,07H
BnH,0AH
BnH,0BH
BnH,40H
BnH,41H
BnH,42H
BnH,43H
BnH,47H
BnH,48H
BnH,49H
BnH,4AH
BnH,54H
BnH,5BH
BnH,5DH
BnH,5EH
BnH,60H
BnH,61H
BnH,62H
BnH,63H
BnH,63H,01H,62H,08H,06H,mmH
BnH,63H,01H,62H,09H,06H,mmH
BnH,63H,01H,62H,0AH,06H,mmH
BnH,63H,01H,62H,20H,06H,mmH
BnH,63H,01H,62H,21H,06H,mmH
BnH,63H,01H,62H,63H,06H,mmH
BnH,63H,01H,62H,64H,06H,mmH
BnH,63H,01H,62H,66H,06H,mmH
*1
BnH,63H,14H,62H,rrH,06H,mmH
BnH,63H,15H,62H,rrH,06H,mmH
BnH,63H,16H,62H,rrH,06H,mmH
BnH,63H,17H,62H,rrH,06H,mmH
BnH,63H,18H,62H,rrH,06H,mmH
CVP-201
13
MIDI Data Format / MIDI-Datenformat / Format des données MIDI / Formato de datos MIDI
PITCH FINE
LEVEL
PANPOT
REVERB SEND
CHORUS SEND
VARIATION SEND
RPN LSB
RPN MSB
PITCH BEND SENS.
FINE TUNING
COARSE TUNING
NULL
ALL SOUND OFF
RESET ALL CONTROLLERS
ALL NOTES OFF
OMNI OFF
OMNI ON
MONO
POLY
BnH,63H,19H,62H,rrH,06H,mmH
BnH,63H,1AH,62H,rrH,06H,mmH
BnH,63H,1CH,62H,rrH,06H,mmH
BnH,63H,1DH,62H,rrH,06H,mmH
BnH,63H,1EH,62H,rrH,06H,mmH
BnH,63H,1FH,62H,rrH,06H,mmH
BnH,64H
BnH,65H
BnH,65H,00H,64H,00H,06H,mmH
BnH,65H,00H,64H,01H,06H,mmH,
26H,llH
BnH,65H,00H,64H,02H,06H,mmH
BnH,65H,7FH,64H,7FH
BnH,78H,00H
BnH,79H,00H
BnH,7BH,00H
BnH,7CH,00H
BnH,7DH,00H
BnH,7EH
BnH,7FH
PROGRAM CHANGE
CnH
CHANNEL AFTER TOUCH
DnH
PITCH BEND CHANGE
EnH
SYSTEM EXCLUSIVE MESSAGE
<YAMAHA MIDI FORMAT>
<UNIVERSAL>
UNIVERSAL REALTIME
UNIVERSAL NON-REALTIME
<XG STANDARD>
XG PARAMETER CHANGE
F0H 7FH.....F7H
F0H 7EH.....F7H
F0H 43H 1nH 4CH aaH aaH aaH ddH
.....ddH F7H
XG BULK DUMP
F0H 43H 0nH 4CH bbH bbH aaH aaH
aaH ddH.....ddH ccH F7H
PARAMETER REQUEST
F0H 43H 3nH 4CH aaH aaH aaH F7H
DUMP REQUEST
F0H 43H 2nH 4CH aaH aaH aaH F7H
<CLAVINOVA MIDI COMPLIANCE>
<SPETIAL OPERATORS>
<Others>
SYSTEM REALTIME MESSAGE
MIDI CLOCK
START
STOP
ACTIVE SENSING
F8H
FAH
FCH
FEH
(3) TRANSMIT/RECEIVE DATA
(3-1) CHANNEL VOICE MESSAGES
(3-1-1) KEY OFF
STATUS
NOTE NUMBER
VELOCITY
1000nnnn(8nH) n = 0 - 15 VOICE CHANNEL NUMBER
0kkkkkkk
k = 0 (C-2) - 127 (G8)
0vvvvvvv
v: ignored
(3-1-2) KEY ON/OFF
STATUS
NOTE NUMBER
VELOCITY
1001nnnn(9nH)
0kkkkkkk
0vvvvvvv
00000000
n = 0 - 15 VOICE CHANNEL NUMBER
k = 0 (C-2) - 127 (G8)
(v ≠ 0) NOTE ON
(v = 0) NOTE OFF
(3-1-3) PROGRAM CHANGE
STATUS
PROGRAM NUMBER
1100nnnn(CnH) n = 0 - 15 VOICE CHANNEL NUMBER
0ppppppp
p = 0 - 127
* PROGRAM NUMBER: XG DRUM VOICE number correspondence
P = 0
Standard Kit
P = 1
Standard2 Kit
P = 8
Room Kit
P = 16
Rock Kit
P = 24
Electro Kit
P = 25
Analog Kit
P = 27
Dance Kit
P = 32
Jazz Kit
P = 40
Brush Kit
P = 48
Classic Kit
* PROGRAM NUMBER: XG SFX KIT number correspondence
P = 0
SFX1 Kit
P = 1
SFX2 Kit
14
CVP-201
When DRUM VOICE is selected and program change data for a different DRUM VOICE is
received, the currently selected Drum Setup data will be replaced with the new DRUM
VOICE DATA.
(3-1-4) CHANNEL AFTER TOUCH (Receive only)
STATUS
VALUE
1101nnnn(DnH) n = 0 - 15 VOICE CHANNEL NUMBER
0vvvvvvv
v = 0 - 127 AFTER TOUCH VALUE
(3-1-5) PITCH BEND CHANGE
STATUS
LSB
MSB
1110nnnn(EnH) n = 0 - 15 VOICE CHANNEL NUMBER
0vvvvvvv
PITCH BEND CHANGE LSB
0vvvvvvv
PITCH BEND CHANGE MSB
(3-1-6) CONTROL CHANGE
STATUS
CONTROL NUMBER
CONTROL VALUE
1011nnnn(BnH) n = 0 - 15 VOICE CHANNEL NUMBER
0ccccccc
0vvvvvvv
* Transmit CONTROL NUMBER.
c = 0
BANK SELECT MSB
c
c
c
c
c
c
c
c
c
c
c
c
c
=
=
=
=
=
=
=
=
=
=
=
=
=
32
6
38
7
10
11
64
66
67
84
91
93
94
c = 100
c = 101
BANK SELECT LSB
DATA ENTRY MSB
DATA ENTRY LSB
MAIN VOLUME
PANPOT ; v = 0 - 127
EXPRESSION
SUSTAIN
SOSTENUTO
SOFT PEDAL
PORTAMENTO CONTROL
REVERB SEND LEVEL
CHORUS SEND LEVEL
VARIATION SEND LEVEL
RPN LSB
RPN MSB
* Receive CONTROL NUMBER.
c = 0
BANK SELECT MSB
c
c
c
c
c
c
c
c
c
c
c
c
c
c
c
c
c
c
c
c
=
=
=
=
=
=
=
=
=
=
=
=
=
=
=
=
=
=
=
=
32
1
5
6
38
7
10
11
64
65
66
67
71
72
73
74
84
91
93
94
c = 96
c = 97
BANK SELECT LSB
MODULATION
PORTAMENTO TIME
DATA ENTRY MSB
DATA ENTRY LSB
MAIN VOLUME
PANPOT ; v = 0 - 127
EXPRESSION
SUSTAIN
PORTAMENTO
SOSTENUTO
SOFT PEDAL
HARMONIC CONTENT
RELEASE TIME
ATTACK TIME
BRIGHTNESS
PORTAMENT CONTROL
REVERB SEND LEVEL
CHORUS SEND LEVEL
VARIATION SEND LEVEL
; v = 0:XG NORMAL,
64:SFX NORMAL,
126:XG SFX KIT,
127:XG DRUM
; v = 0 - 127
; v = 0 - 127
; v = 0 - 127
; v = 0 - 127
*1
*1
;
;
;
;
;
;
;
;
v = 0 - 127
v = 0-63:OFF , 64-127:ON *2
v = 0-63:OFF , 64-127:ON *2
v = 0-63:OFF , 64-127:ON *2
v = 0 - 127
v = 0 - 127
v = 0 - 127
v = 0 - 127
(When only Connection = 1[System])
; v = 0 - 127
; v = 0 - 127
; v = 0:XG NORMAL,
64:SFX NORMAL,
126:XG SFX KIT,
127:XG DRUM
; v = 0 - 127
; v = 0 - 127
; v = 0 - 127
; v = 0 - 127
; v = 0 - 127
; v = 0 - 127
*2
*2
*1
*1
;
;
;
;
;
;
;
;
;
;
;
;
;
v = 0 - 127
v = 0-63:OFF , 64-127:ON *2
v = 0-63:OFF , 64-127:ON *2
v = 0-63:OFF , 64-127:ON *2
v = 0-63:OFF , 64-127:ON *2
v = 0:-64 - 64:0 - 127:+63 *2
v = 0:-64 - 64:0 - 127:+63 *2
v = 0:-64 - 64:0 - 127:+63 *2
v = 0:-64 - 64:0 - 127:+63 *2
v = 0 - 127
*2
v = 0 - 127
v = 0 - 127
v = 0 - 127
(When only Connection = 1[System])
DATA INCREMENT
; v = 0 - 127
*1
DATA DECREMENT
; v = 0 - 127
*1
RPN MSB/LSB, NRPN MSB/LSB
*1 Only when setting the appointed parameter with RPN, NRPN.
*2 Does not effect Rhythm Voice.
• Until a PROGRAM CHANGE message is received, the BANK SELECT
operation will be suspended. When a Voice, including VOICE BANK, is
changed, set the BANK SELECT and Program Change Message, and
transmit in the following order, BANK SELECT MSB, LSB, PROGRAM
CHANGE.
• MODULATION controls the Vibrato Depth.
• PORTAMENTO TIME controls the Pitch Change Speed when the
Portamento Switch = ON. 0 being the shortest time, and 127 being the
longest.
• PANPOT changes the value for the melody voice and rhythm voice in
relation to the preset value.
○
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
• Portamento time is fixed to 0 when the PORTAMENTO CONTROL is
used.
• HARMONIC CONTENT applies adjustment to the resonance value that
is set by the voice. This parameter specifies relative change with the
value of 64 producing 0 adjustment. As values get higher the sound
becomes increasingly eccentric. Note that for some voices the effective
parameter range is narrower than the legal parameter range.
• RELEASE TIME applies adjustment to the envelope release time set by
the voice. This parameter specifies relative change with the value of 64
producing 0 adjustment.
• ATTACK TIME applies adjustment to the envelope attack time set by the
voice. This parameter specifies relative change with the value of 64
producing 0 adjustment.
• BRIGHTNESS applies adjustment to the cut-off frequency set by the
voice. This parameter specifies relative change with the value of 64
producing 0 adjustment. Lower voices produce a softer sound. For some
voices the effective parameter range is narrower than the legal
parameter range.
(3-2) CHANNEL MODE MESSAGES
STATUS
CONTROL NUMBER
CONTROL VALUE
1011nnnn(BnH) n = 0 - 15 VOICE CHANNEL NUMBER
0ccccccc
c = CONTROL NUMBER
0vvvvvvv
v = DATA VALUE
(3-2-1) ALL SOUND OFF (Receive only)
(CONTROL NUMBER = 78H , DATA VALUE = 0)
Switches off all sound from the channel. Reset Note On and Hold On conditions established
by Channel Messages.
(3-2-2) RESET ALL CONTROLLERS (Receive only)
(CONTROL NUMBER = 79H , DATA VALUE = 0)
Resets controllers as follows.
PITCH BEND CHANGE
AFTER TOUCH
MODULATION
EXPRESSION
SUSTAIN
SOSTENUTO
SOFT PEDAL
NRPN
RPN
PORTAMENT CONTROL
PORTAMENTO
0 (Center)
0 (min.)
0 (min.)
127 (max.)
0 (off)
0 (off)
0 (off)
Sets number to null. (Internal data remains unchanged)
Sets number to null. (Internal data remains unchanged)
Resets portamento source note number
0 (off)
(3-2-3) ALL NOTES OFF (Receive only)
(CONTROL NUMBER = 7BH , DATA VALUE = 0)
Switches off all of the channel’s “on” notes. However, any notes being held by SUSTAIN or
SOSTENUTO continue to sound until SUSTAIN/SOSTENUTO goes off.
(3-2-4) OMNI OFF (Receive only) (CONTROL NUMBER = 7CH , DATA VALUE = 0)
Same processing as for All Notes Off.
(3-2-5) OMNI ON (Receive only) (CONTROL NUMBER = 7DH , DATA VALUE = 0)
Same processing as for All Notes Off. Omni On is not executed.
(3-3) REGISTERED PARAMETER NUMBER(RPN)
STATUS
RPN LSB
RPN LSB NUMBER
RPN MSB
RPN MSB NUMBER
DATA ENTRY MSB
DATA VALUE
DATA ENTRY LSB
DATA VALUE
Same processing as for All Notes Off. If the 3rd byte is in a range of 0-16 the corresponding
channel will be changed to Mode 4 (m=1).
(3-2-7) POLY (Receive only) (CONTROL NUMBER = 7FH , DATA VALUE = 0)
Same processing as for All Sounds Off and the corresponding channel will be changed to
Mode 3.
n = 0 - 15 VOICE CHANNEL NUMBER
p = RPN LSB (refer to the list below)
q = RPN MSB (refer to the list below)
m = Data Value
l = Data Value
First appoints the parameter for RPN MSB/LSB, then sets the parameter value for data entry
MSB/LSB.
RPN
LSB MSB
00H 00H
01H 00H
02H 00H
7FH 7FH
D.ENTRY
MSB LSB PARAMETER NAME
DATA RANGE
mmH —
PITCH BEND SENSITIVITY 00H-18H (0 - 24 semitones)
{mmH,llH} = {00H,00H}-{40H,00H}-{7FH,7FH}
mmH llH FINE TUNE
(-8192*100/8192) - 0 - (+8192*100/8192)
mmH —
COARSE TUNE
28H - 40H - 58H (-24 - 0 - +24 semitones)
—
—
NULL
Clears the current RPN number setting.
Does not change the internal parameter settings.
(3-4) NON-REGISTERED PARAMETER NUMBER(NRPN) (Receive only)
STATUS
NRPN LSB
NRPN LSB NUMBER
NRPN MSB
NRPN MSB NUMBER
DATA ENTRY MSB
DATA VALUE
1011nnnn(BnH)
01100010(62H)
0ppppppp
01100011(63H)
0qqqqqqq
00000110(06H)
0mmmmmmm
n = 0 - 15 VOICE CHANNEL NUMBER
p = NRPN LSB (refer to the list below)
q = NRPN MSB (refer to the list below)
m = Data Value
First appoints the parameter for NRPN MSB/LSB, then sets the parameter value for data entry
MSB/LSB.
NRPN
MSB LSB
01H 08H
01H 09H
01H 0AH
01H 20H
01H 21H
01H 63H
01H 64H
01H 66H
14H rrH
15H rrH
16H rrH
17H rrH
18H rrH
19H rrH
1AH rrH
1CH rrH
D.ENTRY
MSB LSB
mmH —
mmH —
mmH —
mmH —
mmH —
mmH —
mmH —
mmH —
mmH —
mmH —
mmH —
mmH —
mmH —
mmH —
mmH —
mmH —
1DH rrH
1EH rrH
1FH rrH
mmH —
mmH —
mmH —
PARAMETER NAMEDATA RANGE
VIBRATO RATE
00H - 40H - 7FH (-64 - 0 - +63)
VIBRATO DEPTH
00H - 40H - 7FH (-64 - 0 - +63)
VIBRATO DELAY
00H - 40H - 7FH (-64 - 0 - +63)
FILTER CUTOFF FREQUENCY 00H - 40H - 7FH (-64 - 0 - +63)
FILTER RESONANCE
00H - 40H - 7FH (-64 - 0 - +63)
EG ATTACK TIME
00H - 40H - 7FH (-64 - 0 - +63)
EG DECAY TIME
00H - 40H - 7FH (-64 - 0 - +63)
EG RELEASE
00H - 40H - 7FH (-64 - 0 - +63)
DRUM FILTER CUTOFF FREQ. 00H - 40H - 7FH (-64 - 0 - +63)
DRUM FILTER RESONANCE 00H - 40H - 7FH (-64 - 0 - +63)
DRUM AEG ATTACK RATE 00H - 40H - 7FH (-64 - 0 - +63)
DRUM AEG DECAY RATE 00H - 40H - 7FH (-64 - 0 - +63)
DRUM PITCH COARSE
00H - 40H - 7FH (-64 - 0 - +63)
DRUM PITCH FINE
00H - 40H - 7FH (-64 - 0 - +63)
DRUM LEVEL
00H - 7FH (0 - max.)
DRUM PANPOT
00H ,01H - 40H - 7FH
(random,left - center - right)
DRUM REVERB SEND LEVEL 00H - 7FH (0 - max.)
DRUM CHORUS SEND LEVEL 00H - 7FH (0 - max.)
DRUM VARIATION SEND LEVEL 00H - 7FH (0 - max.)
The MSB 14H-1FH (for drums) message is received when multi-part parameters PART
MODE = DRUMS1...2.
rrH : drum instrument note number
(3-5) SYSTEM REALTIME MESSAGES
(3-5-1) MIDI CLOCK
STATUS
(3-2-6) MONO (Receive only) (CONTROL NUMBER = 7EH , DATA VALUE = 0)
1011nnnn(BnH)
01100100(64H)
0ppppppp
01100101(65H)
0qqqqqqq
00000110(06H)
0mmmmmmm
00100110(26H)
0lllllll
11111000 (F8H)
Transmission: 96 clocks per measure are transmitted.
Reception: If the instrument’s clock is set to external, after FAH is received from the external
device the instrument’s clock will sync with the 96 beats per measure received from the external
device.
Decides whether the internal clock, or Timing Clocks received via the MIDI IN will be used.
(3-5-2) START
STATUS
11111010 (FAH)
Transmission: Transmitted when instrument’s Rhythm or Song playback is started.
Reception: Depending upon the condition, Rhythm, Song Playback, or Song Rec will start.
(3-5-3) STOP
STATUS
11111100 (FCH)
Transmission: Transmitted when instrument’s Rhythm or Song playback is stopped.
Reception: Depending upon the condition, Rhythm, Song Playback, or Song Rec will stop.
CVP-201
15
MIDI Data Format / MIDI-Datenformat / Format des données MIDI / Formato de datos MIDI
(3-5-4) ACTIVE SENSING
STATUS
(3-6-1-3) CHORD CONTROL type1
11111110 (FEH)
Transmission: Transmitted approximately once every 200msec.
Reception: Sensing is started once this Code is received. If Status or Data is not received
within 400ms, the MIDI Receive Buffer will be cleared, and all notes, including those being
sustained, will be cut OFF. Also, all control values will be reset to their factory defaults.
(3-6) SYSTEM EXCLUSIVE MESSAGE
(3-6-1) YAMAHA MIDI FORMAT
(3-6-1-1) SECTION CONTROL
binary
11110000
01000011
01111110
00000000
0sssssss
0ddddddd
11110111
hexadecimal
F0
43
7E
00
SS
DD
F7
Exclusive status
YAMAHA ID
Style
Switch No.
00H
: INTRO A
01H
: INTRO B
02H
: INTRO C/D
03H~07H
: INTRO C/D
08H
: MAIN A
09H
: MAIN B
0AH
: MAIN C
0BH~0FH
: MAIN D
10H
: FILL IN A
11H
: FILL IN B
12H
: FILL IN C
13H~17H
: FILL IN D
18H
: BREAK FILL
19H
: BREAK FILL
1AH
: BREAK FILL
1BH~1FH
: BREAK FILL
20H
: ENDING A
21H
: ENDING B
22H
: ENDING C/D
23H~27H
: ENDING C/D
Switch On/Off: 00H(Off),7FH(On)
End of Exclusive
When an ON code is received, the appointed section will be changed.
binary
hexadecimal
11110000
F0
Exclusive status
01000011
43
YAMAHA ID
01111110
7E
Style
00000010
02
type 1
0ddddddd
dd
chord root(cr)
0ddddddd
dd
chord type(ct)
0ddddddd
dd
bass note(bn)
0ddddddd
dd
bass type(bt)
11111110
F7
End of Exclusive
Chord transmit: Transmitted using type 1 format.
cr
Chord Root
0kkknnnn (kkk:Change symbol, nnnn:Note)
Binary
Hex Change symbol
Binary
Hex Note
0000nnnn 0n
bbb(3 flats)
0kkk0000
k0
reserved
0001nnnn 1n
bb (2 flats)
0kkk0001
k1
C
0010nnnn 2n
b (1 flat)
0kkk0010
k2
D
0011nnnn 3n
natural
0kkk0011
k3
E
0100nnnn 4n
# (1 sharp)
0kkk0100
k4
F
0101nnnn 5n
## (2 sharps)
0kkk0101
k5
G
0110nnnn 6n
###(3 sharps)
0kkk0110
k6
A
0kkk0111
k7
B
ct
Chord Type
Binary
Hex Dec
00000000 00 0
00000001 01 1
00000010 02 2
00000011 03 3
00000100 04 4
00000101 05 5
00000110 06 6
00000111 07 7
00001000 08 8
00001001 09 9
00001010 0A 10
00001011 0B 11
00001100 0C 12
00001101 0D 13
00001110 0E 14
00001111 0F 15
00010000 10 16
00010001 11 17
0 - 34,127
Chord type Binary
Maj
00010010
Maj6
00010011
Maj7
00010100
Maj7(#11)
00010101
Maj(9)
00010110
Maj7(9)
00010111
Maj6(9)
00011000
aug
00011001
min
00011010
min6
00011011
min7
00011100
min7b5
00011101
min(9)
00011110
min7(9)
00011111
min7(11)
00100000
minMaj7
00100001
minMaj7(9) 00100010
dim
bn
On Bass Note
Same as Chord root,
127:No bass chord
bt
Bass Chord
Same as Chord type
127:No bass chord
(3-6-1-2) TEMPO CONTROL
binary
11110000
01000011
01111110
00000000
0ttttttt
0ttttttt
0ttttttt
0ttttttt
11110111
hexadecimal
F0
43
7E
01
TT
TT
TT
TT
F7
Exclusive status
YAMAHA ID
Style
Tempo4
Tempo3
Tempo2
Tempo1
End of Exclusive
The internal clock will be set to the received Tempo value.
Tempo Meta Event is a large data block (24-bit), it is divided into 4 groups with 7-bits going
into each of the Tempos 1-4 (4 receives the remaining 3 bits).
Hex
12
13
14
15
16
17
18
19
1A
1B
1C
1D
1E
1F
20
21
22
Dec
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
Chord type
dim7
7th
7sus4
7b5
7(9)
7(#11)
7(13)
7(b9)
7(b13)
7(#9)
Maj7aug
7aug
1+8
1+5
sus4
1+2+5
cc
(3-6-2) UNIVERSAL SYSTEM EXCLUSIVE
(3-6-2-1) UNIVERSAL REALTIME MESSAGE
(3-6-2-1-1) MIDI MASTER VOLUME (Receive only)
binary
11110000
01111110
01111111
00001001
00000001
0sssssss
0ttttttt
11110111
or
11110000
01111110
0xxxnnnn
hexadecimal
F0
7F
7F
04
01
SS
TT
F7
00001001
00000001
0sssssss
0ttttttt
11110111
04
01
SS
TT
F7
F0
7F
XN
Exclusive status
Universal Realtime
ID of target Device
Sub-ID #1=Device Control Message
Sub-ID #2=Master Volume
Volume LSB
Volume MSB
End of Exclusive
Exclusive status
Universal Realtime
When N is received N=0-F, whichever is received.
When N is transmitted N always=0.
X = don’t care
Sub-ID #1=Device Control Message
Sub-ID #2=Master Volume
Volume LSB
Volume MSB
End of Exclusive
The volume for all channels will be changed simultaneously.
The TT value is used as the MIDI Master Volume value. (the SS value is ignored.)
16
CVP-201
○
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
(3-6-2-2) UNIVERSAL NON REALTIME MESSAGE
(3-6-2-2-1) GENERAL MIDI SYSTEM ON
binary
11110000
01111110
01111111
00001001
00000001
11110111
or
11110000
01111110
0xxxnnnn
hexadecimal
F0
7E
7F
09
01
F7
00001001
00000001
11110111
09
01
F7
F0
7E
XN
Exclusive status
Universal Non-Realtime
ID of target Device
Sub-ID #1=General MIDI Message
Sub-ID #2=General MIDI On
End of Exclusive
Exclusive status
Universal Non-Realtime
When N is received N=0-F, whichever is received.
When N is transmitted N always=0.
X = don’t care
Sub-ID #1=General MIDI Message
Sub-ID #2=General MIDI On
End of Exclusive
Depending upon the received ON message, the System Mode will be changed to XG.
Except MIDI Master Tuning, all control data be reset to default values.
This message requires approximately 50ms to execute, so sufficient time should be allowed
before the next message is sent.
After the GM System ON message is received, message reception of the following will be
limited.
• Bank Select MSB-LSB in channel 10 will be ignored and the drum voice will be fixed.
• Bank Select MSB-LSB except in channel 10 will be ignored except 127/0.
• NRPN is not received.
When XG SYSTEM ON is received, these restrictions will be cancelled.
(3-6-3) XG STANDARD
(3-6-3-1) XG PARAMETER CHANGE
(3-6-3-1-1) XG SYSTEM ON
binary
11110000
01000011
0001nnnn
01001100
00000000
00000000
01111110
00000000
11110111
hexadecimal
F0
43
1N
4C
00
00
7E
00
F7
Exclusive status
YAMAHA ID
Device Number
Model ID
Address High
Address Mid
Address Low
Data
End of Exclusive
Depending upon the received ON message, the SYSTEM MODE will be changed to
XG.Controllers will be reset, all values of Multi Part and Effect, and All System values
denoted by “XG” data within All System will be reset to default values in the table.
This message requires approximately 50ms to execute, so sufficient time should be allowed
before the next message is sent.
(3-6-3-1-2) XG PARMETER CHANGE
binary
11110000
01000011
0001nnnn
01001100
0aaaaaaa
0aaaaaaa
0aaaaaaa
0ddddddd
|
11110111
hexadecimal
F0
43
1N
4C
AA
AA
AA
DD
|
F7
Exclusive status
YAMAHA ID
Device Number
Model ID
Address High
Address Mid
Address Low
Data
End of Exclusive
For parameters with data size of 2 or 4, transmit the appropriate number of data bytes.
For more information on Address and Parameters, refer to < Table 1-2 > (page 20) and
< Table 1-4 > ~ < Table 1-6 > (pages 20-23).
The following Parameter Changes are handled.
XG System Data
Multi Effect 1 Data
Multi Part Data
Drums Setup Data
(3-6-3-2) XG BULK DUMP
binary
11110000
01000011
0000nnnn
01001100
0bbbbbbb
0bbbbbbb
0aaaaaaa
0aaaaaaa
0aaaaaaa
0ddddddd
|
0ccccccc
11110111
hexadecimal
F0
43
0N
4C
BB
BB
AA
AA
AA
DD
|
CC
F7
Exclusive status
YAMAHA ID
Device Number
Model ID
ByteCount
ByteCount
Address High
Address Mid
Address Low
Data
Check sum
End of Exclusive
For more information on Address and Byte Count, refer to < Table 1-2 > ~ < Table 1-6 >
(pages 20-23).
The Check Sum value is set such that the sum of Byte Count, Address, Data, and Check Sum
has value zero in its seven least significant bits.
If the top of the block is appointed to the Address the XG Bulk Dump, Bulk Request will be
received.
The Block is a unit that consists of the data, arranged in the list, as the Total Size.
The following Bulk Dumps are handled.
XG System Data
Multi Effect 1 Data(Individual effect unit)
Multi Part Data(Individual part unit)
Drums Setup Data(Individual note unit)
System Information(Transmit only)
(3-6-3-3) XG PARAMETER REQUEST (Receive only)
binary
11110000
01000011
0011nnnn
01001100
0aaaaaaa
0aaaaaaa
0aaaaaaa
11110111
hexadecimal
F0
43
3n
4C
AA
AA
AA
F7
Exclusive status
YAMAHA ID
Device Number
Model ID
Address High
Address Mid
Address Low
End of Exclusive
For more information on Address and Byte Count refer to < Table 1-2 > (page 20) and
< Table 1-4 > ~ < Table 1-6 > (pages 20-23).
The following Parameter Requests are handled.
XG System Data
Multi Effect 1 Data
Multi Part Data
Drums Setup Data
(3-6-3-4) XG DUMP REQUEST (Receive only)
binary
11110000
01000011
0010nnnn
01001100
0aaaaaaa
0aaaaaaa
0aaaaaaa
11110111
hexadecimal
F0
43
2n
4C
AA
AA
AA
F7
Exclusive status
YAMAHA ID
Device Number
Model ID
Address High
Address Mid
Address Low
End of Exclusive
For more information on Address and Byte Count refer to < Table 1-2 > ~ < Table 1-6 >
(pages 20-23).
The following Dump Requests are handled.
XG System Data
Multi Effect 1 Data(Individual module unit)
Multi Part Data(Individual part unit)
Drums Setup Data(Individual note unit)
System Information
(3-6-4) CLAVINOVA MIDI COMPLIANCE
(3-6-4-1) INTERNAL CLOCK / EXTERNAL CLOCK (Receive only)
binary
11110000
01000011
01110011
00000001
0000001n
11110111
hexadecimal
F0
43
73
01
0N
F7
Exclusive status
YAMAHA ID
Clavinova ID
Clavinova common ID
N: 2(Internal Clock),3(External Clock)
End of Exclusive
CVP-201
17
MIDI Data Format / MIDI-Datenformat / Format des données MIDI / Formato de datos MIDI
(3-6-4-2) DOC MULTI TIMBRE ON / OFF (Receive only)
binary
11110000
01000011
01110011
00000001
00000110
11110111
hexadecimal
F0
43
73
01
1N
F7
Exclusive status
YAMAHA ID
Clavinova ID
Clavinova commmon ID
N:3(DOC Multi Timbre Off),4(DOC Multi Timbre On)
End of Exclusive
(3-6-4-3) PANEL LED ON / OFF (Receive only)
binary
11110000
01000011
01110011
00000001
00011010
0mmmmmmm
hexadecimal
F0
43
73
01
1A
MM
00000000
0nnnnnnn
11110111
00
NN
F7
Exclusive status
YAMAHA ID
Clavinova ID
Clavinova commmon ID
PANEL LED On/Off
MM:00H(LED Off),01H(LED On),02H(The LED flashes)
03H (LED All off),
04H (Panel LED returns to normal operation)
LED No.
End of Exclusive
Remotely switches the Panel LED On/Off.
(3-6-4-4) PANEL VOICE SETTING (Receive only)
binary
11110000
01000011
01110011
01000101
00100010
00000000
0000nnnn
hexadecimal
F0
43
73
01
22
00
0n
0mmmmmmm
0lllllll
0ppppppp
11110111
mm
ll
pp
F7
Exclusive status
YAMAHA ID
Clavinova ID
Clavinova common ID
Piano Live Exclusive Substatus
Panel Voice Setting Substatus
Panel Part No.
00H (RIGHT 1)
01H (RIGHT 2)
02H (LEFT)
Bank Select MSB
Bank Select LSB
Program Change
End of Exclusive
(3-6-4-5) PANEL VOICE VOLUME SETTING (Receive only)
binary
11110000
01000011
01110011
01000101
00100010
00000001
0000nnnn
hexadecimal
F0
43
73
01
22
01
0n
0vvvvvvv
11110111
vv
F7
Exclusive status
YAMAHA ID
Clavinova ID
Clavinova common ID
Piano Live Exclusive Substatus
Panel Voice Volume Setting Substatus
Panel Part No.
00H (RIGHT 1)
01H (RIGHT 2)
02H (LEFT)
Value (0 - 7FH)
End of Exclusive
(3-6-4-6) PANEL VOICE REVERB DEPTH SETTING (Receive only)
binary
11110000
01000011
01110011
01000101
00100010
00000010
0000nnnn
0vvvvvvv
11110111
hexadecimal
F0
43
73
01
22
02
0n
vv
F7
Exclusive status
YAMAHA ID
Clavinova ID
Clavinova common ID
Piano Live Exclusive Substatus
Panel Voice Reverb Depth Setting Substatus
Panel Part No.
00H (RIGHT 1)
01H (RIGHT 2)
02H (LEFT)
Value (0 - 7FH)
End of Exclusive
(3-6-4-7) PANEL VOICE EFFECT DEPTH SETTING (Receive only)
18
binary
11110000
01000011
01110011
01000101
00100010
00000011
0000nnnn
hexadecimal
F0
43
73
01
22
03
0n
0vvvvvvv
11110111
vv
F7
CVP-201
Exclusive status
YAMAHA ID
Clavinova ID
Clavinova common ID
Piano Live Exclusive Substatus
Panel Voice Effect Depth Setting Substatus
Panel Part No.
00H (RIGHT 1)
01H (RIGHT 2)
02H (LEFT)
Value (0 - 7FH)
End of Exclusive
(3-6-4-8) MIDI FA CANCEL (Receive only)
binary
11110000
01000011
01110011
01000101
01100001
11110111
hexadecimal
F0
43
73
01
61
F7
Exclusive status
YAMAHA ID
Clavinova ID
Clavinova common ID
MIDI FA Cancel
End of Exclusive
If this message is received, even if FAH is received the Rhythm will not start.
(3-6-5) SPECIAL OPERATORS
(3-6-5-1) SPLIT POINT
binary
11110000
01000011
01110011
01000101
00010001
00000000
00010100
0ddddddd
11110111
hexadecimal
F0
43
73
01
11
00
14
DD
F7
Exclusive status
YAMAHA ID
Clavinova ID
Clavinova common ID
Sub ID
Split Point
Split Key No.
End of Exclusive
(3-6-5-2) STYLE NUMBER
binary
11110000
01000011
01110011
01011010
00010001
00000000
00010110
0mmmmmmm
0lllllll
11110111
hexadecimal
F0
43
73
5E
11
00
16
mm
ll
F7
Exclusive status
YAMAHA ID
Clavinova ID
CVP-201 ID
Sub ID
Channel No. (always 00)
Style No. Control No.
Style No. MSB
Style No. LSB
End of Exclusive
(3-6-5-3) FINGERING
binary
11110000
01000011
01110011
01000101
00010001
00000000
01000000
0000dddd
hexadecimal
F0
43
73
01
11
00
40
0D
11110111
F7
Exclusive status
YAMAHA ID
Clavinova ID
Clavinova common ID
Sub ID
Fingering
0D: 00H(Off),01H(Single Finger),
02H(Fingered 1),03H(Fingered 2),
04H(Full Keyboard),07H(Multi Finger)
End of Exclusive
(3-6-5-4) ACCOMP VOLUME
binary
11110000
01000011
01110011
01000101
00010001
0000nnnn
hexadecimal
F0
43
73
01
11
0N
01000000
0ddddddd
11110111
42
DD
F7
Exclusive status
YAMAHA ID
Clavinova ID
Clavinova common ID
Sub ID
Part: 00H(All Part),05H(Rhythm),0AH(Bass),
06H(Chord),0DH(Pad),07H(Phrase)
Accomp Volume
Volume Data: 00H~7FH
End of Exclusive
(3-6-5-5) CHANNEL DETUNE
binary
11110000
01000011
01110011
01000101
00010001
0000nnnn
01000011
0vvvvvvv
11110111
hexadecimal
F0
43
73
01
11
0N
43
VV
F7
Exclusive status
YAMAHA ID
Clavinova ID
Clavinova common ID
Sub ID
N = MIDI Channel
Dual Detune
Value VV: 00H - 40H - 7FH (-64 - 0 - +63)
End of Exclusive
The Channel Detune message only affects the specified channel.
○
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
(3-6-5-6) VOLUME ,EXPRESSION AND PAN REALTIME CONTROL OFF
binary
11110000
01000011
01110011
01000101
00010001
0000nnnn
01001001
0vvvvvvv
11110111
hexadecimal
F0
43
73
01
11
0N
45
VV
F7
Exclusive status
YAMAHA ID
Clavinova ID
Clavinova common ID
Sub ID
N = MIDI Channel
Volume and Expression Realtime Control Off
Value VV: off=7FH, on=00H
End of Exclusive
When “On” is received, subsequent volume, expression, and PAN changes are only valid
after the reception of the next key on. Normal operation resumes when “Off” is received.
(3-6-5-7) MIDI KEY LED MODE ON / OFF (Receive only)
binary
11110000
01000011
01110011
01000101
00010001
0000nnnn
01000111
0ddddddd
hexadecimal
F0
43
73
01
11
0N
47
DD
11110111
F7
Exclusive status
YAMAHA ID
Clavinova ID
Clavinova common ID
Sub ID
N = MIDI Channel
MIDI Key LED Mode On
DD: 00H(Key LED Mode
01H(Key LED Mode
02H(Key LED Mode
End of Exclusive
/ Off
Off),
On + no tone),
On + tone)
(3-6-6) Others
(3-6-6-1) MIDI MASTER TUNING (Receive only)
binary
11110000
01000011
0001nnnn
hexadecimal
F0
43
1N
00100111
00110000
00000000
00000000
0mmmmmmm
0lllllll
0ccccccc
11110111
27
30
00
00
MM
LL
CC
F7
Exclusive status
YAMAHA ID
When N is received N=0-F,
whichever is received.
Model ID
Sub ID
Master Tune MSB
Master Tune LSB
don’t care
End of Exclusive
Changes tuning of all channels.
MM, LL values are used to define the MIDI Master Tuning value.
T = M – 128
T: Tuning value (-99 cents to +99 cents)
M: A single byte value (28–228) that consists of bits 0–3 of MM as MSB, bits 0–3 of LL as LSB.
This setting is not reset when the GM System or XG System is turned on.
CVP-201
19
MIDI Data Format / MIDI-Datenformat / Format des données MIDI / Formato de datos MIDI
< Table 1-1>
Parameter Basic Address
SYSTEM
Parameter Change
Address
(H)(M) (L)
Description
00 00 00
System
00 00 7D
Drum Setup Reset
00 00 7E
XG System On
00 00 7F
All Parameter Reset
INFORMATION
01 00
00
System Information
EFFECT 1
02 01
00
Effect1(Reverb,Chorus,Variation )
MULTI PART
08 00
Multi Part 1
08 0F
00
:
00
30 0D
31 0D
00
00
Drum Setup 1 → Address
Drum Setup 2
3n 0D 00
3n 0E 00
:
:
3n 5B 00
DRUM
Multi Part 16
Parameter
note number 13
note number 14
note number 91
< Table 1-2 >
MIDI Parameter Change table ( SYSTEM )
Address
Size
Data
Parameter Name
(H)
(H)
(H)
00
00 00
4
0000
Master Tune
01
..07FF
02
03
04
05
06
7D
7E
7F
TOTAL SIZE
1
1
1
00..7F
28..58
n
00
00
Description
Master Volume
Not Used
Transpose
Drum Setup Reset
XG System On
All Parameter Reset
-102.4..+102.3[cent]
1st bit3-0 -> bit15-12
2nd bit3-0 -> bit11-8
3rd bit3-0 -> bit7-4
4th bit3-0 -> bit3-0
0..127
-24..+24[semitones]
n=Drum Setup Number
00=XG Sytem on
00=on (receive only)
Default
Value(H)
00 04 00
(0400)
00
7F
40
6
< Table 1-3 >
MIDI Parameter table ( System information )
Address
Size
Data
Parameter Name
(H)
(H)
(H)
01
00 00
E
20..7F
Model Name
:
0D
0E
1
00
0F
1
01
TOTAL SIZE
10
(Transmitted by Dump Request. Not received. Bulk Dump Only)
Description
32..127(ASCII)
< Table 1-4 >
MIDI Parameter Change table ( EFFECT 1)
Address
Size
Data
Parameter Name
(H)
(H)
(H)
02 01 00
2
00..7F
Reverb Type MSB
00..7F
Reverb Type LSB
02
1
00..7F
Reverb Parameter
03
1
00..7F
Reverb Parameter
04
1
00..7F
Reverb Parameter
05
1
00..7F
Reverb Parameter
06
1
00..7F
Reverb Parameter
07
1
00..7F
Reverb Parameter
08
1
00..7F
Reverb Parameter
09
1
00..7F
Reverb Parameter
0A
1
00..7F
Reverb Parameter
0B
1
00..7F
Reverb Parameter
0C
1
00..7F
Reverb Return
0D
1
01..7F
Reverb Pan
TOTAL SIZE 0E
20
CVP-201
Description
1
2
3
4
5
6
7
8
9
10
Refer to the Effect Type List
00 : basic type
Refer to the Ef. Parameter List
Refer to the Ef. Parameter List
Refer to the Ef. Parameter List
Refer to the Ef. Parameter List
Refer to the Ef. Parameter List
Refer to the Ef. Parameter List
Refer to the Ef. Parameter List
Refer to the Ef. Parameter List
Refer to the Ef. Parameter List
Refer to the Ef. Parameter List
-∞..0..+6dB(0..96..127)
L63..C..R63(1..64..127)
Default
Value(H)
01(=HALL1)
00
Depend on Reverb
Depend on Reverb
Depend on Reverb
Depend on Reverb
Depend on Reverb
Depend on Reverb
Depend on Reverb
Depend on Reverb
Depend on Reverb
Depend on Reverb
40
40
type
type
type
type
type
type
type
type
type
type
○
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
02
01
10
11
12
13
14
15
TOTAL SIZE 6
1
1
1
1
1
1
00..7F
00..7F
00..7F
00..7F
00..7F
00..7F
Reverb
Reverb
Reverb
Reverb
Reverb
Reverb
02
01
2
Chorus Type MSB
Chorus Type LSB
Chorus Parameter 1
Chorus Parameter 2
Chorus Parameter 3
Chorus Parameter 4
Chorus Parameter 5
Chorus Parameter 6
Chorus Parameter 7
Chorus Parameter 8
Chorus Parameter 9
Chorus Parameter 10
Chorus Return
Chorus Pan
Send Chorus To Reverb
Refer to the Effect Type List
00 : basic type
Refer to the Ef. Parameter List
Refer to the Ef. Parameter List
Refer to the Ef. Parameter List
Refer to the Ef. Parameter List
Refer to the Ef. Parameter List
Refer to the Ef. Parameter List
Refer to the Ef. Parameter List
Refer to the Ef. Parameter List
Refer to the Ef. Parameter List
Refer to the Ef. Parameter List
-∞..0..+6dB(0..96..127)
L63..C..R63(1..64..127)
-∞..0..+6dB(0..96..127)
41(=Chorus1)
00
Depend on Chorus
Depend on Chorus
Depend on Chorus
Depend on Chorus
Depend on Chorus
Depend on Chorus
Depend on Chorus
Depend on Chorus
Depend on Chorus
Depend on Chorus
40
40
00
Refer
Refer
Refer
Refer
Refer
Refer
Depend
Depend
Depend
Depend
Depend
Depend
20
Parameter
Parameter
Parameter
Parameter
Parameter
Parameter
11
12
13
14
15
16
Refer
Refer
Refer
Refer
Refer
Refer
to
to
to
to
to
to
the
the
the
the
the
the
Ef.
Ef.
Ef.
Ef.
Ef.
Ef.
Parameter
Parameter
Parameter
Parameter
Parameter
Parameter
List
List
List
List
List
List
Depend
Depend
Depend
Depend
Depend
Depend
on
on
on
on
on
on
Reverb
Reverb
Reverb
Reverb
Reverb
Reverb
type
type
type
type
type
type
22
23
24
25
26
27
28
29
2A
2B
2C
2D
2E
TOTAL SIZE 0F
1
1
1
1
1
1
1
1
1
1
1
1
1
00..7F
00..7F
00..7F
00..7F
00..7F
00..7F
00..7F
00..7F
00..7F
00..7F
00..7F
00..7F
00..7F
01..7F
00..7F
02
01
30
31
32
33
34
35
TOTAL SIZE 6
1
1
1
1
1
1
00..7F
00..7F
00..7F
00..7F
00..7F
00..7F
Chorus
Chorus
Chorus
Chorus
Chorus
Chorus
02
01
40
2
42
2
44
2
46
2
48
2
4A
2
4C
2
4E
2
50
2
52
2
54
2
Variation Type MSB
Variation Type LSB
Vari. Param. 1 MSB
Vari. Param. 1 LSB
Vari. Param. 2 MSB
Vari. Param. 2 LSB
Vari. Param. 3 MSB
Vari. Param. 3 LSB
Vari. Param. 4 MSB
Vari. Param. 4 LSB
Vari. Param. 5 MSB
Vari. Param. 5 LSB
Vari. Param. 6 MSB
Vari. Param. 6 LSB
Vari. Param. 7 MSB
Vari. Param. 7 LSB
Vari. Param. 8 MSB
Vari. Param. 8 LSB
Vari. Param. 9 MSB
Vari. Param. 9 LSB
Vari. Param. 10 MSB
Vari. Param. 10 LSB
Variation Return
Variation Pan
Send Vari. To Reverb
Send Vari. To Chorus
Variation Connection
Variation Part
MW Vari. Ctrl Depth
PB Vari. Ctrl Depth
CAT Vari. Ctrl Depth
Not Used
Not Used
Refer to the Effect Type List
00 : basic type
Refer to the Ef. Parameter List
Refer to the Ef. Parameter List
Refer to the Ef. Parameter List
Refer to the Ef. Parameter List
Refer to the Ef. Parameter List
Refer to the Ef. Parameter List
Refer to the Ef. Parameter List
Refer to the Ef. Parameter List
Refer to the Ef. Parameter List
Refer to the Ef. Parameter List
Refer to the Ef. Parameter List
Refer to the Ef. Parameter List
Refer to the Ef. Parameter List
Refer to the Ef. Parameter List
Refer to the Ef. Parameter List
Refer to the Ef. Parameter List
Refer to the Ef. Parameter List
Refer to the Ef. Parameter List
Refer to the Ef. Parameter List
Refer to the Ef. Parameter List
-∞..0..+6dB(0..96..127)
L63..C..R63(1..64..127)
-∞..0..+6dB(0..96..127)
-∞..0..+6dB(0..96..127)
0:insertion,1:system
part1..32(0..31),off(127)
-63..+63
-63..+63
-63..+63
“05(=DELAY L,C,R)”
00
Depend on Vari. Type
Depend on Vari. Type
Depend on Vari. Type
Depend on Vari. Type
Depend on Vari. Type
Depend on Vari. Type
Depend on Vari. Type
Depend on Vari. Type
Depend on Vari. Type
Depend on Vari. Type
Depend on Vari. Type
Depend on Vari. Type
Depend on Vari. Type
Depend on Vari. Type
Depend on Vari. Type
Depend on Vari. Type
Depend on Vari. Type
Depend on Vari. Type
Depend on Vari. Type
Depend on Vari. Type
40
40
00
00
00
7F
40
40
40
Variation Parameter 11
Variation Parameter 12
Variation Parameter 13
Variation Parameter 14
Variation Parameter 15
Variation Parameter 16
option Parameter
option Parameter
option Parameter
option Parameter
option Parameter
option Parameter
Depend
Depend
Depend
Depend
Depend
Depend
56
57
58
59
5A
5B
5C
5D
5E
5F
60
TOTAL SIZE 21
1
1
1
1
1
1
1
1
1
1
1
00..7F
00..7F
00..7F
00..7F
00..7F
00..7F
00..7F
00..7F
00..7F
00..7F
00..7F
00..7F
00..7F
00..7F
00..7F
00..7F
00..7F
00..7F
00..7F
00..7F
00..7F
00..7F
00..7F
01..7F
00..7F
00..7F
00..01
00..1F
01..7F
01..7F
01..7F
01..7F
01..7F
02
1
1
1
1
1
1
00..7F
00..7F
00..7F
00..7F
00..7F
00..7F
01
70
71
72
73
74
75
TOTAL SIZE 6
Parameter
Parameter
Parameter
Parameter
Parameter
Parameter
11
12
13
14
15
16
to
to
to
to
to
to
the
the
the
the
the
the
Ef.
Ef.
Ef.
Ef.
Ef.
Ef.
Parameter
Parameter
Parameter
Parameter
Parameter
Parameter
List
List
List
List
List
List
on
on
on
on
on
on
Chorus
Chorus
Chorus
Chorus
Chorus
Chorus
Type
Type
Type
Type
Type
Type
Type
Type
Type
Type
Type
Type
Type
Type
Type
Type
on Variation Type
on Variation Type
on Variation Type
on Variation Type
on Variation Type
on Variation Type
CVP-201
21
MIDI Data Format / MIDI-Datenformat / Format des données MIDI / Formato de datos MIDI
< Table 1-5 >
MIDI Parameter Change table ( MULTI PART )
Address
Size
Data
Parameter Name
(H)
(H)
(H)
08
nn 00
1
00..20
Element Reserve
nn 01
1
00..7F
Bank Select MSB
nn 02
1
00..7F
Bank Select LSB
nn 03
1
00..7F
Program Number
nn 04
1
00..0F,
Rcv Channel
7F
nn 05
1
00..01
Mono/Poly Mode
nn 06
1
00..02
Same Note Number
Key On Assign
22
Description
0..32
0..127
0..127
1..128
0..16;1..16,127;off
0:mono,1:poly
0:single
1:multi
2:inst (for DRUM)
0:normal
1..3:drum thru,drum1..2
-24..+24[semitones]
-12.8..+12.7[Hz]
1st bit3..0 -> bit7..4
2nd bit3..0 -> bit3..0
0..127
0..127
0..127
0:random
L63..C..R63(1..64..127)
Default
Value(H)
0(Part10),2(Others)
7F(Part10),00(Others)
00
00
Part No.
01
01
nn
07
1
00..02
Part Mode
nn
nn
nn
08
09
0A
1
2
28..58
00..FF
Note Shift
Detune
nn
nn
nn
nn
0B
0C
0D
0E
1
1
1
1
00..7F
00..7F
00..7F
00..7F
Volume
Velocity Sense Depth
Velocity Sense Offset
Pan
nn
nn
nn
nn
nn
nn
0F
10
11
12
13
14
1
1
1
1
1
1
00..7F
00..7F
00..7F
00..7F
00..7F
00..7F
Note Limit Low
Note Limit High
Dry Level
Chorus Send
Reverb Send
Variation Send
C-2..G8
C-2..G8
0..127
0..127
0..127
0..127
00
7F
7F
00
28
00
nn
nn
nn
nn
nn
nn
nn
nn
15
16
17
18
19
1A
1B
1C
1
1
1
1
1
1
1
1
00..7F
00..7F
00..7F
00..7F
00..7F
00..7F
00..7F
00..7F
Vibrato Rate
Vibrato Depth
Vibrato Delay
Filter Cutoff Freq.
Filter Resonance
EG Attack Time
EG Decay Time
EG Release Time
-64..+63
-64..+63
-64..+63
-64..+63
-64..+63
-64..+63
-64..+63
-64..+63
40
40
40
40
40
40
40
40
nn
nn
nn
nn
nn
nn
1D
1E
1F
20
21
22
1
1
1
1
1
1
28..58
00..7F
00..7F
00..7F
00..7F
00..7F
MW
MW
MW
MW
MW
MW
-24..+24[semitones]
-9600..+9450[cent]
-100..+100[%]
0..127
0..127
0..127
40
40
40
0A
00
00
nn 23
nn 24
nn 25
nn 26
nn 27
nn 28
TOTAL SIZE
1
1
1
1
1
1
29
28..58
00..7F
00..7F
00..7F
00..7F
00..7F
Bend
Bend
Bend
Bend
Bend
Bend
-24..+24[semitones]
-9600..+9450[cent]
-100..+100[%]
0..127
0..127
0..127
42
40
40
00
00
00
nn
nn
30
:
40
1
:
1
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
41
42
43
44
45
46
47
48
49
4A
4B
4C
1
1
1
1
1
1
1
1
1
1
1
1
00..7F
00..7F
00..7F
00..7F
00..7F
00..7F
00..7F
00..7F
00..7F
00..7F
00..7F
00..7F
Scale
Scale
Scale
Scale
Scale
Scale
Scale
Scale
Scale
Scale
Scale
Scale
-64..+63[cent]
-64..+63[cent]
-64..+63[cent]
-64..+63[cent]
-64..+63[cent]
-64..+63[cent]
-64..+63[cent]
-64..+63[cent]
-64..+63[cent]
-64..+63[cent]
-64..+63[cent]
-64..+63[cent]
40
40
40
40
40
40
40
40
40
40
40
40
nn
nn
nn
nn
4D
4E
4F
50
1
1
1
1
28..58
00..7F
00..7F
00..7F
CAT
CAT
CAT
CAT
-24..+24[semitones]
-9600..+9450[cent]
-100..+100[%]
0..127
40
40
40
00
CVP-201
Pitch Control
Filter Control
Amp. Control
LFO PMod Depth
LFO FMod Depth
LFO AMod Depth
Pitch Control
Filter Control
Amp. Control
LFO PMod Depth
LFO FMod Depth
LFO AMod Depth
00 (Except Part10)
02 (Part10)
40
08 00
(80)
64
40
40
40
Not Used
:
Not Used
Tuning C
Tuning C#
Tuning D
Tuning D#
Tuning E
Tuning F
Tuning F#
Tuning G
Tuning G#
Tuning A
Tuning A#
Tuning B
Pitch Control
Filter Control
Amplitude Control
LFO PMod Depth
○
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
nn
nn
51
52
nn
53
:
66
nn
nn
67
68
69
:
6E
TOTAL SIZE
1
1
00..7F
00..7F
0..127
0..127
1
1
00..01
00..7F
Portamento Switch
Portamento Time
off/on
0..127
3F
1
1
1
1
04
Not
Not
Not
Not
Used
Used
Used
Used
Don’t
Don’t
Don’t
Don’t
care
care
care
care
08
74
75
76
77
78
79
7A
7B
7C
7D
7E
7F
1
1
1
1
1
1
1
1
1
1
1
1
Not
Not
Not
Not
Not
Not
Not
Not
Not
Not
Not
Not
Used
Used
Used
Used
Used
Used
Used
Used
Used
Used
Used
Used
Don’t
Don’t
Don’t
Don’t
Don’t
Don’t
Don’t
Don’t
Don’t
Don’t
Don’t
Don’t
care
care
care
care
care
care
care
care
care
care
care
care
SIZE
0C
TOTAL
00
00
Not Used
:
Not Used
nn 70
nn 71
nn 72
nn 73
TOTAL SIZE
nn
00
00
Not Used
:
Not Used
nn
08
CAT LFO FMod Depth
CAT LFO AMod Depth
nn = PartNumber
If there is a Drum Voice assigned to the Part, the following parameters are ineffective.
• Bank Select LSB
• Pitch EG
• Portamento
• Soft Pedal
• Mono/Poly
• Scale Tuning
<Table 1-6 >
MIDI Parameter Change table ( DRUM SETUP )
Address Size Data
Parameter Name
(H)
(H)
(H)
3n
rr 00
1
00..7F
Pitch Coarse
3n
rr 01
1
00..7F
Pitch Fine
3n
rr 02
1
00..7F
Level
3n
rr 03
1
00..7F
Alternate Group
3n
rr 04
1
00..7F
Pan
3n
rr 05
3n
rr 06
3n
rr 07
3n
rr 08
3n
rr 09
3n
rr 0A
3n
rr 0B
3n
rr 0C
3n
rr 0D
3n
rr 0E
3n
rr 0F
TOTAL SIZE 10
1
1
1
1
1
1
1
1
1
1
1
00..7F
00..7F
00..7F
00..01
00..01
00..01
00..7F
00..7F
00..7F
00..7F
00..7F
Reverb Send Level
Chorus Send Level
Variation Send Level
Key Assign
Rcv Note Off
Rcv Note On
Filter Cutoff Freq.
Filter Resonance
EG Attack Rate
EG Decay1 Rate
EG Decay2 Rate
Description
-64..+63
-64..+63[cent]
0..127
0:off,1..127
0:random
L63..C..R63(1..64..127)
0..127
0..127
0..127
0:single,1:multi
off/on
off/on
-64..63
-64..63
-64..63
-64..63
-64..63
Default
Value(H)
40
40
Depend on the Note
Depend on the Note
Depend on the Note
Depend on the Note
Depend on the Note
7F
00
Depend on the Note
01
40
40
40
40
40
n:Drum Setup Number(0 - 1)
rr:note number(0DH - 5BH)
If XG SYSTEM ON and/or GM SYSTEM ON message is received, all Drum Setup Parameter will be reset to default values.
According to the Drum Setup Reset message, individual Drum Setup Parameters can be reset to default values.
CVP-201
23
MIDI Data Format / MIDI-Datenformat / Format des données MIDI / Formato de datos MIDI
<Table 1-7> Effect Map
If the received value does not contain an effect type in the TYPE LSB, the LSB will be directed to TYPE 0.
The panel effects are marked by “*”.
REVERB TYPE
TYPE MSB
DEC
HEX
000
0
001
1
002
2
003
3
004
4
005
5
:
:
015
F
016
10
017
11
018
12
019
13
020
14
:
:
127
7F
TYPE LSB
00
NO EFFECT
*HALL1
ROOM1
STAGE1
PLATE
NO EFFECT
:
NO EFFECT
WHITE ROOM
TUNNEL
CANYON
BASEMENT
NO EFFECT
:
NO EFFECT
01
02
HALL2
ROOM2
STAGE2
ROOM3
01
02
CHORUS2
*CHORUS4
*FLANGER 4
*CHORUS5
CELESTE3
01
02
HALL2
ROOM2
STAGE2
ROOM3
03 ...
07 08
...
16
17
18
19
20
*HALL2
*ROOM1
*STAGE1
*PLATE1
*HALL3
*ROOM2
*STAGE2
*PLATE2
*HALL4
*ROOM3
*ROOM4
16
17
18
19
20
*CHORUS3
*FLANGER2
*CHORUS1
*FLANGER3
16
17
18
19
20
*HALL2
*ROOM1
*STAGE1
*PLATE1
*DELAY LCR
*HALL3
*ROOM2
*STAGE2
*PLATE2
*HALL4
*ROOM3
*ROOM4
16
17
18
19
20
*CHORUS3
*FLANGER2
*SYMPHONIC
*ROTARY SP1
*TREMOLO1
*AUTO PAN
*CHORUS1
*FLANGER3
*Rotary Sp5
*TREMOLO2
*GTR TREMOLO
*DIST HARD
*EQ DISCO
*DIST SOFT
*EQ TEL
CHORUS TYPE
TYPE MSB
DEC
HEX
000
0
001
1
:
:
064
40
065
41
066
42
067
43
068
44
:
:
127
7F
TYPE LSB
00
NO EFFECT
NO EFFECT
:
NO EFFECT
CHORUS1
CELESTE1
FLANGER 1
NO EFFECT
:
NO EFFECT
03 ...
07 08
...
CHORUS4
*CHORUS2
*FLANGER1
VARIATION TYPE(0 – 63)
TYPE MSB
DEC
HEX
000
0
001
1
002
2
003
3
004
4
005
5
006
6
007
7
008
8
009
9
010
A
011
B
012
C
:
:
019
13
020
14
021
15
:
:
063
3F
TYPE LSB
00
NO EFFECT
*HALL1
ROOM1
STAGE1
PLATE
DELAY L,C,R
*DELAY LR
*ECHO
*CROSS DELAY
*EARLY REF1
*GATE REVERB
*REVERSE GATE
NO EFFECT or THRU
:
NO EFFECT or THRU
KARAOKE 1
NO EFFECT or THRU
:
NO EFFECT or THRU
03 ...
07 08
...
*EARLY REF2
KARAOKE 2
KARAOKE 3
01
02
CHORUS2
*CHORUS4
*FLANGER4
*CHORUS5
CELESTE3
VARIATION TYPE(64 – 127)
TYPE MSB
DEC
HEX
064
40
065
41
066
42
067
43
068
44
069
45
070
46
071
47
072
48
073
49
074
4A
075
4B
076
4C
077
4D
078
4E
079
4F
:
:
127
7F
24
CVP-201
TYPE LSB
00
THRU
CHORUS1
CELESTE1
FLANGER 1
SYMPHONIC
ROTARY SP.
TREMOLO
AUTO PAN
*PHASER
DISTORTION
OVER DRIVE
AMP SIM.
3BAND EQ
2BAND EQ
AUTO WAH
THRU
THRU
03 ...
07 08
CHORUS4
*CHORUS2
*FLANGER1
...
*ROTARY SP4
*ROTARY SP2
PHASER 2
*AUTO WAH
*ROTARY SP3
○
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<Table 1-8 > Effect Parameter List
EARLY REF1,EARLY REF2(variation block)
XG Effect Name
HALL1,HALL2
ROOM1,ROOM2,ROOM3
STAGE1,STAGE2
PLATE (reverb, variation, insertion block)
No.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Parameter
Reverb Time
Diffusion
Initial Delay
HPF Cutoff
LPF Cutoff
Display
0.3–30.0s
0–10
0.1mS–99.3mS
Thru–8.0kHz
1.0k–Thru
Value
0–69
0–10
0–63
0–52
34–60
Dry/Wet
D63>W – D=W – D<W63
1–127
Rev Delay
Density
Er/Rev Balance
0.1mS–99.3mS
0–3 (reverb, variation block)
E63>R – E=R – E<R63
0–63
0–3
1–127
Feedback Level
-63–+63
1–127
See Table
table#4
Comment
Control
table#5
table#3
table#3
●
table#5
11
12
13
14
15
16
Parameter
Reverb Time
Diffusion
Initial Delay
HPF Cutoff
LPF Cutoff
Width
Heigt
Depth
Wall Vary
Dry/Wet
Display
0.3–30.0s
0–10
0.1mS–99.3mS
Thru–8.0kHz
1.0k–Thru
0.5–10.2m
0.5–20.2m
0.5–30.2m
0–30
D63>W – D=W – D<W63
Value
0–69
0–10
0–63
0–52
34–60
0–37
0–73
0–104
0–30
1–127
See Table
table#4
Rev Delay
Density
Er/Rev Balance
0.1mS–99.3mS
0–3
E63>R – E=R – E<R63
0–63
0–3
1–127
table#5
Feedback Level
-63–+63
1–127
Comment
Control
table#5
table#3
table#3
table#11
table#11
table#11
11
12
13
14
15
16
Parameter
Lch Delay
Rch Delay
Cch Delay
Feedback Delay
Feedback Level
Cch Level
High Damp
Display
0.1–715.0ms (variation block)
0.1–715.0ms (variation block)
0.1–715.0ms (variation block)
0.1–715.0ms (variation block)
-63–+63
0–127
0.1–1.0
Value
1–7150
1–7150
1–7150
1–7150
1–127
0–127
1–10
●
Dry/Wet
D63>W – D=W – D<W63
1–127
EQ
EQ
EQ
EQ
50Hz–2.0kHz
-12–+12dB
500Hz–16.0kHz
-12–+12dB
8–40
52–76
28–58
52–76
Low Frequency
Low Gain
High Frequency
High Gain
See Table
Comment
Control
11
12
13
14
15
16
Parameter
Lch Delay
Rch Delay
Feedback Delay 1
Feedback Delay 2
Feedback Level
High Damp
Display
0.1–715.0ms (variation block)
0.1–715.0ms (variation block)
0.1–715.0ms (variation block)
0.1–715.0ms (variation block)
-63–+63
0.1–1.0
Value
1–7150
1–7150
1–7150
1–7150
1–127
1–10
Dry/Wet
D63>W – D=W – D<W63
1–127
●
table#3
table#3
See Table
Comment
Control
●
11
12
13
14
15
16
EQ
EQ
EQ
EQ
Low Frequency
Low Gain
High Frequency
High Gain
50Hz–2.0kHz
-12–+12dB
500Hz–16.0kHz
-12–+12dB
8–40
52–76
28–58
52–76
table#3
table#3
Parameter
Lch Delay1
Lch Feedback Level
Rch Delay1
Rch Feedback Level
High Damp
Lch Delay2
Rch Delay2
Delay2 Level
Display
0.1–355.0ms
-63–+63
0.1–355.0ms
-63–+63
0.1–1.0
0.1–355.0ms
0.1–355.0ms
0–127
Dry/Wet
D63>W – D=W – D<W63
1–127
EQ
EQ
EQ
EQ
50Hz–2.0kHz
-12–+12dB
500Hz–16.0kHz
-12–+12dB
8–40
52–76
28–58
52–76
(variation block)
(variation block)
(variation block)
(variation block)
Value
1–3550
1–127
1–3550
1–127
1–10
1–3550
1–3550
0–127
See Table
Comment
Control
●
11
12
13
14
15
16
Dry/Wet
D63>W – D=W – D<W63
1–127
Liveness
Density
High Damp
0–10
0–3
0.1–1.0
0–10
0–3
1–10
See Table
Comment
Control
table#6
table#5
table#3
table#3
●
Parameter
Type
Room Size
Diffusion
Initial Delay
Feedback Level
HPF Cutoff
LPF Cutoff
Display
TypeA,TypeB
0.1–20.0
0–10
0.1mS–200.0mS
-63–+63
Thru–8.0kHz
1.0k–Thru
Value
0–1
0–127
0–10
0–127
1–127
0–52
34–60
Dry/Wet
D63>W – D=W – D<W63
1–127
Liveness
Density
High Damp
0–10
0–3
0.1–1.0
0–10
0–3
1–10
See Table
Comment
Control
table#6
table#5
table#3
table#3
●
KARAOKE1,2,3 (variation, insertion block)
No.
1
2
3
4
5
6
7
8
9
10
Parameter
Delay Time
Feedback Level
HPF Cutoff
LPF Cutoff
Display
0.1mS–400.0mS
-63–+63
Thru–8.0kHz
1.0k–Thru
Value
0–127
1–127
0–52
34–60
Dry/Wet
D63>W – D=W – D<W63
1–127
See Table
table#7
Comment
Control
table#3
table#3
●
CHORUS1,2,3,4
CELESTE1,2,3,4 (chorus, variation, insertion block)
No.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Parameter
LFO Frequency
LFO Depth
Feedback Level
Delay Offset
Display
0.00Hz–39.7Hz
0–127
-63–+63
0.0mS–50mS
Value
0–127
0–127
1–127
0–127
See Table
table#1
EQ Low Frequency
EQ Low Gain
EQ High Frequency
EQ High Gain
Dry/Wet
50Hz–2.0kHz
-12–+12dB
500Hz–16.0kHz
-12–+12dB
D63>W – D=W – D<W63
8–40
52–76
28–58
52–76
1–127
table#3
Input Mode
mono/stereo
Comment
Control
table#2
table#3
●
0–1
No.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Parameter
LFO Frequency
LFO Depth
Feedback Level
Delay Offset
Display
0.00Hz–39.7Hz
0–127
-63–+63
0.0mS–50mS
Value
0–127
0–127
1–127
0–127
See Table
table#1
EQ Low Frequency
EQ Low Gain
EQ High Frequency
EQ High Gain
Dry/Wet
50Hz–2.0kHz
-12–+12dB
500Hz–16.0kHz
-12–+12dB
D63>W – D=W – D<W63
8–40
52–76
28–58
52–76
1–127
table#3
LFO Phase Difference
-180–+180deg(resolution=3deg.)
4–124
Comment
Control
table#2
table#3
●
SYMPHONIC (chorus, variation, insertion block)
Low Frequency
Low Gain
High Frequency
High Gain
table#3
table#3
CROSS DELAY (variation, insertion block)
No.
1
2
3
4
5
6
7
8
9
10
Value
0–5
0–44
0–10
0–63
1–127
0–52
34–60
FLANGER1,2,3 (chorus, variation, insertion block)
ECHO (variation, insertion block)
No.
1
2
3
4
5
6
7
8
9
10
Display
S-H, L-H, Rdm, Rvs, Plt, Spr
0.1–7.0
0–10
0.1mS–99.3mS
-63–+63
Thru–8.0kHz
1.0k–Thru
11
12
13
14
15
16
DELAY L,R (variation, insertion block)
No.
1
2
3
4
5
6
7
8
9
10
No.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
DELAY L,C,R (variation, insertion block)
No.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Parameter
Type
Room Size
Diffusion
Initial Delay
Feedback Level
HPF Cutoff
LPF Cutoff
GATE REVERB
REVERSE GATE (variation block)
WHITE ROOM
TUNNEL
CANYON
BASEMENT (reverb, variation block)
No.
1
2
3
4
5
6
7
8
9
10
No.
1
2
3
4
5
6
7
8
9
10
Parameter
L->R Delay
R->L Delay
Feedback Level
Input Select
High Damp
Display
0.1–355.0ms (variation block)
0.1–355.0ms (variation block)
-63–+63
L,R,L&R
0.1–1.0
Value
1–3550
1–3550
1–127
0–2
1–10
Dry/Wet
D63>W – D=W – D<W63
1–127
EQ
EQ
EQ
EQ
50Hz–2.0kHz
-12–+12dB
500Hz–16.0kHz
-12–+12dB
8–40
52–76
28–58
52–76
Low Frequency
Low Gain
High Frequency
High Gain
See Table
Comment
Control
●
No.
1
2
3
4
5
6
7
8
9
10
Parameter
LFO Frequency
LFO Depth
Delay Offset
Display
0.00Hz–39.7Hz
0–127
0.0mS–50mS
Value
0–127
0–127
0–127
See Table
table#1
EQ Low Frequency
EQ Low Gain
EQ High Frequency
EQ High Gain
Dry/Wet
50Hz–2.0kHz
-12–+12dB
500Hz–16.0kHz
-12–+12dB
D63>W – D=W – D<W63
8–40
52–76
28–58
52–76
1–127
table#3
Comment
Control
table#2
table#3
●
11
12
13
14
15
16
table#3
table#3
CVP-201
25
MIDI Data Format / MIDI-Datenformat / Format des données MIDI / Formato de datos MIDI
ENSEMBLE DETUNE (chorus, variation, insertion block)
No.
1
2
3
4
5
6
7
8
9
10
Parameter
Detune
Lch Init Delay
Rch Init Delay
Dry/Wet
Display
-50–+50cent
0.0mS–50mS
0.0mS–50mS
D63>W – D=W – D<W63
Value
14–114
0–127
0–127
PHASER 1 (chorus, variation, insertion block)
See Table
Comment
Control
table#2
table#2
●
1–127
11
12
13
14
15
16
11
12
13
14
15
16
AMBIENCE (variation block)
No.
1
2
3
4
5
6
7
8
9
10
Display
0.0mS–50mS
normal/invers
Value
0–127
0–1
See Table
table#2
EQ Low Frequency
EQ Low Gain
EQ High Frequency
EQ High Gain
Dry/Wet
32Hz–2.0kHz
-12–+12dB
500Hz–16.0kHz
-12–+12dB
D63>W – D=W – D<W63
4–40
52–76
28–58
52–76
1–127
table#3
Comment
Control
table#3
●
Parameter
LFO Frequency
LFO Depth
EQ Low Frequency
EQ Low Gain
EQ High Frequency
EQ High Gain
Dry/Wet
Display
0.00Hz–39.7Hz
0–127
50Hz–2.0kHz
-12–+12dB
500Hz–16.0kHz
-12–+12dB
D63>W – D=W – D<W63
Value
0–127
0–127
8–40
52–76
28–58
52–76
1–127
See Table
table#1
Comment
Control
●
table#3
table#3
Parameter
Rotor Speed
Drive Low
Drive High
Low/High
EQ
EQ
EQ
EQ
Low Frequency
Low Gain
High Frequency
High Gain
Display
0.0Hz–39.7Hz
0–127
0–127
L63>H – L=H – L<H63
32Hz–2.0kHz
-12–+12dB
500Hz–16.0kHz
-12–+12dB
Crossover Frequency 100Hz–10.0kHz
Mic L-R Angle
0deg–180deg(resolution=3deg.)
Value
0–127
0–127
0–127
1–127
See Table
table#1
4–40
52–76
28–58
52–76
table#3
14–54
0–60
table#3
Comment
Control
●
table#3
Parameter
LFO Frequency
AM Depth
PM Depth
Display
0.00Hz–39.7Hz
0–127
0–127
Value
0–127
0–127
0–127
See Table
table#1
EQ
EQ
EQ
EQ
50Hz–2.0kHz
-12–+12dB
500Hz–16.0kHz
-12–+12dB
8–40
52–76
28–58
52–76
table#3
-180–+180deg(resolution=3deg.)
mono/stereo
4–124
0–1
Low Frequency
Low Gain
High Frequency
High Gain
LFO Phase Difference
Input Mode
Comment
Control
●
Parameter
LFO Frequency
L/R Depth
F/R Depth
PAN Direction
EQ
EQ
EQ
EQ
Low Frequency
Low Gain
High Frequency
High Gain
11
12
13
14
15
16
26
EQ Low Frequency
EQ Low Gain
EQ High Frequency
EQ High Gain
Dry/Wet
50Hz–2.0kHz
-12–+12dB
500Hz–16.0kHz
-12–+12dB
D63>W – D=W – D<W63
8–40
52–76
28–58
52–76
1–127
table#3
Stage
Diffusion
6–10 (variation block)
mono/stereo
6–10
0–1
Comment
Control
table#3
●
Parameter
LFO Frequency
LFO Depth
Phase Shift Offset
Feedback Level
Display
0.00Hz–39.7Hz
0–127
0–127
-63–+63
Value
0–127
0–127
0–127
1–127
See Table
table#1
EQ Low Frequency
EQ Low Gain
EQ High Frequency
EQ High Gain
Dry/Wet
50Hz–2.0kHz
-12–+12dB
500Hz–16.0kHz
-12–+12dB
D63>W – D=W – D<W63
8–40
52–76
28–58
52–76
1–127
table#3
3,4,5
-180deg–+180deg
(resolution=3deg.)
3–5
4–124
Comment
Control
table#3
●
Stage
LFO Phase Difference
table#3
Display
0.00Hz–39.7Hz
0–127
0–127
L<->R,L->R,L<-R,Lturn,Rturn,L/R
50Hz–2.0kHz
-12–+12dB
500Hz–16.0kHz
-12–+12dB
Value
0–127
0–127
0–127
0–5
8–40
52–76
28–58
52–76
See Table
table#1
table#3
table#3
Comment
Control
●
Display
0–127
50Hz–2.0kHz
-12–+12dB
1.0k–Thru
0–127
Value
0–127
8–40
52–76
34–60
0–127
See Table
Comment
Control
●
Comment
Control
●
Comment
Control
●
Comment
Control
table#3
table#3
EQ Mid Frequency
500Hz–10.0kHz
-12–+12dB
1.0–12.0
D63>W – D=W – D<W63
28–54
52–76
10–120
1–127
table#3
11
12
13
14
15
16
Edge(Clip Curve)
0–127
0–127
mild–sharp
COMP+DIST (variation block)
11
12
13
14
15
16
Parameter
Drive
EQ Low Frequency
EQ Low Gain
LPF Cutoff
Output Level
Display
0–127
32Hz–2.0kHz
-12–+12dB
1.0k–Thru
0–127
Value
0–127
4–40
52–76
34–60
0–127
See Table
EQ Mid Frequency
EQ Mid Gain
EQ Mid Width
Dry/Wet
100Hz–10.0kHz
-12–+12dB
1.0–12.0
D63>W – D=W – D<W63
14–54
52–76
10–120
1–127
table#3
Edge(Clip Curve)
Attack
Release
Threshold
Ratio
0–127
1ms–40ms
10ms–680ms
-48dB– -6dB
1.0–20.0
0–127
0–19
0–15
79–121
0–7
mild–sharp
table#8
table#9
Display
0–127
Off,Stack,Combo,Tube
1.0k–Thru
0–127
Value
0–127
0–3
34–60
0–127
See Table
Dry/Wet
D63>W – D=W – D<W63
1–127
Edge(Clip Curve)
0–127
0–127
mild–sharp
Value
52–76
28–54
52–76
10–120
52–76
8–40
28–58
See Table
table#3
table#3
table#10
AMP SIMULATOR (variation, insertion block)
11
12
13
14
15
16
Parameter
Drive
AMP Type
LPF Cutoff
Output Level
table#3
3BAND EQ(MONO) (variation, insertion block)
No.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
CVP-201
Parameter
Drive
EQ Low Frequency
EQ Low Gain
LPF Cutoff
Output Level
EQ Mid Gain
EQ Mid Width
Dry/Wet
No.
1
2
3
4
5
6
7
8
9
10
AUTO PAN (variation, insertion block)
No.
1
2
3
4
5
6
7
8
9
10
See Table
table#1
8
9
10
No.
1
2
3
4
5
6
7
8
9
10
TREMOLO (variation, insertion block)
11
12
13
14
15
16
Value
0–127
0–127
0–127
1–127
DISTORTION
OVERDRIVE (variation, insertion block)
No.
1
2
3
4
5
6
7
2WAY ROTARY SPEAKER (variation block)
No.
1
2
3
4
5
6
7
8
9
10
Display
0.00Hz–39.7Hz
0–127
0–127
-63–+63
14
15
16
11
12
13
14
15
16
11
12
13
14
15
16
No.
1
2
3
4
5
6
7
8
9
10
11
12
13
ROTARY SPEAKER (variation, insertion block)
No.
1
2
3
4
5
6
7
8
9
10
Parameter
LFO Frequency
LFO Depth
Phase Shift Offset
Feedback Level
PHASER 2 (variation block)
Parameter
Delay Time
Output Phase
11
12
13
14
15
16
No.
1
2
3
4
5
6
7
8
9
10
No.
1
2
3
4
5
6
7
8
9
10
Parameter
EQ Low Gain
EQ Mid Frequency
EQ Mid Gain
EQ Mid Width
EQ High Gain
EQ Low Frequency
EQ High Frequency
Display
-12–+12dB
500Hz–10.0kHz
-12–+12dB
1.0–12.0
-12–+12dB
50Hz–2.0kHz
500Hz–16.0kHz
Input Mode
mono/stereo
0–1
table#3
table#3
table#3
○
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
2BAND EQ(STEREO) (variation, insertion block)
No.
1
2
3
4
5
6
7
8
9
10
Parameter
EQ Low Frequency
EQ Low Gain
EQ High Frequency
EQ High Gain
Display
50Hz–2.0kHz
-12–+12dB
500Hz–16.0kHz
-12–+12dB
PITCH CHANGE 2 (variation block)
Value
8–40
52–76
28–58
52–76
See Table
table#3
Comment
Control
table#3
11
12
13
14
15
16
AUTO WAH (variation, insertion block)
No.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
4
5
6
7
8
9
10
11
12
13
14
15
16
Display
0.00Hz–39.7Hz
0–127
0–127
Value
0–127
0–127
0–127
1.0–12.0
10–120
EQ Low Frequency
EQ Low Gain
EQ High Frequency
EQ High Gain
Dry/Wet
50Hz–2.0kHz
-12–+12dB
500Hz–16.0kHz
-12–+12dB
D63>W – D=W – D<W63
8–40
52–76
28–58
52–76
1–127
Drive
0–127(variation block)
0–127
See Table
table#1
Comment
Control
●
table#3
table#3
3
4
5
6
7
8
9
10
11
12
13
14
15
16
3
4
5
6
7
8
9
10
Value
40–88
0–127
14–114
14–114
1–127
Dry/Wet
D63>W – D=W – D<W63
1–127
11
12
13
14
15
16
Pan 1
Output Level 1
Pan 2
Output Level 2
L63–R63
0–127
L63–R63
0–127
1–127
0–127
1–127
0–127
See Table
Comment
Control
table#7
●
No.
1
2
3
4
5
6
7
8
9
10
Parameter
Attack
Release
Threshold
Ratio
Output Level
Display
1–40ms
10–680ms
-48– -6dB
1.0–20.0
0–127
Value
0–19
0–15
79–121
0–7
0–127
See Table
table#8
table#9
Comment
Control
Value
0–19
0–15
55–97
0–127
See Table
table#8
table#9
Comment
Control
See Table
Comment
Control
Value
See Table
Comment
Control
Value
28–58
0–127
0–127
See Table
table#3
Comment
Control
table#10
NOISE GATE (variation, insertion block)
Parameter
LFO Frequency
LFO Depth
Cutoff Frequency
Offset
Resonance
Display
0.00Hz–39.7Hz
0–127
0–127
Value
0–127
0–127
0–127
1.0–12.0
10–120
EQ Low Frequency
EQ Low Gain
EQ High Frequency
EQ High Gain
Dry/Wet
32Hz–2.0kHz
-12–+12dB
500Hz–16.0kHz
-12–+12dB
D63>W – D=W – D<W63
4–40
52–76
28–58
52–76
1–127
Drive
EQ Low Gain
(distortion)
EQ Mid Gain
(distortion)
LPF Cutoff
Output Level
0–127
0–127
-12–+12dB
See Table
table#1
Comment
Control
●
table#3
No.
1
2
3
4
5
6
7
8
9
10
Parameter
Attack
Release
Threshold
Output Level
Display
1–40ms
10–680ms
-72– -30dB
0–127
table#3
11
12
13
14
15
16
52–76
-12–+12dB
52–76
34–60
0–127
table#3
See Table
VOICE CANCEL (variation block)
1.0kHz–thru
0–127
Parameter
Sensitive
Cutoff Frequency
Offset
Resonance
Display
0–127
0–127
Value
0–127
0–127
1.0–12.0
10–120
EQ Low Frequency
EQ Low Gain
EQ High Frequency
EQ High Gain
Dry/Wet
32Hz–2.0kHz
-12–+12dB
500Hz–16.0kHz
-12–+12dB
D63>W – D=W – D<W63
4–40
52–76
28–58
52–76
1–127
Drive
0–127(variation block)
0–127
Comment
Control
●
table#3
table#3
No.
1
2
3
4
5
6
7
8
9
10
Parameter
Display
Value
11
12
13
14
15
16
Low Adjust
High Adjust
0–26
0–26
0–26
0–26
NO EFFECT (reverb, chorus, variation block)
THRU (variation, insertion block)
TOUCH WAH 2 (variation, insertion block)
TOUCH WAH+ODRV (variation block)
No.
1
2
Display
-24–+24
0.1mS–400.0mS
-50–+50cent
-50–+50cent
-63–+63
11
12
13
14
15
16
TOUCH WAH 1 (variation, insertion block)
TOUCH WAH+DIST (variation block)
No.
1
2
Parameter
Pitch
Initial Delay
Fine 1
Fine 2
Feedback Level
COMPRESSOR (variation, insertion block)
Parameter
LFO Frequency
LFO Depth
Cutoff Frequency
Offset
Resonance
AUTO WAH+DIST
AUTO WHA+ODRV (variation block)
No.
1
2
3
No.
1
2
3
4
5
6
7
8
9
10
Parameter
Sensitive
Cutoff Frequency
Offset
Resonance
Display
0–127
0–127
Value
0–127
0–127
See Table
1.0–12.0
10–120
EQ Low Frequency
EQ Low Gain
EQ High Frequency
EQ High Gain
Dry/Wet
32Hz–2.0kHz
-12–+12dB
500Hz–16.0kHz
-12–+12dB
D63>W – D=W – D<W63
4–40
52–76
28–58
52–76
1–127
Drive
EQ Low Gain
(distortion)
EQ Mid Gain
(distortion)
LPF Cutoff
Output Level
Release
0–127(variation block)
-12–+12dB(variation block)
0–127
52–76
-12–+12dB(variation block)
52–76
1.0kHz–thru(variation block)
0–127(variation block)
10–680ms
34–60
0–127
52–67
table#3
Value
40–88
0–127
14–114
14–114
1–127
See Table
Comment
Control
●
No.
1
2
3
4
5
6
7
8
9
10
Parameter
Display
11
12
13
14
15
16
table#3
table#3
HARMONIC ENHANCER (variation block)
11
12
13
14
15
16
PITCH CHANGE 1 (variation block)
No.
1
2
3
4
5
6
7
8
9
10
Parameter
Pitch
Initial Delay
Fine 1
Fine 2
Feedback Level
Display
-24–+24
0.1mS–400.0mS
-50–+50
-50–+50
-63–+63
Dry/Wet
D63>W – D=W – D<W63
1–127
11
12
13
14
15
16
Pan 1
Output Level 1
Pan 2
Output Level 2
L63–R63
0–127
L63–R63
0–127
1–127
0–127
1–127
0–127
Comment
Control
table#7
No.
1
2
3
4
5
6
7
8
9
10
Parameter
HPF Cutoff
Drive
Mix Level
Display
500Hz–16kHz
0–127
0–127
11
12
13
14
15
16
●
CVP-201
27
MIDI Data Format / MIDI-Datenformat / Format des données MIDI / Formato de datos MIDI
TALKING MODULATION (variation block)
No.
1
2
3
4
5
6
7
8
9
10
Parameter
Vowel
Move speed
Drive
Output Level
Display
a,i,u,e,o
1–62
0–127
0–127
Value
0–4
1–62
0–127
0–127
See Table
Comment
Control
Display
a,i,u,e,o
Value
0–4
See Table
Comment
Control
1–62
0–127
0–127
0–5
LPF Resonance
Bit Assign
Emphasis
1–62
0–127
0–127
Thru,PowerBass,Radio,Tel,
Clean,Low
1.0–12.0
0–6
Off/On
10–120
0–6
0–1
Dry/Wet
D63>W – D=W – D<W63
1–127
Input Mode
mono/stereo
11
12
13
14
15
16
LO-FI (variation block)
No.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Parameter
Sampling Freq
Control
Word Length
Output Gain
LPF Cutoff
Filter Type
●
DIST+DELAY (variation block)
OVERDRIVE+DELAY (variation block)
No.
1
2
3
4
5
6
7
8
9
10
Parameter
Lch Delay Time
Rch Delay Time
Delay Feedback Time
Delay Feedback Level
Delay Mix
Dist Drive
Dist Output Level
Dist EQ Low Gain
Dist EQ Mid Gain
Dry/Wet
Display
0.1–1486.0ms
0.1–1486.0ms
0.1–1486.0ms
-63–+63
0–127
0–127
0–127
-12–+12dB
-12–+12dB
D63>W – D=W – D<W63
Value
1–14860
1–14860
1–14860
1–127
0–127
0–127
0–127
52–76
52–76
1–127
See Table
Value
1–14860
1–127
0–127
0–127
0–127
52–76
52–76
See Table
Comment
Control
●
11
12
13
14
15
16
COMP+DIST+DELAY (variation block)
COMP+OVERDRIVE+DELAY (variation block)
No.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Parameter
Delay Time
Delay Feedback Level
Delay Mix
Dist Drive
Dist Output Level
Dist EQ Low Gain
Dist EQ Mid Gain
Display
0.1–1486.0ms
-63–+63
0–127
0–127
0–127
-12–+12dB
-12–+12dB
Dry/Wet
D63>W – D=W – D<W63
1–127
Comp.
Comp.
Comp.
Comp.
1ms–40ms
10ms–680ms
-48dB– -6dB
1.0–20.0
0–19
0–15
79–121
0–7
Attack
Release
Threshold
Ratio
Comment
Control
●
table#8
table#9
table#10
WAH+DIST+DELAY (variation block)
WAH+OVERDRIVE+DELAY (variation block)
No.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
Parameter
Delay Time
Delay Feedback Level
Delay Mix
Dist Drive
Dist Output Level
Dist EQ Low Gain
Dist EQ Mid Gain
Display
0.1–1486.0ms
-63–+63
0–127
0–127
0–127
-12–+12dB
-12–+12dB
Value
1–14860
1–127
0–127
0–127
0–127
52–76
52–76
Dry/Wet
D63>W – D=W – D<W63
1–127
Wah Sensitive
Wah Cutoff Freq
Offset
Wah Resonance
Wah Release
0–127
0–127
0–127
0–127
1.0–12.0
10–680ms
10–120
52–67
See Table
Note: Parameter 10 (Dry/Wet) can only be set for insertion type effects.
28
CVP-201
Comment
Control
●
○
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
<Table 1-9 > Effect Data Value Assign Table
Table#1
LFO Frequency
Table#5
Delay Time(200.0ms)
Table#8
Compressor Attack Time
Table#9
Compressor Release Time
Data
Data
Data
Data
0
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
Value Data
Value Data
Value Data
Value
0.00
32
1.35
64
2.69
96
8.41
0.04
33
1.39
65
2.78
97
8.75
0.08
34
1.43
66
2.86
98
9.08
0.13
35
1.47
67
2.94
99
9.42
0.17
36
1.51
68
3.03
100
9.76
0.21
37
1.56
69
3.11
101
10.1
0.25
38
1.60
70
3.20
102
10.8
0.29
39
1.64
71
3.28
103
11.4
0.34
40
1.68
72
3.37
104
12.1
0.38
41
1.72
73
3.45
105
12.8
0.42
42
1.77
74
3.53
106
13.5
0.46
43
1.81
75
3.62
107
14.1
0.51
44
1.85
76
3.70
108
14.8
0.55
45
1.89
77
3.87
109
15.5
0.59
46
1.94
78
4.04
110
16.2
0.63
47
1.98
79
4.21
111
16.8
0.67
48
2.02
80
4.37
112
17.5
0.72
49
2.06
81
4.54
113
18.2
0.76
50
2.10
82
4.71
114
19.5
0.80
51
2.15
83
4.88
115
20.9
0.84
52
2.19
84
5.05
116
22.2
0.88
53
2.23
85
5.22
117
23.6
0.93
54
2.27
86
5.38
118
24.9
0.97
55
2.31
87
5.55
119
26.2
1.01
56
2.36
88
5.72
120
27.6
1.05
57
2.40
89
6.06
121
28.9
1.09
58
2.44
90
6.39
122
30.3
1.14
59
2.48
91
6.73
123
31.6
1.18
60
2.52
92
7.07
124
33.0
1.22
61
2.57
93
7.40
125
34.3
1.26
62
2.61
94
7.74
126
37.0
1.30
63
2.65
95
8.08
127
39.7
0
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
Value Data
Value Data
Value Data
Value
0.1
32
50.5
64 100.8
96 151.2
1.7
33
52.0
65 102.4
97 152.8
3.2
34
53.6
66 104.0
98 154.4
4.8
35
55.2
67 105.6
99 155.9
6.4
36
56.8
68 107.1
100 157.5
8.0
37
58.3
69 108.7
101 159.1
9.5
38
59.9
70 110.3
102 160.6
11.1
39
61.5
71 111.9
103 162.2
12.7
40
63.1
72 113.4
104 163.8
14.3
41
64.6
73 115.0
105 165.4
15.8
42
66.2
74 116.6
106 166.9
17.4
43
67.8
75 118.2
107 168.5
19.0
44
69.4
76 119.7
108 170.1
20.6
45
70.9
77 121.3
109 171.7
22.1
46
72.5
78 122.9
110 173.2
23.7
47
74.1
79 124.4
111 174.8
25.3
48
75.7
80 126.0
112 176.4
26.9
49
77.2
81 127.6
113 178.0
28.4
50
78.8
82 129.2
114 179.5
30.0
51
80.4
83 130.7
115 181.1
31.6
52
81.9
84 132.3
116 182.7
33.2
53
83.5
85 133.9
117 184.3
34.7
54
85.1
86 135.5
118 185.8
36.3
55
86.7
87 137.0
119 187.4
37.9
56
88.2
88 138.6
120 189.0
39.5
57
89.8
89 140.2
121 190.6
41.0
58
91.4
90 141.8
122 192.1
42.6
59
93.0
91 143.3
123 193.7
44.2
60
94.5
92 144.9
124 195.3
45.7
61
96.1
93 146.5
125 196.9
47.3
62
97.7
94 148.1
126 198.4
48.9
63
99.3
95 149.6
127 200.0
Value
0
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
1
2
3
4
5
6
7
8
9
10
12
14
16
18
20
23
26
30
18
19
35
40
Table#2
Modulation Delay Offset
Table#6
Room Size
Table#11
Reverb Width;Depth;Height
Data
Data
0
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
1.8
1.9
2.0
2.1
2.2
2.3
2.4
2.5
2.6
2.7
2.8
2.9
3.0
3.1
50
51
52
53
54
55
56
57
58
59
60
61
62
63
5.0
5.1
5.2
5.3
5.4
5.5
5.6
5.7
5.8
5.9
6.0
6.1
6.2
6.3
82
83
84
85
86
87
88
89
90
91
92
93
94
95
8.2
8.3
8.4
8.5
8.6
8.7
8.8
8.9
9.0
9.1
9.2
9.3
9.4
9.5
114
115
116
117
118
119
120
121
122
123
124
125
126
127
0
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
29.6
31.2
32.8
34.3
35.9
37.5
39.0
40.6
42.2
43.7
45.3
46.9
48.4
50.0
Value Data
Value Data
Value Data
Value
0.1
32
5.1
64
10.1
96
15.1
0.3
33
5.3
65
10.3
97
15.3
0.4
34
5.4
66
10.4
98
15.5
0.6
35
5.6
67
10.6
99
15.6
0.7
36
5.7
68
10.8
100
15.8
0.9
37
5.9
69
10.9
101
15.9
1.0
38
6.1
70
11.1
102
16.1
1.2
39
6.2
71
11.2
103
16.2
1.4
40
6.4
72
11.4
104
16.4
1.5
41
6.5
73
11.5
105
16.6
1.7
42
6.7
74
11.7
106
16.7
1.8
43
6.8
75
11.9
107
16.9
2.0
44
7.0
76
12.0
108
17.0
2.1
45
7.2
77
12.2
109
17.2
2.3
46
7.3
78
12.3
110
17.3
2.5
47
7.5
79
12.5
111
17.5
2.6
48
7.6
80
12.6
112
17.6
2.8
49
7.8
81
12.8
113
17.8
18
19
20
21
22
23
24
25
26
27
28
29
30
31
2.9
3.1
3.2
3.4
3.5
3.7
3.9
4.0
4.2
4.3
4.5
4.6
4.8
5.0
50
51
52
53
54
55
56
57
58
59
60
61
62
63
7.9
8.1
8.2
8.4
8.6
8.7
8.9
9.0
9.2
9.3
9.5
9.7
9.8
10.0
82
83
84
85
86
87
88
89
90
91
92
93
94
95
Table#3
EQ Frequency
Table#4
Reverb time
Table#7
Delay Time(400.0ms)
Data
Data
Data
0
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
Value
Data
Value
THRU(0)
32
800
22
33
900
25
34
1.0k
28
35
1.1k
32
36
1.2k
36
37
1.4k
40
38
1.6k
45
39
1.8k
50
40
2.0k
56
41
2.2k
63
42
2.5k
70
43
2.8k
80
44
3.2k
90
45
3.6k
100
46
4.0k
110
47
4.5k
125
48
5.0k
140
49
5.6k
160
50
6.3k
180
51
7.0k
200
52
8.0k
225
53
9.0k
250
54
10.0k
280
55
11.0k
315
56
12.0k
355
57
14.0k
400
58
16.0k
450
59
18.0k
500
60 THRU(20.0k)
560
630
700
0
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
Value Data
Value
Data
Value
0.3
32
3.5
64
17.0
0.4
33
3.6
65
18.0
0.5
34
3.7
66
19.0
0.6
35
3.8
67
20.0
0.7
36
3.9
68
25.0
0.8
37
4.0
69
30.0
0.9
38
4.1
1.0
39
4.2
1.1
40
4.3
1.2
41
4.4
1.3
42
4.5
1.4
43
4.6
1.5
44
4.7
1.6
45
4.8
1.7
46
4.9
1.8
47
5.0
1.9
48
5.5
2.0
49
6.0
2.1
2.2
2.3
2.4
2.5
2.6
2.7
2.8
2.9
3.0
3.1
3.2
3.3
3.4
50
51
52
53
54
55
56
57
58
59
60
61
62
63
6.5
7.0
7.5
8.0
8.5
9.0
9.5
10.0
11.0
12.0
13.0
14.0
15.0
16.0
0
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
12.9
13.1
13.3
13.4
13.6
13.7
13.9
14.0
14.2
14.4
14.5
14.7
14.8
15.0
114
115
116
117
118
119
120
121
122
123
124
125
126
127
18.0
18.1
18.3
18.4
18.6
18.7
18.9
19.1
19.2
19.4
19.5
19.7
19.8
20.0
0
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
Value
10
15
25
35
45
55
65
75
85
100
115
140
170
230
340
680
Table#10
Compressor Ratio
Data
0
1
2
3
4
5
6
7
Data
Value Data
Value Data
Value Data
Value
0.0
32
3.2
64
6.4
96
9.6
0.1
33
3.3
65
6.5
97
9.7
0.2
34
3.4
66
6.6
98
9.8
0.3
35
3.5
67
6.7
99
9.9
0.4
36
3.6
68
6.8
100
10.0
0.5
37
3.7
69
6.9
101
11.1
0.6
38
3.8
70
7.0
102
12.2
0.7
39
3.9
71
7.1
103
13.3
0.8
40
4.0
72
7.2
104
14.4
0.9
41
4.1
73
7.3
105
15.5
1.0
42
4.2
74
7.4
106
17.1
1.1
43
4.3
75
7.5
107
18.6
1.2
44
4.4
76
7.6
108
20.2
1.3
45
4.5
77
7.7
109
21.8
1.4
46
4.6
78
7.8
110
23.3
1.5
47
4.7
79
7.9
111
24.9
1.6
48
4.8
80
8.0
112
26.5
1.7
49
4.9
81
8.1
113
28.0
0
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
Value
1.0
1.5
2.0
3.0
5.0
7.0
10.0
20.0
Value Data
Value Data
Value Data
Value
0.5
32
8.8
64
17.6
96
27.5
0.8
33
9.1
65
17.9
97
27.8
1.0
34
9.4
66
18.2
98
28.1
1.3
35
9.6
67
18.5
99
28.5
1.5
36
9.9
68
18.8
100
28.8
1.8
37
10.2
69
19.1
101
29.2
2.0
38
10.4
70
19.4
102
29.5
2.3
39
10.7
71
19.7
103
29.9
2.6
40
11.0
72
20.0
104
30.2
2.8
41
11.2
73
20.2
3.1
42
11.5
74
20.5
3.3
43
11.8
75
20.8
3.6
44
12.1
76
21.1
3.9
45
12.3
77
21.4
4.1
46
12.6
78
21.7
4.4
47
12.9
79
22.0
4.6
48
13.1
80
22.4
4.9
49
13.4
81
22.7
5.2
50
13.7
82
23.0
5.4
51
14.0
83
23.3
5.7
52
14.2
84
23.6
5.9
53
14.5
85
23.9
6.2
54
14.8
86
24.2
6.5
55
15.1
87
24.5
6.7
56
15.4
88
24.9
7.0
57
15.6
89
25.2
7.2
58
15.9
90
25.5
7.5
59
16.2
91
25.8
7.8
60
16.5
92
26.1
8.0
61
16.8
93
26.5
8.3
62
17.1
94
26.8
8.6
63
17.3
95
27.1
Value Data
Value Data
Value Data
Value
0.1
32 100.9
64 201.6
96 302.4
3.2
33 104.0
65 204.8
97 305.5
6.4
34 107.2
66 207.9
98 308.7
9.5
35 110.3
67 211.1
99 311.8
12.7
36 113.5
68 214.2
100 315.0
15.8
37 116.6
69 217.4
101 318.1
19.0
38 119.8
70 220.5
102 321.3
22.1
39 122.9
71 223.7
103 324.4
25.3
40 126.1
72 226.8
104 327.6
28.4
41 129.2
73 230.0
105 330.7
31.6
42 132.4
74 233.1
106 333.9
34.7
43 135.5
75 236.3
107 337.0
37.9
44 138.6
76 239.4
108 340.2
41.0
45 141.8
77 242.6
109 343.3
44.2
46 144.9
78 245.7
110 346.5
47.3
47 148.1
79 248.9
111 349.6
50.5
48 151.2
80 252.0
112 352.8
53.6
49 154.4
81 255.2
113 355.9
56.8
50 157.5
82 258.3
114 359.1
59.9
51 160.7
83 261.5
115 362.2
63.1
52 163.8
84 264.6
116 365.4
66.2
53 167.0
85 267.7
117 368.5
69.4
54 170.1
86 270.9
118 371.7
72.5
55 173.3
87 274.0
119 374.8
75.7
56 176.4
88 277.2
120 378.0
78.8
57 179.6
89 280.3
121 381.1
82.0
58 182.7
90 283.5
122 384.3
85.1
59 185.9
91 286.6
123 387.4
88.3
60 189.0
92 289.8
124 390.6
91.4
61 192.2
93 292.9
125 393.7
94.6
62 195.3
94 296.1
126 396.9
97.7
63 198.5
95 299.2
127 400.0
CVP-201
29
YAMAHA
[ Clavinova ]
Model CVP-201
MIDI Implementation Chart
Transmitted
Date:01-MAR-2001
Version : 1.0
Recognized
Remarks
Function ...
Basic
Channel
Default
Changed
1 - 16
1 - 16
Mode
Default
Messages
Altered
3
x
**************
*1
1 - 16
1 - 16
*2
Memorized
3
3,4 (m=1)
x
*3
Note
0 - 127
Number : True voice **************
0 - 127
0 - 127
Velocity Note ON
Note OFF
o 9nH,v=1-127
x 9nH,v=0
o 9nH,v=1-127
x
After
Touch
x
x
x
o
o
o 0-24 semi
Key's
Ch's
Pitch Bend
Control
change
0,32
1
5
7,10,11
6,38
64,66,67
65
71-74
84
91,93,94
96,97
98,99
100,101
o
x
x
o
o
o
x
x
o
o
x
x
o
*4
*4
*4
o
o
o
o
o
o
o
o
o
o
o
o
o
Bank Select
Modulation
Portamento Time
Data Entry
Portamento
Sound Controller
Portamento Cntrl
Effect Depth
RPN Inc,Dec
NRPN LSB,MSB
RPN LSB,MSB
Prog
Change : True #
o 0 - 127
**************
o
System Exclusive
o
o
: Song Pos.
Common : Song Sel.
: Tune
x
x
x
x
x
x
System
:Clock
o
Real Time :Commands o
o
o
Aux
o(120,126,127)
o(121)
x
o(123-125)
o
x
:All Sound Off
:Reset All Cntrls
:Local ON/OFF
:All Notes OFF
Mes- :Active Sense
sages:Reset
x
x
x
x
o
x
0 - 127
Notes:
Mode 1 : OMNI ON, POLY
Mode 3 : OMNI OFF, POLY
30
CVP-201
Mode 2 : OMNI ON, MONO
Mode 4 : OMNI OFF, MONO
o : Yes
x : No
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
Notes:
*1: The send channel for the RIGHT1, RIGHT2, and LEFT parts can be set
using the Send Channel (Keyboard) function. The transmission of
accompaniment, harmony, and song data can be turned on or off using
the Send Channel (Accompaniment/Harmony) and Song Transmission
functions.
*2: Messages received on the channel set by the Remote Keyboard function are handled as operations performed directly on the keyboard or
panel. Only the following messages are received on this channel:
• Note On/Off (A-1...C7)
• Control Changes
Bank Select MSB/LSB (RIGHT1 part)
Modulation
Data Entry MSB (when PITCH BEND SENS. is set by RPN LSB/
MSB)
Volume
Expression
Sustain
Sostenuto
Soft Pedal
Data Increment/Decrement (when PITCH BEND SENS. is set by
RPN LSB/MSB)
RPN LSB/MSB (PITCH BEND SENS. only)
All Note Off
• Program Change (RIGHT1 part)
• Pitch Bend
*3: “m” is always treated as “1” regardless of its value.
*4: Transmitted when ACMP&RHY or HARMONY setting of Send Channel
(Accompaniment/Harmony) function is on.
Remarques :
*1 : Le canal d’émission pour les parties RIGHT1, RIGHT2, et LEFT peut
être configuré à l’aide de la fonction Send Channel (Keyboard). La
transmission des données d’accompagnement, d’harmonie et de
morceau peut être activée ou désactivée à l’aide des fonctions Send
Channel (Accompaniment/Harmony) et Song Transmission.
*2 : Les messages reçus sur le canal configuré à l’aide de la fonction Remote Keyboard sont traités comme des opérations réalisées
directement sur le clavier ou le panneau. Seuls les messages suivants
sont reçus sur ce canal :
• Note On/Off (A-1...C7)
• Control Changes
Bank Select MSB/LSB (partie RIGHT1)
Modulation
Data Entry MSB (si PITCH BEND SENS. est défini à l’aide de
RPN LSB/MSB)
Volume
Expression
Sustain
Sostenuto
Soft Pedal
Data Increment/Decrement (si PITCH BEND SENS. est défini à
l’aide de RPN LSB/MSB)
RPN LSB/MSB (PITCH BEND SENS. uniquement)
All Note Off
• Program Change (partie RIGHT1)
• Pitch Bend
*3 : “m” équivaut toujours à “1” quelle que soit sa valeur.
*4 : Transmis(e) si le paramètre ACMP&RHY ou HARMONY de la fonction
Send Channel (Accompaniment/Harmony) est activé.
Hinweise:
*1: Der Sendekanal für die Parts RIGHT1, RIGHT2 und LEFT läßt sich
über die Funktion Sendekanal (Keyboard) einstellen. Die Übertragung
von Begleitungs-, Harmonie- und Songdaten kann mit den Funktionen
Sendekanal (Begleitung/Harmonie) und Song-Übertragung ein- bzw.
ausgeschaltet werden.
*2: Meldungen, die an dem Kanal empfangen werden, der von der Remote
Keyboard-Funktion eingestellt wurde, werden als direkt auf dem Keyboard oder Steuerpult ausgeführte Bedienoperationen angesehen. Nur
die nachfolgend genannten Meldungen werden auf diesem Kanal
empfangen:
• Noten Ein/Aus (A-1...C7)
• SteuerungsänderungsBank. Wählen Sie MSB/LSB (Part RIGHT1)
Modulation
Dateneintrag MSB (sofern die Option PITCH BEND SENS.
(Tonlagenabtastung) von RPN LSB/MSB) eingestellt wurde
VOLUME (LAUTSTÄRKE)
Expression (Ausdruck)
Sustain
Sostenuto
Soft Pedal
Datenerhöhung/-erniedrigung (sofern die Option PITCH BEND
SENS. (Tonlagenabtastung) von RPN LSB/MSB eingestellt
wurde)
RPN LSB/MSB (nur PITCH BEND SENS.,
TONLAGENABTASTUNG)
Alle Noten ausgeschaltet
• Programmänderung (Part RIGHT1)
• Pitch Bend (Tonlage)
*3: “m” wird stets als “1” behandelt, unabhängig von dessen Wert.
*4: Wird übertragen, wenn die ACMP&RHY- oder HARMONIE-Einstellung
der Funktion Sendekanal (Begleitung/Harmonie) aktiviert ist.
Notas:
*1: El canal de envío para las partes RIGHT1, RIGHT2 y LEFT puede
ajustarse utilizando la función Send Channel (teclado). La transmisión
del acompañamiento de la armonía y de los datos de canción se
pueden activar o desactivar utilizando las funciones Send Channel
(Accompaniment/Harmony) y Song Transmission.
*2: Los mensajes recibidos en el canal ajustado por la función Remote
Keyboard se consideran como operaciones realizadas directamente en
el teclado o el panel. Sólo los mensajes siguientes se reciben en este
canal:
• Note On/Off (A-1...C7)
• Control Changes
Bank Select MSB/LSB (parte RIGHT1)
Modulation
Data Entry MSB (cuando PITCH BEND SENS. se ajusta con
RPN LSB/
MSB)
Volume
Expression
Sustain
Sostenuto
Soft Pedal
Data Increment/Decrement (cuando PITCH BEND SENS. se
ajusta con
RPN LSB/MSB)
RPN LSB/MSB (sólo PITCH BEND SENS.)
All Note Off
• Program Change (parte RIGHT1)
• Pitch Bend
*3: “m” siempre se considera como “1” independientemente de su valor.
*4: Transmitido cuando los ajustes ACMP&RHY o HARMONY de la
función Send Channel (Accompaniment/Harmony) está activada.
CVP-201
31
1
A
B
• Bundled pedal cord inside
• Gebündeltes Pedalkabel
• Cordon de pédalier enroulé à l’intérieur
• Cable de pedales enrollado en el interior
C
D
• AC power cord
• Netzkabel
• Cordon d’alimentation
• Cable de alimentación de CA
• Cord holders
x2
• Kabelhalter
x2
• Serre-câble
x2
• Soportes de cable x 2
Assembly
Zusammenbau
○○○○○○○○○○○○○○○○○○○○○○○○○
○○○○○○○○○○○○○○○○○○○○○○○○○
CAUTION
• Be careful not to confuse parts, and be sure to install all parts in the
correct direction. Please assemble in accordance with the sequence given below.
• Assembly should be carried out by at least two persons.
• Be sure to use the correct screw size, as indicated above. Use of
incorrect screws can cause damage.
• Be sure to tighten up all screws upon completing assembly of each
unit.
• To disassemble, reverse the assembly sequence given below.
Z Open the box and remove all the parts.
Remove all parts from the box. Confirm that all parts
shown in the illustration above are provided.
X Attach the side panels (D) to the pedal box
(C).
Before installing the pedal box, untie and straighten out
the bundled cord attached to the bottom of the pedal box.
Don’t discard the vinyl tie, you’ll need it later in step B.
Place the pedal box on top of the brackets attached to the
side panels (D), and attach using the four 6 x 20
millimeter round-head screws 1 — two screws on each
side. Make sure the pedals extend in the same direction as
the side panel feet.
32
CVP-201
VORSICHT
• Achten Sie darauf, die Teile nicht zu verwechseln, und installieren
Sie alle Teile in der richtigen Ausrichtung. Gehen Sie beim
Zusammenbau bitte in der angegebenen Reihenfolge vor.
• Die Montage sollte von mindestens zwei Personen vorgenommen
werden.
• Achten Sie darauf, die richtige Schraubengröße zu verwenden, wie
es oben gezeigt ist. Die Verwendung der falschen Schrauben kann
zu Schäden führen.
• Achten Sie während der Montage darauf, bei jedem Arbeitsgang
alle Schrauben festzuziehen.
• Für die Demontage muß die angegebene Reihenfolge umgekehrt
befolgt werden.
Z Öffnen Sie den Karton und nehmen Sie alle
Teile heraus.
Vergewissern Sie sich, daß alle in der obigen Abbildung
aufgeführten Teile vollzählig vorhanden sind.
X Befestigen Sie die Seitenwände (D) am
Pedalkasten (C).
Bevor Sie den Pedalkasten montieren, nehmen Sie zunächst das gebündelte Kabel aus dem Pedalkasten, entfernen den Kabelbinder und ziehen das Kabel dann gerade
aus. Werfen Sie den Kabelbinder nicht wg, er wird in
Schritt B wieder gebraucht.
Setzen Sie den Pedalkasten auf die Winkelbleche der
beiden Seitenwänden (D), und schrauben Sie ihn dann mit
den vier Halbrundschrauben (6 x 20 mm) 1 fest (jeweils
zwei Schrauben links und rechts). Achten Sie dabei darauf, daß die Pedale in dieselbe Richtung weisen wie die
vorspringenden Teile der Füße.
• 6 x 20 mm round-head screws
• 6 x 20 mm Halbrundschrauben
• Vis à tête ronde de 6 x 20 mm
• Tornillos de cabeza redonda
de 6 x 20 mm
x4 1
x4 1
x4 1
• 6 x 20 mm round-head screws 1
• 6 x 20 mm Halbrundschrauben 1
• Vis à tête ronde de 6 x 20 mm 1
• Tornillos de cabeza redonda de 6 x
20 mm 1
x4 1
• 4 x 12 mm round-head screws
• 4 x 12 mm Halbrundschrauben
• Vis à tête ronde de 4 x 12 mm
• Tornillos de cabeza redonda
de 4 x 12 mm
x2 2
x2 2
x2 2
• 4 x 20 mm tapping screws
• 4 x 20 mm Schneidschrauben
• Vis auto-taraudeuses 4 x 20 mm
• Tornillos de autoenrosque
de 4 x 20 mm
x4 3
x4 3
x4 3
• 6 x 16 mm flat-head screws
• 6 x 16 mm Senkschrauben
• Vis à tête plate de 6 x 16 mm
• Tornillos de cabeza plana
de 6 x 16 mm
2
x2 2
x4 3
C
x4 4
x4 4
x4 4
x4 4
Montage
Montaje
○○○○○○○○○○○○○○○○○○○○○○○○○
○○○○○○○○○○○○○○○○○○○○○○○○○
PRECAUTION
• Veiller à ne pas mélanger les pièces et à les installer dans le sens
correct. Veuillez assembler l’instrument dans l’ordre indiqué cidessous.
• La présence de deux personnes minimum est nécessaire pour
procéder au montage.
• Toujours utiliser des vis aux dimensions correctes, comme indiqué
cidessus. I’utilisation de vis aux dimensions incorrectes pourrait en
effet endommager l’instrument.
• Resserrer convenablement toutes les vis après le montage de
chaque élément.
• Pour démonter le Clavinova, inverser l’ordre des indications données ci-dessous.
Z Ouvrez le carton et retirez toutes les pièces
Videz le carton de son contenu. Vérifiez que toutes les
pièces indiquées sur l’illustration sont bien fournies.
X Fixez les panneaux latéraux (D) au pédalier
(C)
Avant de poser le pédalier, détacher le cordon de la partie
inférieure du pédalier et le dérouler. Ne jetez pas l’attache
en vinyle, vous la réutiliserez ultérieurement à l’étape B.
Placez le pédalier sur les ferrures fixées aux panneaux
latéraux (D) et fixez-le à l’aide des quatre vis à tête ronde
de 6 x 20 millimètres 1: deux vis de chaque côté.
Veillez à ce que les pédales soient dirigées dans le même
sens que les supports inférieurs.
CUIDADO
• Observe cuidado para no confundir las piezas, y asegúrese de
montar todas ellas en el sentido correcto. Proceda al montaje en el
orden indicado a continuación.
• El montaje deberá realizarse al menos por dos personas.
• Procure utilizar los tornillos del tamaño adecuado, según se indica
arriba. El empleo de tornillos inadecuados puede ocasionar daños
en el instrumento.
• Asegúrese de apretar bien todos los tornillos después de montar
cada unidad.
• Para desmontar las unidades, invierta la secuencia de montaje
facilitada a continuación.
Z Abra la caja y extraiga todas las partes.
Extraiga todas las partes de la caja. Confirme que no falte
ninguna de las partes mostradas en la ilustración.
X Acople los paneles laterales (D) en la caja
de pedales (C).
Antes de instalar la caja de pedales, desate y enderezca el
cable plegado unido a la parte inferior de la caja de pedales. No tire la abrazadera de vinilo, porque la necesitará
en el paso B de más adelante.
Ponga la caja de pedales en la parte superior de las
ménsulas acopladas a los paneles laterales (D), y acople
empleando los cuatro tornillos de cabeza redonda de 6 x
20 mm 1; dos tornillos en cada lado. Asegúrese de que
el pedal se extiende en la misma dirección que la pata.
CVP-201
33
3
• 4 x 12 mm round-head screws 2
• 4 x 12 mm Halbrundschrauben 2
• Vis à tête ronde de 4 x 12 mm 2
• Tornillos de cabeza redonda de 4 x 12 mm 2
4
15 cm
D
A
15 cm
D
B
• 4 x 20 mm tapping screws 3
• 4 x 20 mm Schneidschrauben 3
• Vis auto-taraudeuses 4 x 20 mm 3
• Tornillos de autoenrosque de 4 x 20 mm 3
C Attach the rear panel (B).
With the rear panel slightly angled as shown in the illustration, lower it onto the feet’s protruding edge at the rear
of the pedal box. Then, while eliminating any gaps between the rear and side panels, secure the top of the rear
panel to the side panel brackets using two 4 x 12 mm
round-head screws 2. Finally, secure the bottom of the
rear panel to the pedal box using four 4 x 20 mm tapping
screws 3.
V Install the main unit (A).
Place the main unit (A) on the side panels (D) with the
screws on its bottom panel (toward the rear of the main
unit) just behind the grooves in the brackets located at the
top of the side panels. Then slide the main unit forward
until it stops. WATCH YOUR FINGERS WHEN DOING THIS!!
Align the holes on the bottom panel of the main unit with
the holes in the brackets on the side panels (also center
the main unit to produce equal clearance on the left and
right sides, as shown in the illustration), then screw in and
securely tighten the four 6 x 16 millimeter flat-head
screws 4.
CAUTION
• Do not hold the keyboard in any position other than the position
shown in the above illustration.
• Fingers can become pinched between the main unit and the rear or
side panels, be extra careful so as not to drop the main unit.
B Connect the pedal cord.
The pedal cord from the pedal box must be plugged into
the PEDAL connector on the rear of the main unit. Once
connected, attach the cord holders to the rear panel as
shown, then clip the cord into the holders.
34
CVP-201
• Be sure to place your hands
at least 15 centimeters from
either end of the main unit when
positioning it.
• Mindestens 15 cm innen unter die
Tastatureinheit greifen.
• Placez bien vos mains à 15 cm au moins des extrémités du
clavier, lors de sa mise en place.
• Asegúrese de colocar las manos por lo menos a 15 centímetros
desde los extremos de la unidad principal cuando la sitúe.
C Montieren Sie die Rückwand (B).
Setzen Sie die Rückwand leicht abgewinkelt, wie in der
Abbildung gezeigt, hinter dem Pedalkasten auf die hervorspringenden Teile der Füße auf. Schrauben Sie dann
die Rückwand oben mit zwei 4 x 12 mm Halbrundschrauben 2 so an den Seitenwänden fest, daß kein Spiel
zwischen Rückwand und Seitenwänden verbleibt. Schrauben Sie die Rückwand abschließend noch mit vier 4 x 20
mm Schneidschrauben 3 an den Pedalkasten.
V Montieren Sie die Tastatureinheit (A).
Setzen Sie die Tastatureinheit (A) so auf den fertigen
Ständer, daß die beiden Schrauben an ihrer Unterseite
hinter den Winkelblechen mit Führungsschlitz an der
Hinterseite des Ständers zu liegen kommen. Schieben Sie
die Tastatureinheit dann bis zum Anschlag in die Schlitze.
KLEMMEN SIE IHRE FINGER DABEI NICHT
EIN!!
Richten Sie die Schraubenbohrungen an der Unterseite
der Tastatureinheit mit den Bohrungen der Winkelbleche
aus (achten Sie auch darauf, daß sie mittig auf dem Ständer steht, wie in der Abbildung gezeigt). Schrauben Sie
die Tastatureinheit dann mit den vier 6 x 16 mm Senkschrauben 4 am Ständer fest.
VORSICHT
• Halten Sie die Tastatureinheit nur wie in der obigen Abbildung!
• Achten Sie darauf, daß Sie Ihre Finger nicht zwischen Tastatureinheit und den Seitenwänden bzw. der Rückwand einklemmen —
die Tastatureinheit könnte dadurch zu Fall kommen!
B Schließen Sie das Pedalkabel an.
Das vom Pedalkasten kommende Kabel muß in die
PEDAL-Buchse an der Rückwand der Haupteinheit
gesteckt werden. Befestigen Sie dann die Kabelhalter an
der Rückwand wie in der Abbildung gezeigt, und
klemmen Sie das Kabel in diese Halter.
5
• 6 x 16 mm flat-head screws 4
• 6 x 16 mm Senkschrauben 4
• Vis à tête plate de 6 x 16 mm 4
• Tornillos de cabeza plana de 6 x 16
mm 4
A
D
C Fixez le panneau arrière (B)
En inclinant légèrement en angle le panneau arrière,
comme mentionné sur l’illustration, abaissez-le sur le
rebord des pieds, à l’arrière du pédalier. Puis, tout en éliminant les espaces entre les panneaux arrière et latéraux,
fixez le haut du panneau arrière sur les supports des panneaux latéraux à l’aide de deux vis à tête ronde 4 x 12 mm
2. Et finalement, fixez le bas du panneau arrière au pédalier avec quatre vis auto-taraudeuses 4 x 20 mm 3.
V Posez le clavier (A)
Placez le clavier sur les panneaux latéraux (D), avec les
vis de son panneau inférieur (situées vers l’arrière du
clavier) placées immédiatement derrière les rainures des
ferrures situées à la partie supérieure des panneaux latéraux (D), puis faites glisser le clavier vers l’avant jusqu’à
ce qu’il vienne en butée. FAITES ATTENTION A VOS
DOIGTS EN EXECUTANT CETTE OPERATION!!
Alignez les trous du panneau inférieur du clavier sur les
trous des ferrures des panneaux latéraux (centrez également le clavier de manière à avoir un jeu identique de
chaque côté) puis posez et serrez à fond les quatre vis à
tête plate de 6 x 16 millimètres 4.
PRECAUTION
• Ne tenez pas le clavier d’une autre manière que celle indiquée sur
l’illustration ci-dessus.
• Attention car vous risquez de vous faire pincer les doigts entre le
clavier et les panneaux arrière ou latéraux de sorte que vous devez
veiller à ne pas faire tomber le clavier.
B Raccordez le cordon du pédalier
Le câble qui sort du pédalier doit être branché sur le
connecteur PEDAL (PEDALE) à l’arrière du clavier. Une
fois raccordé, fixez les serre-fils sur le panneau arrière,
comme indiqué, puis faites passer le câble dans les serrefils.
• Cord holder
• Kabelhalter
• Serre-câble
• Soporte del cable
• Use the vinyl tie that was removed from the bundled pedal
cord in step X to tie up any slack in the pedal cord.
• Nehmen Sie überlanges Kabel mit dem in Schritt X entfernten Kabelbinder auf.
• Utilisez l’attache en vinyle qui a été enlevée du cordon de
pédalier à l’étape X pour attacher le fil excédentaire du
cordon de pédalier.
• Emplee la abrazadera de vinilo que se sacó del cale plegado
de los pedales en el paso X para fijar el cable de pedales
sobrante.
C Monte el panel trasero (B).
Con el panel trasero un poco inclinado en ángulo como se
muestra en la ilustración, bájelo al borde saliente de las
patas de la parte posterior de la caja de pedales. Entonces, mientras elimina los huelgos entre los paneles trasero
y lateral, fije la parte superior del panel trasero a las
ménsulas de panel lateral usando dos tornillos de cabeza
redonda de 4 x 12 mm 2. Finalmente, fije la parte inferior del panel trasero a la caja de pedales usando cuatro
tornillos de autoenrosque de 4 x 20 mm 3.
V Instale la unidad principal (A).
Coloque la unidad principal en los paneles laterales (D)
con los tornillos de su panel inferior (hacia la parte posterior de la unidad principal) justo detrás de las ranuras de
la ménsula ubicada en la parte superior de los paneles
laterales (D), después deslice el teclado hacia adelante
hasta que se pare. ¡TENGA CUIDADO CON SUS DEDOS MIENTRAS LO HACE!
Alinee los orificios del panel inferior de la unidad principal con los orificios de las ménsulas de los paneles laterales (también centre la unidad principal para producir una
holgura igual en los lados derecho e izquierdo, como se
muestra en la ilustración), después enrosque y apriete bien
los cuatro tornillos de cabeza plana de 6 x 16 mm 4.
CUIDADO
• No sostenga el teclado en ninguna posición que no sea la posición
mostrada en la ilustración de arriba.
• Podría pillarse los dedos ente la unidad principal y los paneles
traseros o laterales, por lo que deberá tener mucho cuidado que no
se caiga la unidad principal.
B Conecte el cable de los pedales.
El cable de los pedales procedente de la caja de pedales
debe conectarse al conector PEDAL (pedales) situado en
la parte posterior de la unidad principal. Una vez
conectado, coloque los soportes de cable en el panel
trasero de la manera mostrada en la figura y enganche el
cable en los soportes.
CVP-201
35
6
7
C
220
240
110
127
• A voltage selector is provided in some areas.
• Spannungswähler (nur in bestimmten Verkaufsgebieten)
• Un sélecteur de tension est prévu pour certaines régions
• El selector de tensión está provisto para ciertos destinos.
N Voltage Selector
Before connecting the AC power cord, check the setting
of the voltage selector which is provided in some areas.
To set the selector for 110V, 127V, 220V or 240V main
voltages, use a “minus” screwdriver to rotate the selector
dial so that the correct voltage for your region appears
next to the pointer on the panel. The voltage selector is set
at 240V when the unit is initially shipped.
After the proper voltage has been selected, slide the AC
power cord over the rear panel and connect the cord to the
AC INLET, then connect the other end of the cord to an
AC wall outlet. A plug adaptor may be also provided in
some areas to match the pin configuration of the AC wall
outlets in your area.
CAUTION
• An improper voltage setting can cause serious damage to the CVP201 or result in improper operation.
M Set the adjuster.
For stability, an adjuster is provided on the bottom of the
pedal box (C). Rotate the adjuster until it comes in firm
contact with the floor surface. The adjuster ensures stable
pedal operation and facilitates pedal effect control. If the
adjuster is not in firm contact with the floor surface, distorted sound may result.
■ After completing the assembly, please
check the following.
• Are there any parts left over?
➔ Review the assembly procedure and correct any errors.
• Is the Clavinova clear of doors and other movable fixtures?
➔ Move the Clavinova to an appropriate location.
• Does the Clavinova make a rattling noise when you shake it?
➔ Tighten all screws.
• Does the pedal box rattle or give way when you step on the pedals?
➔ Turn the adjuster so that it is set firmly against the floor.
• Are the pedal and power cords inserted securely into the sockets?
➔ Check the connection.
• If the main unit creaks or is otherwise unsteady when you play on
the keyboard, refer to the assembly diagrams and retighten all
screws.
36
CVP-201
N Den Spannungswähler einstellen.
Bevor Sie nun das Netzkabel anschließen, müssen Sie den
Spannungswähler (falls vorhanden) auf die örtliche Netzspannung einstellen. Zum Verstellen drehen Sie den
Spannungswähler mit einem Schlitzschraubendreher, bis der
richtige Spannungswert (110, 127, 220 oder 240) an der
Pfeilmarkierung steht. Bei der Auslieferung werden alle
Instrumente mit Spannungswähler auf “240” voreingestellt.
Wenn Sie die geeignete Spannung ausgewählt haben, führen
Sie das Netzkabel über die Rückwand und stecken ein Ende
des Netzkabels in die Gerätebuchse AC INLET
(Wechselstrom-Anschluß) und das andere Ende in eine
Wandsteckdose.
Einigen Geräten ist ein Adapter zum Anschließen an
Wandsteckdosen mit einer anderen Anschlußbelegung
beigepackt.
VORSICHT
• Ein falsch eingestellter Spannungswähler kann zur Beschädigung
des CVP-201 führen oder zu einem unsachgemäßen Betrieb.
M Justieren Sie schließlich noch den Höhenversteller.
Zur Stabilisierung ist an der Unterseite des Pedalkastens (C)
ein Höhenversteller vorgesehen. Schrauben Sie den Höhenversteller heraus, bis er fest auf dem Fußboden steht. Der
Höhenversteller sorgt für stabile Pedalbetätigung und ermöglicht eine präzise Regelung des Betätigungshubs. Wenn er
nicht fest auf dem Boden steht, können beim Treten der Pedale Klangverzerrungen auftreten.
■ Wenn der Zusammenbau beendet ist, prüfen
Sie bitte folgende Dinge:
• Sind Teile übrig geblieben?
➔ Gehen Sie den Vorgang des Zusammenbaus noch einmal
durch und korrigieren Sie eventuelle Fehler.
• Befindet sich das Clavinova weit genug von Türen und anderen
beweglichen Vorrichtungen entfernt?
➔ Bewegen Sie das Clavinova an einen entsprechend sicheren
Ort.
• Macht das Clavinova Klappergeräusche, wenn Sie es schütteln?
➔ Ziehen Sie alle Schrauben fest.
• Klappert der Pedalkasten oder gibt er nach, wenn Sie das Pedal
treten?
➔ Drehen Sie den Höhenversteller, bis er fest auf dem Fußboden steht.
• Sind Pedal-und Netzkabel richtig an den Buchsen angeschlossen?
➔ Prüfen Sie die Verbindung.
• Wenn die Tastatureinheit knarrt oder beim Spielen wackelt, betrachten Sie die Abbildungen und ziehen Sie alle Schrauben noch
einmal nach.
VORSICHT
• Fassen Sie zum Umstellen des Instruments nach dem
Zusammenbau stets unter das Gehäuse; heben Sie es
NIEMALS am oberen Teil oder an der Tastaturabdeckung. Bei
Nichtbeachtung dieses Punkts kann das Instrument beschädigt
und im Extremfall eine Verletzung hervorgerufen werden.
PRECAUTION
• Pour déplacer l’instrument après le montage, toujours tenir
l’instrument par la surface inférieure, JAMAIS par le dessus ou
le couvercle. Une mauvaise manipulation peut provoquer des
dommages ou des blessures.
CUIDADO
CAUTION
• When moving the instrument after assembly, always hold the
lower surface of the main unit, NEVER the top portion or
keyboard cover. Improper handling can result in damage to the
instrument or personal injury.
N Sélecteur de tension
Avant de connecter le cordon d’alimentation, vérifiez le
réglage du sélecteur de tension qui est prévu pour certaines
régions. Pour régler le sélecteur sur 110 V, 127 V, 220 V ou
240 V, utilisez un tournevis à lame plate pour tourner le cadran du sélecteur afin de mettre l’indication correspondant à
la tension de votre région vis à vis du repère triangulaire
situé sur le panneau. Le sélecteur de tension est réglé sur
240 V au départ d’usine.
Après avoir sélectionné la tension qui convient, faites glisser
le câble d’alimentation de CA par dessus le panneau arrière
et branchez-le dans l’AC INLET (prise de CA), puis branchez l’autre extrémité dans une prise murale de CA. Vous
pouvez également dans certains cas avoir recours à un adaptateur de prise en fonction de la configuration des prises
murales de CA de votre pays.
• Cuando mueva el instrumento después del montaje, sujete
siempre la unidad principal por su superficie inferior, NUNCA
por la parte superior ni por la cubierta del teclado. La
manipulación indebida puede causar daños al instrumento o
lesiones al usuario.
N Selector de tensión
Antes de conectar el cable de alimentación de CA, compruebe el ajuste del selector de tensión que se incorpora para
ciertos destinos. Para ajustar el selector a 110V, 127V, 220V
ó 240V de la red de alimentación, emplee un destornillador
de cabeza recta “-” para girar el selector de modo que la
tensión correcta de su zona aparezca al lado del indicador del
panel. El selector de tensión se ajusta a 240V cuando la
unidad sale de fábrica.
Cuando haya seleccionado la tensión correcta, deslice el
cable de alimentación por encima del panel trasero y
conéctelo a la toma AC INLET (entrada de CA); a
continuación, conecte el otro extremo del cable a una toma
de corriente. En algunos países también podrá suministrarse
un adaptador de clavija para permitir su conexión a las tomas
de corriente locales.
PRECAUTION
• Un mauvais réglage de la tension peut gravement endommager le
CVP-201 ou entraîner des dysfonctionnements.
M N’oubliez pas de régler la hauteur du pédalier
Pour assurer la stabilité du pédalier (C), un dispositif de
réglage a été prévu à sa partie inférieure. Tournez ce dispositif jusqu’à ce qu’il soit en contact ferme avec la surface du
sol. Ce dispositif assure la stabilité du pédalier lors de son
utilisation et facilite la commande au pied des effets. Si ce
dispositif n’est pas en contact ferme avec le sol, il pourra se
produire une distorsion du son.
■ Lorsque le montage est terminé, veuillez
mener à bien les vérifications suivantes.
• Reste-t-il des pièces non utilisées?
➔ Passer en revue la procédure de montage et corriger toute
erreur éventuelle.
• Le Clavinova est-il placé à l’écart des portes et de toute autre
structure mobile?
➔ Déplacer le Clavinova vers un emplacement approprié.
• Lorsque vous secouez quelque peu le Clavinova, entendez-vous un
cliquetis?
➔ Serrer convenablement toutes les vis.
• Le pédalier fait-il du bruit ou s’écarte-t-il lorsque vous appuyez sur
les pédales?
➔ Tourner le stabilisateur de sorte que le Clavinova repose
fermement sur le sol.
• Les cordons des pédales et d’alimentation sont-ils bien enfoncés
dans les prises?
➔ Vérifier toutes les connexions.
• Si la partie principale de l’appareil craque ou est instable lorsque
vous jouez sur le clavier, consulter les diagrammes de montage et
resserrer toutes les vis.
CUIDADO
• Un ajuste incorrecto de la tensión podrá ocasionar daños graves al
instrumento CVP-201 o provocar un funcionamiento defectuoso.
M Asegúrese de ajustar el ajustador.
Para la estabilidad del aparato, se proporciona un ajustador
en la parte inferior de la caja de pedales (C). Gire el
ajustador hasta que contacte firmemente con el suelo. El
ajustador asegura una operación estable de los pedales y
facilita el control del efecto de los pedales. Si el ajustador no
contacta firmemente con el suelo, puede resultar en sonido
distorsionado.
■ Cuando haya concluido el montaje, compruebe los siguientes puntos:
• ¿Ha quedado alguna pieza sin instalar?
➔ Revise el procedimiento de montaje y corrija cualquier error
que se haya podido cometer.
• ¿Está el Clavinova alejado del recorrido de puertas y muebles?
➔ Traslade el Clavinova a una posición adecuada.
• ¿Suena algún ruido de holgura cuando se mueve el Clavinova?
➔ Apriete con firmeza todos los tornillos.
• ¿Vibra o cede la caja de pedales cuando se pisan los pedales?
➔ Gire el estabilizador hasta que apoye firmemente sobre el
suelo.
• ¿Están perfectamente insertados los cables de pedal y alimentación en los conectores?
➔ Revise las conexiones.
• Si la unidad principal cruje o presenta algún signo de inestabilidad
cuando se toca el teclado, consulte los esquemas de montajee y
vuelva a apretar todos los tornillos.
CVP-201
37
Specifications / Technische Daten /○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
Spécifications / Especificationes
KEYBOARD
88 keys (A–1 — C7)
TONE GENERATOR
AWM (Advanced Wave Memory)
MAXIMUM SIMULTANEOUS
POLYPHONY
64
VOICES
Clavinova voices: 195
XG voices: 480 Drum Kits: 12 sets
Voice Groups: Piano, Electric Piano, Guitar, Synthesizer, Organ, Strings/Choir, Brass, Sax/Flute, Bass, Percussion,
Ensemble, XG
Dual, Split
EFFECTS
Reverb: 12 types Chorus: 9 types
Effect: 45 types
ACCOMPANIMENT STYLES
Rhythm Styles: 125 Pianist Styles: 35
Custom Styles: 4
Style Groups: 8Beat, 16Beat, Ballad, Dance, Rock/R&B, Swing/Jazz, Latin, Country, Ballroom, Trad/Waltz, Pianist,
Disk/Custom
Controls: Intro, Main A, Main B ,Main C, Main D, Auto-fill, Ending, Fade in/out, Synchro, Start/Stop, Tap,
Metronome, Tempo –/+
AUTO ACCOMPANIMENT
Music Database: 463
Single Finger, Multi Finger, Fingered1, Fingered2, Full Keyboard,
Harmony, One Touch Setting, Chord Assist, Synchro Stop,
Individual Part Volume Control (Mixer)
REGISTRATION
Bank A – E x 4 memory locations (20), Freeze
SONG PLAY MODE
Song Playback, Repeat, Volume control of individual Parts (Mixer)
Controls: Song, Play/Stop, Rewind, Fast forward, Pause
Guide Control: Easy Play, Next Note, Sound Repeat
Lyric Display, Piano Roll Display, Keyboard Guide Lamps
SONG RECORD MODE
Quick Recording, Track Recording, Chord Sequence, Song Name, Track Edit, Initial Edit, Setup Memory
LCD/CONTROLS
240 x 64 dot liquid crystal display, Contrast dial, Beat lamp, Function button, Mixer button,
Page < > buttons, Direct Access button, LCD buttons, data dial, –/+ buttons, Exit button
VOLUME CONTROLS
Master volume, Acmp/Song volume
DEMO/HELP
50 Demo Songs; 5 help languages (English, Japanese, German, French, Spanish)
DISK DRIVE
PEDAL
CONTROLS
38
3.5-inch micro floppy disk drive
RIGHT
Damper
CENTER
Sostenuto
LEFT
Soft, Start/Stop, Harmony, Registration, Registration Freeze, Ending/rit, Break, Break Fill,
Bass Hold, Fade In/Out, Effect Variation, Glide
JACKS AND TERMINALS
PHONES jacks x 2, AUX OUT jacks (L/L+R, R), AUX IN jacks (L/L+R, R), TO HOST terminal, MIDI terminals (IN, OUT,
THRU)
INPUT/OUTPUT
SPECIFICATIONS
AUX OUT: Output Impedance: 600 Ω
AUX IN: Input Impedance: 10 kΩ; Input Sensitivity: –10 dBm
MAIN AMPLIFIERS
80W (40W x 2)
SPEAKERS
16cm x 2, 5cm x 2
DIMENSIONS (W x D x H)
Music stand down: 1394mm x 561mm x 845mm (54-7/8" x 22-1/16" x 33-1/4")
Music stand up: 1394mm x 561mm x 1017mm (54-7/8" x 22-1/16" x 40-1/16")
WEIGHT
56.0kg (123lbs., 7oz.)
•
Specifications and descriptions in this owner’s manual are for information purposes only.
Yamaha Corp. reserves the right to change or modify products or specifications at any time
without prior notice. Since specifications, equipment or options may not be the same in
every locale, please check with your Yamaha dealer.
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Die technischen Daten und Beschreibungen in dieser Bedienungsanleitung dienen nur der
Information. Yamaha Corp. behält sich das Recht vor, Produkte oder deren technische
Daten jederzeit ohne vorherige Ankündigung zu verändern oder zu modifizieren. Da die
technischen Daten, das Gerät selbst oder Sonderzubehör nicht in jedem Land gleich sind,
setzen Sie sich im Zweifel bitte mit Ihrem Yamaha-Händler in Verbindung.
CVP-201
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Les caractéristiques techniques et les descriptions du mode d’emploi ne sont données que
pour information. Yamaha Corp. se réserve le droit de changer ou modifier les produits et
leurs caractéristiques techniques à tout moment sans aucun avis. Du fait que les
caractéristiques techniques, les équipements et les options peuvent différer d’un pays à
l’autre, adressez-vous au distributeur Yamaha le plus proche.
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Las especificaciones y descripciones de este manual del propietario tienen sólo el propósito
de servir como información. Yamaha Corp. se reserva el derecho a efectuar cambios o
modificaciones en los productos o especificaciones en cualquier momento sin previo aviso.
Puesto que las especificaciones, equipos u opciones pueden no ser las mismas en todos
los mercados, solicite información a su distribuidor Yamaha.
Clavinova Web site (English only)
http://www.yamaha.co.jp/english/product/cl/
Yamaha Manual Library (English versions only)
http://www2.yamaha.co.jp/manual/english/
M.D.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation
© 2001 Yamaha Corporation
V783070 1??PO???.?-01A0 Printed in Indonesia
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